There were as many kinds of women on display as there were colours of houses: honey blondes, young girls, women with slant eyes and combs in their hair like Japanese geishas, even one coal-black beauty wearing a heavy silver necklace. There was a woman dressed in white tulle who had a heart-shaped face and long dark lashes and gave a lingering Madonna-like smile, who did not invite anyone but just sat there looking out on the street. She attracted Budai’s attention. He walked to and fro in front of her window so she was bound to have noticed him but still she did not beckon him, only followed his movements with the same modest and happy half smile… Making a sudden decision, with heart in mouth, he rang her bell like a guilty schoolboy. An answering buzz told him he could enter.
He found himself in a dim-lit hall with an old woman sitting at a table. As he passed her she gave him a tiny slip of paper with the number 174 on it. He didn’t understand what this was for and handed it back to her enquiringly, but the old woman just muttered a complaint of some sort, and pointed upwards. He had to go up to the first floor where a bald, withered old man stood by the door, his face red and wrinkled as a baked apple. He asked for Budai’s ticket, punched a hole in it, then tore a ticket from a book of tickets and handed it to him. Not being able to understand each other it took a while to establish that there was something to pay here, a note bearing the number 10. Budai felt this was expensive and didn’t even know whether it was an entrance fee or whether it covered everything. He was already regretting having come in.
He was ushered into a circular room with four doors beside the one he had come in by opening off it. There were chairs and benches arranged around the wall, all of them occupied by some twenty to twenty-five men waiting as if at the dentist’s so there was nowhere for him to sit down. A speaker was playing waltzes, guests were chattering and laughing. Budai felt no inclination to engage in the usual sign language, suspecting it would be pointless in any case: he doubted that he could explain his presence. Once we are face to face, he thought… From time to time one of the doors opened and a lightly-clad woman turned around and flicked up her dress. This was what the guests had been waiting for — they had got to number 148 so far — and one of them would go off and disappear with her. But there were occasions when no one came forward, in which case the possessor of the next number accompanied the woman while the first man waited for one of the others. Eventually the whole range of women had made an appearance but the one with the Madonna face was not among them. Perhaps she was just for window-display?
Business was pretty brisk, doors opened and closed with great regularity: the women would spend between ten and fifteen minutes with each guest, sometimes less, while all the time new customers continued to arrive. The loud, constantly changing crowd had practically used up all the oxygen in the room. Several people were smoking though there was no sign of ventilation anywhere. The air was thick with a heavy male smell combined with smoke, sweat, cheap perfume and some insidious disinfectant or insect repellent. Eventually Budai found a seat though he felt no better for that since his head was swimming and his stomach heaving: he blamed the drink he had consumed. He wanted the whole thing to be over but was worried in case it looked like he was running away: he had missed any opportunity of leaving. He regretted spending the money too. In the end he decided not to be choosy but to go with whoever came for him, it didn’t matter which woman it was. The sheer speed and volume of the traffic had put him off in any case.
It was a good long time before they got to 174: a big, stout, red-haired girl with brown skin or possibly a deep tan called the number out. Budai rose and followed her silently into the neighbouring booth. Though they closed the door behind them they could still hear the music as well as the chatter and laughter of the waiting room. The woman was wearing a lightweight white blouse, a wide green skirt, beneath which flashed her healthy stout thighs, and a pair of summer sandals. She immediately started to undress and had already pulled the blouse over her head when he raised his finger to stop her. He addressed her in several languages, pointing to himself, making sweeping movements with his arms, opening his palms in enquiry. What he wanted to know was the name of the town and the country, that kind of thing. But she can’t have understood him though she raised her eyebrows and asked him something twice in a deep, harsh, nicotine-stained voice. He tried to respond by drawing the shape of Europe as best he could in his notebook, complete with its three major southern headlands and major rivers, marking his own birthplace beside the Danube and the city he had come from, repeating its name carefully, syllable by syllable, jabbing at his own breast. The girl gazed thoughtfully at the drawing while indicating that he should sit down and make himself comfortable. He was still fully dressed and unwilling to remove any of his clothing apart from his coat, which he laid on the chair. He hovered in the tiny room, preoccupied, so the girl signalled to him to sit down beside her on the leather couch. She did not hurry him, nor did she show any impatience, though there must have been new customers arriving all the time outside to judge by the rattling, scuffling and scrapings of chairs, as well as the music that continued to pulse. In all the noise, and despite the language problem, she must have been touched by the loneliness of the foreigner and guessed that he was after something different.
Budai tore the page out and gave it to her along with the pencil to indicate that she should draw her own map. The woman misunderstood him, folded the sheet and put it in a metal box that she drew out from beneath the bed. He tried to discover her name as a beginning, then held up his fingers as if to count, one, two, three… But he could not be sure whether the overlong and slow answer she gave, giving an occasional bitter laugh, was in fact to his question. It was hard to know. She took her box out again, removing a number of miscellaneous items: buckles, brooches, ribbons, scraps of paper with writing on them, old letters, photographs, a pair of opera-glasses, a ring, some coloured marbles and a glass pearl. This must be where she kept her souvenirs and mementos. She closed then opened the box again and carried on talking in the deep hoarse voice:
‘Tevebevedre atchipachitapp! Atchipachitapp?.. Buttureu jebetch atchichitapp?’
She kept repeating the sound atchichitapp, as she picked out a child’s shoe from among her things, her eyes suddenly full of tears. Budai had no idea who the shoe belonged to, to the woman in her childhood? Or to a child of her own? And if she had a child where was it?… But she hugged the little shoe so passionately one couldn’t help but pity her: he stroked her hair, soft, red, electric, so it almost sparked as he touched it, caressing her brow and neck too. The woman caught his hand and put it to his face, to her mouth, smearing it with her tears: he felt awkward but he lost his coldness and was overcome by deep emotion. There was much annoyed shuffling and drumming in the waiting room, someone even knocked on the wall. Being hurried like that made Budai nervous and he would have disengaged himself but the girl wouldn’t let him, clinging to him, pressing his head into her lap, practically kneeling before him. He wanted to pull her up but found himself sinking down beside her instead and that was how they remained, clumsy, between floor and couch, in a most unnatural position but in a tight embrace, almost of one body.