“Missy,” he began to say, hurriedly, “look here! take the money— the notes and gold—look here—take it—you shall have it all— do as I tell you.”
He made an effort to stretch out the key towards her as far as possible, and Mary again retreated.
“I will not touch your key or your money, sir. Pray don’t ask me to do it again. If you do, I must go and call your brother.”
He let his hand fall, and for the first time in her life Mary saw old Peter Featherstone begin to cry childishly. She said, in as gentle a tone as she could command, “Pray put up your money, sir;” and then went away to her seat by the fire, hoping this would help to convince him that it was useless to say more. Presently he rallied and said eagerly—
“Look here, then. Call the young chap. Call Fred Vincy.”
Mary’s heart began to beat more quickly. Various ideas rushed through her mind as to what the burning of a second will might imply. She had to make a difficult decision in a hurry.
“I will call him, if you will let me call Mr. Jonah and others with him.”
“Nobody else, I say. The young chap. I shall do as I like.”
“Wait till broad daylight, sir, when every one is stirring. Or let me call Simmons now, to go and fetch the lawyer? He can be here in less than two hours.”
“Lawyer? What do I want with the lawyer? Nobody shall know—I say, nobody shall know. I shall do as I like.”
“Let me call some one else, sir,” said Mary, persuasively. She did not like her position—alone with the old man, who seemed to show a strange flaring of nervous energy which enabled him to speak again and again without falling into his usual cough; yet she desired not to push unnecessarily the contradiction which agitated him. “Let me, pray, call some one else.”
“You let me alone, I say. Look here, missy. Take the money. You’ll never have the chance again. It’s pretty nigh two hundred— there’s more in the box, and nobody knows how much there was. Take it and do as I tell you.”
Mary, standing by the fire, saw its red light falling on the old man, propped up on his pillows and bed-rest, with his bony hand holding out the key, and the money lying on the quilt before him. She never forgot that vision of a man wanting to do as he liked at the last. But the way in which he had put the offer of the money urged her to speak with harder resolution than ever.
“It is of no use, sir. I will not do it. Put up your money. I will not touch your money. I will do anything else I can to comfort you; but I will not touch your keys or your money.”
“Anything else anything else!” said old Featherstone, with hoarse rage, which, as if in a nightmare, tried to be loud, and yet was only just audible. “I want nothing else. You come here—you come here.”
Mary approached him cautiously, knowing him too well. She saw him dropping his keys and trying to grasp his stick, while he looked at her like an aged hyena, the muscles of his face getting distorted with the effort of his hand. She paused at a safe distance.
“Let me give you some cordial,” she said, quietly, “and try to compose yourself. You will perhaps go to sleep. And to-morrow by daylight you can do as you like.”
He lifted the stick, in spite of her being beyond his reach, and threw it with a hard effort which was but impotence. It fell, slipping over the foot of the bed. Mary let it lie, and retreated to her chair by the fire. By-and-by she would go to him with the cordial. Fatigue would make him passive. It was getting towards the chillest moment of the morning, the fire had got low, and she could see through the chink between the moreen window-curtains the light whitened by the blind. Having put some wood on the fire and thrown a shawl over her, she sat down, hoping that Mr. Featherstone might now fall asleep. If she went near him the irritation might be kept up. He had said nothing after throwing the stick, but she had seen him taking his keys again and laying his right hand on the money. He did not put it up, however, and she thought that he was dropping off to sleep.
But Mary herself began to be more agitated by the remembrance of what she had gone through, than she had been by the reality— questioning those acts of hers which had come imperatively and excluded all question in the critical moment.
Presently the dry wood sent out a flame which illuminated every crevice, and Mary saw that the old man was lying quietly with his head turned a little on one side. She went towards him with inaudible steps, and thought that his face looked strangely motionless; but the next moment the movement of the flame communicating itself to all objects made her uncertain. The violent beating of her heart rendered her perceptions so doubtful that even when she touched him and listened for his breathing, she could not trust her conclusions. She went to the window and gently propped aside the curtain and blind, so that the still light of the sky fell on the bed.
The next moment she ran to the bell and rang it energetically. In a very little while there was no longer any doubt that Peter Featherstone was dead, with his right hand clasping the keys, and his left hand lying on the heap of notes and gold.
BOOK IV.
THREE LOVE PROBLEMS.
CHAPTER XXXIV.
1st Gent. Such men as this are feathers, chips, and straws. Carry no weight, no force. 2d Gent. But levity Is causal too, and makes the sum of weight. For power finds its place in lack of power; Advance is cession, and the driven ship May run aground because the helmsman’s thought Lacked force to balance opposites.”
It was on a morning of May that Peter Featherstone was buried. In the prosaic neighborhood of Middlemarch, May was not always warm and sunny, and on this particular morning a chill wind was blowing the blossoms from the surrounding gardens on to the green mounds of Lowick churchyard. Swiftly moving clouds only now and then allowed a gleam to light up any object, whether ugly or beautiful, that happened to stand within its golden shower. In the churchyard the objects were remarkably various, for there was a little country crowd waiting to see the funeral. The news had spread that it was to be a “big burying;” the old gentleman had left written directions about everything and meant to have a funeral “beyond his betters.” This was true; for old Featherstone had not been a Harpagon whose passions had all been devoured by the ever-lean and ever-hungry passion of saving, and who would drive a bargain with his undertaker beforehand. He loved money, but he also loved to spend it in gratifying his peculiar tastes, and perhaps he loved it best of all as a means of making others feel his power more or less uncomfortably. If any one will here contend that there must have been traits of goodness in old Featherstone, I will not presume to deny this; but I must observe that goodness is of a modest nature, easily discouraged, and when much privacy, elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance. In any case, he had been bent on having a handsome funeral, and on having persons “bid” to it who would rather have stayed at home. He had even desired that female relatives should follow him to the grave, and poor sister Martha had taken a difficult journey for this purpose from the Chalky Flats. She and Jane would have been altogether cheered (in a tearful manner) by this sign that a brother who disliked seeing them while he was living had been prospectively fond of their presence when he should have become a testator, if the sign had not been made equivocal by being extended to Mrs. Vincy, whose expense in handsome crape seemed to imply the most presumptuous hopes, aggravated by a bloom of complexion which told pretty plainly that she was not a blood-relation, but of that generally objectionable class called wife’s kin.
We are all of us imaginative in some form or other, for images are the brood of desire; and poor old Featherstone, who laughed much at the way in which others cajoled themselves, did not escape the fellowship of illusion. In writing the programme for his burial he certainly did not make clear to himself that his pleasure in the little drama of which it formed a part was confined to anticipation. In chuckling over the vexations he could inflict by the rigid clutch of his dead hand, he inevitably mingled his consciousness with that livid stagnant presence, and so far as he was preoccupied with a future life, it was with one of gratification inside his coffin. Thus old Featherstone was imaginative, after his fashion.