"By Jove!" he said. "How little people know of the homes of the Poor!"
Marjorie was so delighted with his approval that she determined to show Mrs. Trafford next day how prettily at least her son was going to live. The good lady came and admired everything, and particularly the Bokhara hangings. She did not seem to appraise, but something set Marjorie talking rather nervously of a bargain-hunter's good fortune. Mrs. Trafford glanced at the candlesticks and the low bookcase, and returned to the glowing piece of needlework that formed the symmetrical window curtain in the study. She took it in her hand, and whispered, "beautiful!"
"But aren't these rather good?" asked Mrs. Trafford.
Marjorie answered, after a little pause. "They're not too good for him," she said.
§ 3
And now these young people had to resume life in London in earnest. The orchestral accompaniment of the world at large began to mingle with their hitherto unsustained duet. It had been inaudible in Italy. In Chelsea it had sounded, faintly perhaps but distinctly, from their very first inspection of the little house. A drawing-room speaks of callers, a dining-room of lunch-parties and dinners. It had swayed Marjorie from the front door inward.
During their honeymoon they had been gloriously unconscious of comment. Now Marjorie began to show herself keenly sensitive to the advent of a score of personalities, and very anxious to show just how completely successful in every sense her romantic disobedience had been. She knew she had been approved of, admired, condemned, sneered at, thoroughly discussed. She felt it her first duty to Trafford, to all who had approved of her flight, to every one, herself included, to make this marriage obviously, indisputably, a success, a success not only by her own standards but by the standards of anyonesoever who chose to sit in judgment on her.
There was Trafford. She felt she had to extort the admission from every one that he was the handsomest, finest, ablest, most promising and most delightful man a prominent humorist was ever jilted for. She wanted them to understand clearly just all that Trafford was—and that involved, she speedily found in practice, making them believe a very great deal that as yet Trafford wasn't. She found it practically impossible not to anticipate his election to the Royal Society and the probability of a more important professorship. She felt that anyhow he was an F.R.S. in the sight of God....
It was almost equally difficult not to indicate a larger income than facts justified.
It was entirely in Marjorie's vein in those early days that she would want to win on every score and by every standard of reckoning. If Marjorie had been a general she would have counted no victory complete if the struggle was not sustained and desperate, and if it left the enemy with a single gun or flag, or herself with so much as a man killed or wounded. The people she wanted to impress varied very widely. She wanted to impress the Carmel girls, and the Carmel girls, she knew, with their racial trick of acute appraisement, were only to be won by the very highest quality all round. They had, she knew, two standards of quality, cost and distinction. As far as possible, she would give them distinction. But whenever she hesitated over something on the verge of cheapness the thought of those impending judgments tipped the balance. The Carmel girls were just two influential representatives of a host. She wanted to impress quite a number of other school and college friends. There were various shy, plastic-spirited, emotional creatures, of course, for the most part with no confidence in their own appearance, who would be impressed quite adequately enough by Trafford's good looks and witty manner and easy temper. They might perhaps fall in love with him and become slavish to her after the way of their kind, and anyhow they would be provided for, but there were plenty of others of a harder texture whose tests would be more difficult to satisfy. There were girls who were the daughters of prominent men, who must be made to understand that Trafford was prominent, girls who were well connected, who must be made to realize the subtle excellence of Trafford's blood. As she thought of Constance Graham, for example, or Ottiline Winchelsea, she felt the strongest disposition to thicken the by no means well authenticated strands that linked Trafford with the Traffords of Trafford-over-Lea. She went about the house dreaming a little apprehensively of these coming calls, and the pitiless light of criticism they would bring to bear, not indeed upon her happiness—that was assured—but upon her success.
The social side of the position would have to be strained to the utmost, Marjorie felt, with Aunt Plessington. The thought of Aunt Plessington made her peculiarly apprehensive. Aunt Plessington had to the fullest extent that contempt for merely artistic or scientific people which sits so gracefully upon the administrative English. You see people of that sort do not get on in the sense that a young lawyer or barrister gets on. They do not make steps; they boast and quarrel and are jealous perhaps, but that steady patient shove upward seems beyond their intelligence. The energies God manifestly gave them for shoving, they dissipate in the creation of weak beautiful things and unremunerative theories, or in the establishment of views sometimes diametrically opposed to the ideas of influential people. And they are "queer"—socially. They just moon about doing this so-called "work" of theirs, and even when the judgment of eccentric people forces a kind of reputation upon them—Heaven knows why?—they make no public or social use of it. It seemed to Aunt Plessington that the artist and the scientific man were dealt with very neatly and justly in the Parable of the Buried Talent. Moreover their private lives were often scandalous, they married for love instead of interest, often quite disadvantageously, and their relationships had all the instability that is natural upon such a foundation. And, after all, what good were they? She had never met an artist or a prominent imaginative writer or scientific man that she had not been able to subdue in a minute or so by flat contradiction, and if necessary slightly raising her voice. They had little or no influence even upon their own public appointments....