"No, no, leave her here. Don't forsake your principles," Morgan said. He took her elbow and turned her toward home. "I never thought you'd send your daughter to a private school."
"Why not? What principles?" Emily asked. "You sent yours to private school."
"That was Bonny's doing," Morgan told her. "She has this money. We never see it, never buy anything inspiring with it, but it's there, all right, for things that don't show-new slate roof tiles and the children's education. Her money is so well behaved! I would have preferred a public school, myself. Why, surely. You don't want to cart her off to some faraway place, all these complicated carpools-"
"Dad Meredith happened to mention it while Leon was out of the room," Emily said. "On purpose, I guess. He must be hoping I'll wear Leon down, so when the subject comes up again Leon will be used to it. But I haven't said a word, because Leon's so proud about money. And you know what a temper he has."
"Temper?" Morgan said.
"He might just explode."
"Oh, I can't picture that."' "He's always had this angry streak."
"I can't picture that at all," Morgan said.
He stopped and looked around him. "I would offer to take you for a drive," he said, "just to celebrate the return of Robert Roberts, don't you know. I'm much too keyed up to work today. But, unfortunately, my car's been stolen."
"Oh, that's terrible," Emily said. "When did it happen?"
"Just now," he told her.
"Now? This morning?"
"This instant," he said. He pointed to an empty place at the curb beside a mailbox. "I parked it here, where I thought you might be passing. Now it's disappeared." Emily's mouth dropped open.
"There, there, I'm not upset," he said. "As you would say: what's a car, after all?" He spread his arms, smiling. "It's only an encumbrance. Only another burden. Right? I'm better off without it." Emily didn't know how he could talk that way. A car was very important. She and Leon had been saving for one for years, "You ought to call the police immediately," she told him. "Come back with me and use our telephone. Time really matters."
"There'd be no point," he said. "I've never had much faith in policemen." He took her elbow again to lead her on. The grip of his tense, warm fingers reminded her of Gina. "Last summer," he said, '"while we were driving to the beach, a state trooper flagged us down and asked us for a lift. He said his patrol car had been stolen. Can you imagine? He got in the rear with Molly and Kate and my mother… those big, shiny boots, gun in a holster… he leaned over the front seat and saw Bonny, saw her eating an apple core. 'You want to watch it with those seeds,' he told her. He said, 'My cousin Donna used to love appleseeds, Best part of the apple, she claimed. One year me and my brother saved up all our seeds in a Baby Ben alarm-clock box and gave them to her for Christmas, She was thrilled. She ate them every one, and by evening she was dead. Here's where I get off,' he said; so I stopped the car and out he climbed and that was the last we saw of him. It seemed he'd only popped in to bring us this message, you know? And then departed. I said to Bonny, I told her, '"Think of it, the lives of ordinary citizens in the hands of a man like that. Walking around with a gun,' I said. 'No doubt loaded, no doubt cocked, or whatever it is you do with a gun.' "
"Yes, but…" Emily said.
She was about to tell him that surely the next policeman wouldn't be so peculiar. But then she wondered. Some people, it appeared, attract the peculiar all their lives. "Well, anyway," she said, "it wouldn't hurt just to give the police a phone call."
"Maybe not, maybe not," Morgan said. He was reading a chipped and peeling sign: EUNOLA'S RESTAUBANT. "Is this place any good?" he asked.
"Ive never tried it."
"Lived right here in the neighborhood and never tried Eunola's?"
"It's a matter of money."
"Let's go in and have some coffee," Morgan said.
"I thought you had to open your store."
"Oh, Butkins will do that. He's happier without me, to tell the truth. I get in the way." He pulled open the door and shepherded Emily in ahead of him. There were four small tables and a counter where a row of men in hard hats sat drinking their coffee under a veil of cigarette smoke. "Sit," Morgan said, guiding her to a table. He settled opposite her. "Do you know what this means, this Robert Roberts business? Do you see the implications? Why, it's wonderful! First the years go by and Brindle stays in her bathrobe, moping, scuffing about in her slippers, wondering when the next meal is, 'Fix it yourself, if you're hungry,' I've told her, but she says, 'Well,' she says, 'I don't know where anything's kept, the food and utensils and such.' Understand, this is a house she's been living in since nineteen… was it sixty-four? Or maybe sixty-five, she moved in. Kate was already in school, I remember. Sue had started her piccolo lessons… Then here comes Robert Roberts! Here he comes, out of the blue. He says his wife is dead now. And anyhow, he says, his heart was always with Brindle. I can't imagine why. She's very plain to look at and she's not at all good-natured. But his heart was always with her, he says, and he was the very person she's been telling us about at the dinner table, every night of our lives. Why, our children knew Robert Roberta's name before they knew their own! They knew all Ms favorite board games and his batting average. And here he comes, with an armload of roses, the most colossal heap of roses; the whole entrance hall took on that rainy, dressed-up smell that roses have… and asking her to marry him! Isn't life… symmetrical? I'd really underestimated it." A waitress stood over them, tapping her pencil. Emily cleared her throat and said, 'I'll have coffee, please."
"Me too," said Morgan. "Yes, it was quite a night. The two of them sat up till dawn, discussing their plans. I kept them company. They want to get married in June, they say."
"You certainly have a lot of weddings in your family," Emily told him.
"Oh, not really," he said. He reached across the table for her purse, opened it, and peered inside. "There was Amy's, of course, and then Jean's, but I don't count Carol's; she got divorced before she'd finished writing her thank-you notes." He turned the purse upside down and shook it. Emily's wallet fell out, followed by a key ring. He shook the purse again, but it was empty. "Look at that!" he said. "You're so orderly." Emily retrieved her belongings and put them back in her purse. Morgan watched, with his head cocked. "I too am orderly," he told her.
"You are?"
"Well, at least I have an interest in order. I mean, order has always intrigued me. When I was a child, I thought order might come when my voice changed. Then I thought, no, maybe when I'm educated. At one point I thought I would be orderly if I could just once sleep with a woman." He took a napkin from the dispenser and unfolded it and smoothed it across his knees.
Emily said, "Well?"
"Well, what?"
"Did sleeping with a woman make you orderly?"
"How can you ask?" he said. He sighed.
Their coffee arrived, and he seized the sugarbowl and started spooning out sugar. Four teaspoons, five… he stirred after each spoonful, and dripped coffee on the tabletop and into the howl. Caramel-colored beads grew up across the surface of the sugar. Emily looked at them and then at Morgan. Morgan bared his teeth at her encouragingly. She looked away again.
Why put up with him? He was really so strange that sometimes, out in public, she felt an urge to walk several paces ahead so that no one would guess they were acquainted. Or when the three of them, were together, she'd make a point of taking Leon's arm. But it was funny how he grew on a person. He added something; she couldn't say just what. He made things look more interesting than they really were. Sometimes he accompanied the Merediths when they went to put on a puppet show, and from the squirrel-like attention he gave to all they did she would understand, suddenly, how very exotic this occupation was-itinerant puppeteers! Well, not itinerant, exactly, but still… and she'd look at Leon and realize what a flair he had, with his deep, dark eyes and swift movements. She herself would feel not quite so colorless; she would notice that Gina, who sometimes struck her as a little blowzy, was just like one of those cherubic children on a nineteenth-century chocolate box.