And so the money ran out. Everybody was doing what they could, but Susan decided it was her turn to bring home the bacon. She arranged a lunch meeting with Adam Norwitz at the Ivy. She was going to sell her privacy.
Chapter Thirty-two
Marilyn meandered through the Seneca crash site and remembered a movie she'd seen years before, one where the wife of a Hollywood movie executive is hacked to bits and left strewn about a lemon grove. But Seneca this was no movie, this was the odor of burning plastics, her shin scraped from bumping into a sheared aluminum panel. This was the crackle of walkie-talkies, the wail of competing sirens. She saw a drink service trolley, little liquor bottles and all, flattened like a cardboard. She saw a Nike gym bag run over by a fire truck. She saw prescription bottles, juice cartons and exploded cans of ginger ale pressed into the Ohio soil like seeds, watered with aviation fuel and germinated by fire.
She'd been at O'Hare in Chicago, and was heading back to Cheyenne after helping organize a regional pageant in Winnetka. Inside one of the air terminal's snack bars, she'd seen crash footage with Susan's old promo shot inset in the upper left corner. Within a blink she had checked the departure screens, purchased an electronic ticket and boarded a flight to Columbus, where she rented a car. She was at the crash scene within three hours. Once there, Marilyn learned that there are no rules for crash sites. They occupy huge amounts of space in the strangest locations. Most local disaster crews are overwhelmed by the workload and are sickened by the things they see. There had been a yellow plastic tape hastily strung up around much of the site to keep away the gawkers, and Marilyn knew that the easiest way to get inside the tape without hassle was to give the impression of already having been there. To this end she smeared her face, blouse and jacket with rich Ohio soil and nimbly stepped inside, into the space where chaotic orders were barked through megaphones, past blue vinyl tarps fluttering over stacked bodies and inside the supermarket meat trucks used to refrigerate body fragments for later DNA examination.
There were any number of photographers on the scene, and one photo of Marilyn in particular, with her lost face and soiled wardrobe, made the cover of several national publications (One Mother's Loss). Marilyn bought four dozen copies of each issue.
In Marilyn's mind, Susan was either completely intact or completely incinerated. Any point between these two extremes was intolerable, for Susan was a beauty, a result of Marilyn's own good looks and teaching. Marilyn's own pursuit of beauty had raised her out of the Ozarks of the Pacific, out of the family's Oregonian mountain shit shack, with its seven children, two of whom were alcoholic by the time Marilyn began generating memories. Hers was a beautiful-looking family, but one with a hellish ugly core, no morals, too many guns, no God to fear, reared in isolation, mostly illiterate and sticking their dicks wherever the opposition was overcome. She abandoned the shit shack at sixteen, pregnant by one of two brothers, and miscarried in a Dairy Queen bathroom after a fourteen-hour walk into McMinnville. Using one of three dollar bills she'd stolen from her father's rifle bag, she bought a banana split and marveled at the free red plastic spoon that came with it. The other two dollars she used to buy foundation at the Rexall to cover up her tear-blotched complexion. She hitchhiked out of town and got a ride with Duran, a half-Cajun drainage pipe salesman. Almost immediately he asked her to marry him, and she accepted because she had nothing else going for her, and besides, Duran was a gentleman who didn't wake her up in the middle of the night, heavy, wet and pounding. In fact, except for the first few times that produced Susan, Duran didn't touch her much, and that was just fine. Duran's love was more like worship, and he insisted Marilyn do all she could with what she had, yet he was also a pragmatist and insisted she learn a nonbeauty skill. To this end he oversaw Marilyn's two-part education of daytime courses at the Miss Eva Lorraine Institute of Cosmetology (since 1962), and night school courses in typing and office procedures, which Marilyn soaked up like a cotton ball.
Susan was born, but Duran insisted Marilyn continue with her studies, which ultimately raised her to paralegal status. Marilyn, please stop talking and study the woman on TV.
I'm tired of watching her.
That is not an issue. Just keep watching. Duran was convinced that the most useful accent a woman could use was the concise nasal telegraph of the network news goddesses, and made Marilyn watch and mimic their style.
Durrie, why are you making me learn all of this stuff?
Because, Marilyn, you know I'm not going to be here forever, and please don't talk like such a heek.
What do you mean you're not going to be around? And by the way, it's hick, not heek, and please don't call me a hick.
I need to know you'll be able to make it on your own. The world is hard. You need skills.
And when am I going to be alone?
When you're twenty-one.
And then what, Durrie?
What Duran did was leave, just as he said he would, and Marilyn accepted it without rancor and thought she had gotten good value for her time with him. As Marilyn had cultivated no friends, and had pretty well jettisoned her family, she didn't mention him again to anybody else.
But when the screen door slammed, Marilyn sensed an absence in her life as blunt and frightening as a freshly cut tree stump. And it was at this point that her enthusiasm for Susan's entry into the world of pageants was born.
Miss Eva Lorraine's primary cosmetological message was that the traits humans perceive as beautiful are those that bespeak of fertility. Big titties mean milk, girls, no secret about that. Shiny hair means healthy follicles, and our eggs, girls, come from follicles just as surely as does our hair and fingernails. And so that's why we keep a buffin' and a primpin'.
Marilyn found the message eminently scientific, and thereafter as a rule she let the pursuit of babies govern all of her future beauty decisions push-up bras, rouge in the dcolletage, cellophane rinses on her hair and, as time wore on, silicone injections to plump up some facial sagging. But the injections didn't come until long after Don Colgate entered her life, a hefty logger from Hood River. He was blown away by a looker who worked at a genuine legal office, with a daughter like a china figurine on his granny's mantelpiece.
After they got married, he insisted she quit working, and so she did. Marilyn saw this as decidedly old-fashioned thinking, but it also implied that Don wouldn't go leaving her like Duran.
It was with her conquest of Don Colgate that Marilyn obtained the final proof she needed that fertility and the proven ability to bear beautiful babies were integral to her allure and her sense of being. But then there was the issue of Don and his fertility. His sperm were dead or lazy or stupid or overheated, and he and Marilyn didn't conceive. As his sterility became more evident, so did his drinking and the number of pageants in which young Susan was entered increased. The bunny hutches behind the trailer increased, too, and it was a trailer,never a house, because Don just didn't seem to get promoted at the lumberyard.
Marilyn found that she could funnel her native intelligence into the world of pageants, an intelligence she was convinced she had passed on to Susan. Other pageant girls whined and screeched and pulled princess routines, but Susan sat like a hawk on one of the Interstate light posts, scanning for roadkill, watching and learning from the others. She tended to win, and after a point released Marilyn from the need to shuck bunnies.