§ 11
They didn't go outside the magic confines of the Lees' villa for three days, and when they did they were still surrounded by their host's service and possessions; they made an excursion to Chillon in his motor-cars, and went in his motor-boat to lunch with the Maynards in their lake-side villa close to Geneva. During all that time they seemed lifted off the common earth into a world of fine fabrics, agreeable sounds, noiseless unlimited service, and ample untroubled living. It had an effect of enchantment, and the long healthy arduous journey thither seemed a tale of incredible effort amidst these sunny excesses. The weather had the whim to be serenely fine, sunshine like summer and the bluest of skies shone above the white wall and the ilex thickets and cypresses that bounded them in from the great world of crowded homes and sous and small necessities. And through the texture of it all for Trafford ran a thread of curious new suggestion. An intermittent discussion of economics and socialism was going on between himself and Solomonson and an agreeable little stammering man in brown named Minter, who walked up in the afternoon from Vevey,—he professed to be writing a novel—during the earlier half of the day. Minter displayed the keenest appreciation of everything in his entertainment, and blinked cheerfully and expressed opinions of the extremest socialistic and anarchistic flavour to an accompaniment of grateful self-indulgence. "Your port-wine is wonderful, Lee," he would say, sipping it. "A terrible retribution will fall upon you some day for all this."
The villa had been designed by Lee to please his wife, and if it was neither very beautiful nor very dignified, it was at any rate very pretty and amusing. It might have been built by a Parisian dressmaker—in the châteauesque style. It was of greyish-white stone, with a roof of tiles. It had little balconies and acutely roofed turrets, and almost burlesque buttresses, pierced by doors and gates; and sun-trap loggias, as pleasantly casual as the bows and embroideries of a woman's dress; and its central hall, with an impluvium that had nothing to do with rain-water, and its dining-room, to which one ascended from this hall between pillars up five broad steps, were entirely irrelevant to all its exterior features. Unobtrusive men-servants in grey with scarlet facings hovered serviceably.
From the little terrace, all set with orange-trees in tubs, one could see, through the branches and stems of evergreens and over a foreground of budding, starting vineyard, the clustering roofs of Vevey below, an agglomeration veiled ever so thinly in the morning by a cobweb of wood smoke, against the blue background of lake with its winged sailing-boats, and sombre Alpine distances. Minter made it all significant by a wave of the hand. "All this," he said, and of the crowded work-a-day life below, "all that."
"All this," with its rich litter of stuffs and ornaments, its fine profusion, its delicacies of flower and food and furniture, its frequent inconsecutive pleasures, its noiseless, ready service, was remarkably novel and yet remarkably familiar to Trafford. For a time he could not understand this undertone of familiarity, and then a sunlit group of hangings in one of the small rooms that looked out upon the lake took his mind back to his own dining-room, and the little inadequate, but decidedly good, Bokhara embroidery that dominated it like a flag, that lit it, and now lit his understanding, like a confessed desire. Of course, Mrs. Lee—happy woman!—was doing just everything that Marjorie would have loved to do. Marjorie had never confessed as much, perhaps she had never understood as much, but now in the presence of Mrs. Lee's æsthetic exuberances, Trafford at least understood. He surveyed the little room, whose harmonies he had at first simply taken for granted, noted the lustre-ware that answered to the gleaming Persian tiles, the inspiration of a metallic thread in the hangings, and the exquisite choice of the deadened paint upon the woodwork, and realized for the first time how little aimless extravagance can be, and all the timid, obstinately insurgent artistry that troubled his wife. He stepped through the open window into a little loggia, and stared unseeingly over glittering, dark-green leaves to the mysteries of distance in the great masses above St. Gingolph, and it seemed for the first time that perhaps in his thoughts he had done his wife a wrong. He had judged her fickle, impulsive, erratic, perhaps merely because her mind followed a different process from his, because while he went upon the lines of constructive truth, her guide was a more immediate and instinctive sense of beauty.
