He entered the drawing-room and surveyed its long and handsome spaces. Post-impressionism was over and gone; three long pictures by young Rogerson and one of Redwood's gallant bronzes faced the tall windows between the white marble fireplaces at either end. There were two lean jars from India, a young boy's head from Florence, and in a great bowl in the remotest corner a radiant mass of azaleas....
His mood of wondering at familiar things was still upon him. It came to him as a thing absurd and incongruous that this should be his home. It was all wonderfully arranged into one dignified harmony, but he felt now that at a touch of social earthquake, with a mere momentary lapse towards disorder, it would degenerate altogether into litter, lie heaped together confessed the loot it was. He came to a stop opposite one of the Rogersons, a stiffly self-conscious shop girl in her Sunday clothes, a not unsuccessful emulation of Nicholson's wonderful Mrs. Stafford of Paradise Row. Regarded as so much brown and grey and amber-gold, it was coherent in Marjorie's design, but regarded as a work of art, as a piece of expression, how madly irrelevant was its humour and implications to that room and the purposes of that room! Rogerson wasn't perhaps trying to say much, but at any rate he was trying to say something, and Redwood too was asserting freedom and adventure, and the thought of that Florentine of the bust, and the patient, careful Indian potter, and every maker of all the little casual articles about him, produced an effect of muffled, stifled assertions. Against this subdued and disciplined background of muted, inarticulate cries,—cries for beauty, for delight, for freedom, Marjorie and her world moved and rustled and chattered and competed—wearing the skins of beasts, the love-plumage of birds, the woven cocoon cases of little silkworms....
"Preposterous," he whispered.
He went to the window and stared out; turned about and regarded the gracious variety of that long, well-lit room again, then strolled thoughtfully upstairs. He reached the door of his study, and a sound of voices from the schoolroom—it had recently been promoted from the rank of day nursery to this level—caught his mood. He changed his mind, crossed the landing, and was welcomed with shouts.
The rogues had been dressing up. Margharita, that child of the dreadful dawn, was now a sturdy and domineering girl of eight, and she was attired in a gilt paper mitre and her governess's white muslin blouse so tied at the wrists as to suggest long sleeves, a broad crimson band doing duty as a stole. She was Becket prepared for martyrdom at the foot of the altar. Godwin, his eldest son, was a hot-tempered, pretty-featured pleasantly self-conscious boy of nearly seven and very happy now in a white dragoon's helmet and rude but effective brown paper breastplate and greaves, as the party of assassin knights. A small acolyte in what was in all human probably one of the governess's more intimate linen garments assisted Becket, while the general congregation of Canterbury was represented by Edward, aged two, and the governess, disguised with a Union Jack tied over her head after the well-known fashion of the middle ages. After the children had welcomed their father and explained the bloody work in hand, they returned to it with solemn earnestness, while Trafford surveyed the tragedy. Godwin slew with admirable gusto, and I doubt if the actual Thomas of Canterbury showed half the stately dignity of Margharita.
The scene finished, they went on to the penance of Henry the Second; and there was a tremendous readjustment of costumes, with much consultation and secrecy. Trafford's eyes went from his offspring to the long, white-painted room, with its gay frieze of ships and gulls and its rug-variegated cork carpet of plain brick red. Everywhere it showed his wife's quick cleverness, the clean serviceable decorativeness of it all, the pretty patterned window curtains, the writing desks, the little library of books, the flowers and bulbs in glasses, the counting blocks and bricks and jolly toys, the blackboard on which the children learnt to draw in bold wide strokes, the big, well-chosen German colour prints upon the walls. And the children did credit to their casket; they were not only full of vitality but full of ideas, even Edward was already a person of conversation. They were good stuff anyhow....
It was fine in a sense, Trafford thought, to have given up his own motives and curiosities to afford this airy pleasantness of upbringing for them, and then came a qualifying thought. Would they in their turn for the sake of another generation have to give up fine occupations for mean occupations, deep thoughts for shallow? Would the world get them in turn? Would the girls be hustled and flattered into advantageous marriages, that dinners and drawing-rooms might still prevail? Would the boys, after this gracious beginning, presently have to swim submerged in another generation of Blenkinses and their Talk, toil in arduous self-seeking, observe, respect and manipulate shams, succeed or fail, and succeeding, beget amidst hope and beautiful emotions yet another generation doomed to insincerities and accommodations, and so die at last—as he must die?...
He heard his wife's clear voice in the hall below, and went down to meet her. She had gone into the drawing-room, and he followed her in and through the folding doors to the hinder part of the room, where she stood ready to open a small bureau. She turned at his approach, and smiled a pleasant, habitual smile....
She was no longer the slim, quick-moving girl who had come out of the world to him when he crawled from beneath the wreckage of Solomonson's plane, no longer the half-barbaric young beauty who had been revealed to him on the staircase of the Vevey villa. She was now a dignified, self-possessed woman, controlling her house and her life with a skilful, subtle appreciation of her every point and possibility. She was wearing now a simple walking dress of brownish fawn colour, and her hat was touched with a steely blue that made her blue eyes seem handsome and hard, and toned her hair to a merely warm brown. She had, as it were, subdued her fine colours into a sheath in order that she might presently draw them again with more effect.
"Hullo, old man!" she said, "you home?"
He nodded. "The club bored me—and I couldn't work."
Her voice had something of a challenge and defiance in it. "I've been looking at a house," she said. "Alice Carmel told me of it. It isn't in Berkeley Square, but it's near it. It's rather good."
He met her eye. "That's—premature," he said.
"We can't go on living in this one."
"I won't go to another."
"But why?"
"I just won't."
"It isn't the money?"
"No," said Trafford, with sudden fierce resentment. "I've overtaken you and beaten you there, Marjorie."
She stared at the harsh bitterness of his voice. She was about to speak when the door opened, and Malcom ushered in Aunt Plessington and Uncle Hubert. Husband and wife hung for a moment, and then realized their talk was at an end....
Marjorie went forward to greet her aunt, careless now of all that once stupendous Influence might think of her. She had long ceased to feel even the triumph of victory in her big house, her costly, dignified clothes, her assured and growing social importance. For five years Aunt Plessington had not even ventured to advise; had once or twice admired. All that business of Magnet was—even elaborately—forgotten....