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"What in the world?" Iphiginia gazed about in astonishment. "What is this place?"

The lamplight revealed the most oddly furnished chamber Iphiginia had ever seen. Exotic drapery hung from the ceiling in the style of a Turkish tent. A large bed dominated the center of the room. It was decorated with gauzy hangings and an extraordinary number of pillows. It was surrounded by erotic statuary of the sort Lord Lartmore favored.

The walls were decorated with huge murals depicting classical gods and goddesses from various mythological tales. The deities appeared to be nude. The men were all in a state of extreme sexual arousal. The female figures were voluptuous to the point of being ludicrous.

"Welcome to Dr. Hardstaff's Museum," Marcus said as he pulled her across the chamber. "One night in the therapeutic bed is guaranteed to cure impotence."

"Marcus, what are you doing here?" "An excellent question. I intend to put the same one to you as soon as we have an opportunity. In the meantime, we must get you out of sight."

"Good heavens." Iphiginia stared at a painting that featured several woodland nymphs cavorting with three overly endowed satyrs. "These are the most perfectly dreadful copies of classical antiquities that I have ever seen.

"I regret that your scholarly sensibilities have been affronted." Marcus took hold of the edge of a heavy red curtain that stretched the length of the chamber. "You can take it up with Dr. Hardstaff later."

"What are we going to do now?" "You are going to get out of sight and stay out of sight." Marcus jerked aside the floor-to-ceiling curtain and pushed Iphiginia through the opening onto a small stage. Several Greek urns and a scrolled pedestal occupied the platform. There was a narrow door in the side wall behind the curtain.

"But Marcus-" "Go through that door and hide in the hallway behind it." Marcus caught her chin on the edge of his hand. His eyes were grim. "Do not come out until I tell you. And whatever you do, don't make a single sound. Do you comprehend me?"

"Yes, but-" She broke off as she beard the outside door on the landing open. Her mouth went dry. "Oh, Lord.»

"Hush." Marcus yanked the curtain back into position, concealing Iphiginia from the view of anyone who might enter the chamber.

The heavy curtain cut off the glow of the wall sconce. Iphiginia found herself in near darkness. She started to grope her way toward the small door and struck her toe against the pedestal. She swallowed a grunt of pain.

The door of the outer chamber slammed open. Iphiginia went still, not daring to move for fear she would crash into another object.

"Damnation, Masters." The stranger's voice was raw with fury. "It's you. I didn't believe it when I got the note. I told myself that it was all a terrible joke. But it seems I've been both a fool and a cuckold."

"Good evening, Sands." Marcus's tone was cool to the point of indifference. "I didn't realize that someone else also had an appointment with Dr. Hardstaff this evening. I specifically requested a private treatment."

Iphiginia realized that the man who had entered the chamber was the husband of the mysterious Lady Sands.

"Where is my wife, you bloody bastard?" "I have no notion," Marcus said quietly. "As you can see, I'm quite alone. I confess I'm disappointed by that fact. I had hoped there would be a bit more to Dr. Hardstaff's famous therapy than a few bad paintings and some equally poor statuary."

"You arranged to meet Hannah here, didn't you?" Sands asked in a seething voice. "That's what the note said."

"The note?" "Someone knows what you're about, Masters. A note was left in my carriage this evening telling me that if I wished to discover the place where you and my wife carried on your assignations, I should come to Number Nineteen Lamb Lane."

"Someone has played an unpleasant practical joke on you, Sands. Whoever it was undoubtedly knew that I had an appointment here tonight."

"An appointment with my wife, damn you."

Iphiginia started when she heard the side door open. She peered anxiously into the shadows and saw a figure emerge from a dark hall. The woman carried a candle in her hand. The flame illuminated her pretty features, blond hair, and extremely low-cut, diaphanous gown.

She halted abruptly when she spotted Iphiginia. Then she put her hands on her hips and glared.

" 'Ere, now, what do ye think yer doin'?" she demanded in a loud tone. "This is my night to be the Classical Goddess o' Manly Vigor."

There was a sudden silence from the other side of the curtain.

Iphiginia stared at the woman and desperately tried to think of what to do next. "I'm sorry," she managed in a thin whisper. "There's been a mistake."

"What's going on back there?" Sands demanded. Footsteps echoed on the floor as he strode toward the heavy scarlet curtain.

"I believe the performance is about to begin," Marcus said dryly.

The blond woman gave a small, disgruntled screech and turned toward the curtain. "What's this? There he two of 'em out there?"

"Uh, yes," Iphiginia murmured. "Don't ye dare touch that curtain," the blonde yelled. She turned to Iphiginia. "Hardstaff didn't say nothin' about there bein' two gennelmen gettin' the classical treatment tonight. What's 'e think I am? A genuine goddess?"

Marcus spoke up quietly. "If I were you, Sands, I would not interfere."

"What the devil is happening here?" Sands sounded confused.

"I said, don't ye dare touch that curtain," the blonde roared. She peered at Iphiginia. " 'Old on. Is that why yet 'ere? To handle the second gennelman?"

"Uh, yes," Iphiginia whispered. "Yes, I believe so." "Well, I suppose that's ad right, then. Get yer cloak off and we'll give these gentry coves their money's worth. I'm Pony. What's yer name?"

"Uh, Ginny." Iphiginia slowly removed her cloak. She put it on top of the pedestal.

"Ye new at this?" Polly surveyed Iphiginia's delicate white evening gown with a critical gaze. "Yer overdressed."

"I'm sure I'll get the hang of this quickly," Iphiginia said. "I am an excellent student."

"Enough of this nonsense." Sands started toward the curtain. "Come on out here, you two. I have some questions to ask."

"Stop," Polly yelled. "Got rules against anyone comin' back 'ere before the performance, y'know."

"Now see here," Sands growled, "I do not intend to he ordered about by a cheap whore."

"This is a theater, damn yer eyes," Polly snarled back through the curtain. "And we're bloody actresses, we are, not whores. And we ain't cheap. Ye'll do us the favor o' treatin' us with some respect or ye can just plain forget about gettin' any o' Dr. Hardstaff's special treatment tonight."

"I am not here to see your damned show," Sands snapped. "I'm here to find someone."

"Ain't no one backstage 'ere except us professional actresses. Now either sit down to enjoy the performance or get out o' 'ere."

"The lady has a point," Marcus said. "I would very much appreciate it if you would remove yourself, Sands. I paid good money to he entertained this evening."

"Entertained?" Sands sounded disgusted. "You call this entertainment?"

"I was told it was somewhat amusing," Marcus replied. "Inspirational, even."

"We're about to start the bloody show," Polly announced through the curtain. "If ye two fine gennelmen want to get the treatment together, that's yer affair. But I warn ye, it'll be double the price."

"Unless you're willing to pay your share, Sands," Marcus said, "it's time to leave."

"I am not leaving," Sands said furiously. "Not until I can deduce what in blazes is going on here."

"If yer stayin', ye can make yerself useful," Polly snapped. "Put out the lamp near the door'."

"I believe I will do that," Sands said coldly. "Let us see just what is going on behind that curtain." His footsteps rang out once more as he turned and strode back toward the door.