He was very much alive to her now, and deeply in love with her. He had reached Les Avants with all his sense of their discordance clean washed and walked out of his mind, by rain and sun and a flow of high resolutions, and the brotherly swing of their strides together. They had come to the Lee's villa, mud-splashed, air-sweet comrades, all unaware of the subtle differences of atmosphere they had to encounter. They had no suspicion that it was only about half of each other that had fraternized. Now here they were in a company that was not only altogether alien to their former mood, but extremely interesting and exciting and closely akin to the latent factors in Marjorie's composition. Their hostess and her sister had the keen, quick æsthetic sensibilities of their race, with all that freedom of reading and enfranchisement of mind which is the lot of the Western women. Lee had an immense indulgent affection for his wife, he regarded her arrangements and exploits with an admiration that was almost American. And Mrs. Lee's imagination had run loose in pursuit of beautiful and remarkable people and splendours rather than harmonies of line and colour. Lee, like Solomonson, had that inexplicable alchemy of mind which distils gold from the commerce of the world ("All this," said Minter to Trafford, "is an exhalation from all that"); he accumulated wealth as one grows a beard, and found his interest in his uxorious satisfactions, and so Mrs. Lee, with her bright watchful eyes, quick impulsive movements and instinctive command had the utmost freedom to realize her ideals.
In the world at large Lee and Solomonson seemed both a little short and a little stout, and a little too black and bright for their entirely conventional clothing, but for the dinner and evening of the villa they were now, out of consideration for Trafford, at their ease, and far more dignified in Oriental robes. Trafford was accommodated with a long, black, delicately embroidered garment that reached to his feet, and suited something upstanding and fine in his bearing; Minter, who had stayed on from an afternoon call, was gorgeous in Chinese embroidery. The rest of the men clung boldly or bashfully to evening dress....
On the evening of his arrival Trafford, bathed and robed, found the rest of the men assembling about an open wood fire in the smaller hall at the foot of the main staircase. Lee was still upstairs, and Solomonson, with a new grace of gesture begotten by his costume, made the necessary introductions; a little man with fine-cut features and a Galway accent was Rex the playwright; a tall, grey-haired, clean-shaven man was Bright from the New York Central Museum; and a bearded giant with a roof of red hair and a remote eye was Radlett Barns, the great portrait-painter, who consents to paint your portrait for posterity as the King confers a knighthood. These were presently joined by Lee and Pacey, the blond-haired musician, and Mottersham, whose patents and inventions control electric lighting and heating all over the world, and then, with the men duly gathered and expectant, the women came down the wide staircase.
The staircase had been planned and lit for these effects, and Mrs. Lee meant to make the most of her new discovery. Her voice could be heard in the unseen corridor above arranging the descent: "You go first, dear. Will you go with Christabel?" The conversation about the fire checked and ceased with the sound of voices above and the faint rustle of skirts. Then came Christabel Morrison, her slender grace beautifully contrasted with the fuller beauties of that great lady of the stage, Marion Rufus. Lady Solomonson descended confidently in a group of three, with Lady Mottersham and sharp-tongued little Mrs. Rex, all very rich and splendid. After a brief interval their hostess preceded Marjorie, and was so much of an artist that she had dressed herself merely as a foil to this new creation. She wore black and scarlet, that made the white face and bright eyes under her sombre hair seem the face of an inspiring spirit. A step behind her and to the right of her came Marjorie, tall and wonderful, as if she were the queen of earth and sunshine, swathed barbarically in gold and ruddy brown, and with her abundant hair bound back by a fillet of bloodstones and gold. Radlett Barns exclaimed at the sight of her. She was full of the manifest consciousness of dignity as she descended, quite conscious and quite unembarrassed; two borrowed golden circlets glittered on her shining arm, and a thin chain of gold and garnets broke the contrast of the warm, sun-touched neck above, with the unsullied skin below.