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But she had forgotten what it was, almost: all she could remember was that there had been something; but now that the other had come Jenny could hardly remember that she had forgotten anything even, and so she just lay and looked up at the other’s dark slender head against the unshaded light.

“Poor child, you have had a hard day, haven’t you?” She put her hand on Jenny’s brow, smoothing back the fine hushed gold of Jenny’s hair, stroking her hand along Jenny’s cheek. Jenny lay quiet under the hand, drowsing her eyes like a stroked kitten, and then she knew she could cry all right, whenever she wanted to. Only it was almost as much fun just lying here and knowing you could cry whenever you got ready to, as the crying itself would be. She opened her blue ineffable eyes.

“Do you suppose he’s really drownded?” she asked. Mrs. Wiseman’s hand stroked Jenny’s cheek, pushing her hair upward and away from her brow.

“I don’t know, darling,” she answered soberly. “He’s a luckless man. And anything may happen to a luckless man. But don’t you think about that any more. Do you hear?” She leaned her face down to Jenny’s. “Do you hear?” she said again.

* * *

“No,” Fairchild said, “he ain’t the sort to get drowned. Some people just ain’t that sort. . I wonder—” He broke off suddenly and gazed at his companions. “Say, do you suppose he went off because he thought that girl was gone for good?”

“Drowned himself for love?” Mark Frost said. “Not in this day and time. People suicide because of money and disease: not for love.”

“I don’t know about that,” Fairchild objected. “They used to die because of love. And human nature don’t change. Its actions achieve different results under different conditions, but human nature don’t change.”

“Mark is right,” the Semitic man said. “People in the old books died of heartbreak also, which was probably merely some ailment that any modern surgeon or veterinarian could cure out of hand. But people do not die of love. That’s the reason love and death iri conjunction have such an undying appeal in books: they are never very closely associated anywhere else.

“But as for a broken heart in this day of general literacy and facilities for disseminating the printed word—” He made a sound of disparagement. “Lucky he who believes that his heart is broken: he can immediately write a book and so take revenge (what is more terrible than the knowledge that the man you just knocked down discovered a coin in the gutter while getting up?) on him or her who damaged his or her ventricles. Besides cleaning up in the movies and magazines. No, no,” he repeated, “you don’t commit suicide when you are disappointed in love. You write a book.”

“I don’t know about that,” repeated Fairchild stubbornly. “People will do anything. But I suppose it takes a fool to believe that and act on that principle.” Beyond the eastern horizon was a rumor of pale silver, pallid and chill and faint, and they sat for a while in silence, thinking of love and death. The red eye of a cigarette twelve inches from the deck: this was Mark Frost. Fairchild broke the silence.

“The way she went off with Da — the steward. It was kind of nice, wasn’t it? And came back. No excuses, no explanations— ‘think no evil,’ you know. That’s what these postwar young folks have taught us. Only old folks like Julius and me would ever see evil in what people, young people, do. But then, I guess folks growing up into the manner of looking at life that we inherited, would find evil in anything where inclination wasn’t subservient to duty. We were taught to believe that duty is infallible, or it wouldn’t be duty, and if it were just unpleasant enough, you got a mark in heaven, sure. . But maybe it ain’t so different, taken one generation by another. Most of our sins are vicarious, anyhow. I guess when you are young you have too much fun just being, to sin very much. But it’s kind of nice, being young in this generation.”

“Surely. We all think that, when our arteries begin to harden,” the Semitic man rejoined. “Not only are most of our sins vicarious, but most of our pleasures are too. Look at our books, our stage, the movies. Who supports ’em? Not the young folks. They’d rather walk around or just sit and hold each other’s hands.”

“It’s a substitute,” Fairchild said. “Don’t you see?”

“Substitute for what? When you are young and in love yesterday and out today and in again tomorrow, do you know anything about love? Is it anything to you except a rather dreadful mixture of jealousy and thwarted desires and interference with that man’s world which after all, we all prefer, and nagging and maybe a little pleasure like a drug? It’s not the women you sleep with that you remember, you know.”

“No, thank God,” Fairchild said. The other continued:

“It’s the old problem of the aristocracy over and over: a natural envy of that minority which is at liberty to commit all the sins which the majority cannot stop earning a living long enough to commit.” He lit his cigar again. “Young people always shape their lives as the preceding generation requires of them. I don’t mean exactly that they go to church when they are told to, for instance, because their elders expect it of them — though God only knows what other reason they could possibly have for going to church as it is conducted nowadays, with a warden to patrol the building in the urban localities and in the rural districts squads of K.K.K.’s beating the surrounding copses and all those traditional retreats that in the olden days enabled the church to produce a soul for every one it saved. But youth in general lives unquestioningly according to the arbitrary precepts of its elders.

“For instance, a generation ago higher education was not considered so essential, and young people grew up at home into the convention that the thing to do was to get married at twenty-one and go to work immediately, regardless of one’s equipment or inclination or aptitude. But now they grow up into the convention that youth, that being under thirty years of age, is a protracted sophomore course without lectures, in which one must spend one’s entire time dressed like a caricature, drinking homemade booze and pawing at the opposite sex in the intervals of being arrested by traffic policemen.

“A few years ago a so called commercial artist (groan, damn you) named John Held began to caricature college life, cloistered and otherwise, in the magazines; ever since then college life, cloistered and otherwise, has been busy caricaturing John Held. It is expected of them by their elders, you see. And the young people humor them: young people are far more tolerant of the inexplicable and dangerous vagaries of their elders than the elders ever were or ever will be of the natural and harmless foibles of their children. . But perhaps they both enjoy it.”

“I don’t know,” Fairchild said. “Not even the old folks would like to be surrounded by people making such a drama of existence. And the young folks wouldn’t like it, either: young people have so many other things to do, you know. I think—” His voice ceased, died into darkness and a faint lapping sound of water. The moon had swum up out of the east again, that waning moon of decay, worn and affable and cold. It was a magic on the water, a magic of pallid and fleshless things. The red eye of Mark Frost’s cigarette arced slow and lateral in his invisible hand, returned to its station twelve inches above the deck, and glowed and faded like a pulse. “You see,” Fairchild added like an apology, “I believe in young love in the spring, and things like that. I guess I’m a hopeless sentimentalist.”

The Semitic man grunted. Mark Frost said, “Virtue through abjectness and falsification: immolation of insincerity.” Fairchild ignored him, wrapped in this dream of his own.

“When youth goes out of you, you get out of it. Out of life, I mean. Up to that time you just live; after that, you are aware of living and living becomes a conscious process. Like thinking does in time, you know. You become conscious of thinking, and then you start right off to think in words. And first thing you know, you don’t have thoughts in your mind at alclass="underline" you just have words in it. But when you are young, you just be. Then you reach a stage where you do. Then a stage where you think, and last of all, where you remember. Or try to.”