His stentorian breathing slowed a little. His heartbeat fell from an impossibly rapid dubdubdubdubdubdubdub to perhaps a hundred or a hundred and twenty beats a minute, still fast, as if he were running, but better. His head cleared, too, though not entirely, because the scent of blood was an inescapable perfume.
He pushed away from the dresser and staggered to Penniworth.
The deputy was still curled in the tightest fetal position that a grown man could achieve. Traces of the beast were in his hands and face, but he was considerably more human than not. The chanting of his mother's name seemed to be working nearly as well as the thread-thin lifeline of love had worked for Loman.
Letting go of his shotgun with one cramped hand, Loman reached down to Penniworth and took him by the arm. "Come on, let's get out of here, boy, let's get away from this smell."
Penniworth understood and got laboriously to his feet. He leaned against Loman and allowed himself to be led out of the room, away from the two dead regressives, along the hallway into the living room.
Here, the stink of urine completely smothered what trace of the blood scent might have ridden the currents of air outward from the bedroom. That was better. It was not a foul odor at all, as it had seemed previously, but acidic and cleansing.
Loman settled Penniworth in an armchair, the only upholstered item in the room that had not been torn to pieces.
"You going to be okay?"
Penniworth looked up at him, hesitated, then nodded. All signs of the beast had vanished from his hands and countenance, though his flesh was strangely lumpy, still in transition. His face appeared to be swollen with a disabling case of the hives, large round lumps from forehead to chin and ear to ear, and there were long, diagonal welts, too, that burned an angry red against his pale skin. However, even as Loman watched, those phenomena faded, and Neil Penniworth laid full claim to his humanity. To his physical humanity, at least.
"You sure?" Loman asked.
"Yes."
"Stay right there."
"Yes."
Loman went into the foyer and opened the front door. The deputy standing guard outside was so tense because of all the shooting and screaming in the house that he almost fired on his chief before he realized who it was.
"What the hell?" the deputy said.
"Get on the computer link to Shaddack," Loman said. "He has to come out here now. Right now. I have to see him now."
55
Sam drew the heavy blue drapes, and Harry turned on one bedside lamp. Soft as it was, too dim to chase away more than half the shadows, the light nevertheless stung Tessa's eyes, which were already tired and bloodshot.
For the first time she actually saw the room. It was sparely furnished: the stool; the tall table beside the stool; the telescope; a long, modern-oriental, black lacquered dresser; a pair of matching nightstands; a small refrigerator in one corner; and an adjustable hospital-type bed, queen-size, without a spread but with plenty of pillows and brightly colored sheets patterned with splashes and streaks and spots of red, orange, purple, green, yellow, blue, and black, like a giant canvas painted by a demented and color-blind abstract artist.
Harry saw her and Sam's reaction to the sheets and said, "Now, that's a story, but first you've got to know the background. My housekeeper, Mrs. Hunsbok, comes in once a week, and she does most of my shopping for me. But I send Moose on errands every day, if only to pick up a newspaper. He wears this set of … well, sort of saddlebags strapped around him, one hanging on each side. I put a note and some money in the bags, and he goes to the local convenience store — it's the only place he'll go when he's wearing the bags, unless I'm with him. The clerk at the little grocery, Jimmy Ramis, knows me real well. Jimmy reads the note, puts a quart of milk or some candy bars or whatever I want in the saddlebags, puts the change in there, too, and Moose brings it all back to me. He's a good, reliable service dog, the best. They train them real well at Canine Companions for Independence. Moose never chases after a cat with my newspaper and fresh milk in his backpack."
The dog raised his head off Tessa's lap, panted and grinned, as if acknowledging the praise.
"One day he came home with a few items I'd sent him for, and he also had a set of these sheets and pillow cases. I call up jimmy Ramis, see, and ask him what's the idea, and Jimmy says he doesn't know what I'm talking about, says he never saw any such sheets. Now, Jimmy's dad owns the convenience store, and he also owns Surplus Outlet, out on the county road. He gets all kinds of discontinued merchandise and stuff that didn't sell as well as the manufacturers expected, picks it up at ten cents on the dollar sometimes, and I figure these sheets were something he was having trouble unloading even at Surplus Outlet. Jimmy no doubt saw them, thought they were pretty silly, and decided to have some fun with me. But on the phone Jimmy says, 'Harry, if I knew anything about the sheets, I'd tell you, but I don't. And I says, 'You trying to make me believe Moose went and bought them all on his own, with his own moneys' And Jimmy says, 'Well, no, I'd guess he shoplifted them somewhere,' and I says, 'And just how did he manage to stuff them in his own backpack so neat,' and Jimmy says, 'I don't know, Harry, but that there is one hell of a clever dog — though it sounds like he doesn't have good taste."
Tessa saw how Harry relished the story, and she also saw why he was so pleased by it. For one thing the dog was child and brother and friend, all rolled into one, and Harry was proud that people thought of Moose as clever. More important, Jimmy's little joke made Harry a part of his community, not just a homebound invalid but a participant in the life of his town. His lonely days were marked by too few such incidents.
"And you are a clever dog," Tessa told Moose.
Harry said, "Anyway, I decided to have Mrs. Hunsbok put them on the bed next time she came, as a joke, but then I sort of liked them."
After drawing the drapes at the second window, Sam returned to the stool, sat down, swiveled to face Harry, and said, "They're the loudest sheets I've ever seen. Don't they keep you awake at night?"
Harry smiled. "Nothing can keep me awake. I sleep like a baby. What keeps people awake is worry about the future, about what might happen to them. But the worst has already happened to me. Or they lie awake thinking about the past, about what might have been, but I don't do that because I just don't dare." His smile faded as he spoke. "So now what? What do we do next?"
Gently removing Moose's head from her lap, standing and brushing a few dog hairs from her jeans, Tessa said, "Well, the phones aren't working, so Sam can't call the Bureau, and if we walk out of town we risk an encounter with Watkins's patrols or these Boogeymen. Unless you know a ham radio enthusiast who'd let us use his set to get a message relayed, then so as far as I can see, we've got to drive out."
"Roadblocks, remember," Harry said.
She said, "Well, I figure we'll have to drive out in a truck, something big and mean, ram straight through the damn roadblock, make it to the highway, then out of their jurisdiction. Even if we do get chased down by county cops, that's fine, because Sam can get them to call the Bureau, verify his assignment, then they'll be on our side."
"Who's the federal agent here, anyway?" Sam asked.
Tessa felt herself blush. "Sorry. See, a documentary filmmaker is almost always her own producer, sometimes producer and director and writer too. That means if the art part of it is going to work, the business part of it has to work first, so I'm used to doing a lot of planning, logistics. Didn't mean to step on your toes."