I drop the dishtowel. Nothing dramatic—it’s just become too heavy to hold along with my understanding. I look down at where it lies between my feet. There is a bright red stain on one side of it. Isaac bends to pick it up. He also picks up the knife and places it back in my hand. Grabbing my wrist, he leads me back to the table and firmly plants me in front of it.
“Write,” he says, gesturing to the wood.
“What?”
He grabs the hand that’s holding the knife. I try to pull away again, but his eyes still me.
“Trust me.”
I stop fighting.
He presses the tip into the wood this time. Carves a straight line. “Write here,” he says.
I know what he’s telling me, but it’s not the same.
“I don’t write on my body. I cut it.”
“You write your pain on your skin. With a knife. Straight lines, deep lines, jagged lines. It’s just a different kind of word.”
I get it. All at once. I feel grief for everything that I am. Landscape is playing in the background, a strange soundtrack, a constant soundtrack.
I look down at the smooth wood tabletop. Pressing down, I carve the line we made deeper. I wriggle the blade around a little bit. It feels good. I do it some more. I add more lines, more curves. My movement becomes more frantic each time the knife meets the table. He must think I’ve gone mad. But even if he does, he doesn’t move. He stands behind my shoulder as if he’s there to supervise my assault. When I’m done I toss the knife away from me. Both hands are pressed against my carvings as I lean over the table. I’m breathing hard, like I’ve just run six miles. I have, emotionally. Isaac reaches down and touches the word I’ve made. I didn’t plan it. I didn’t even know what it said until I watched his fingers trace it. Surgeon’s fingers. Drummer’s fingers.
HATE
“Who do you hate?” he asks.
“I don’t know.”
I do a short spin into his chest, forgetting that he’s right behind me. He grabs the tops of my arms and clutches me against him. Then he wraps his arm around my head, forcing my face against his chest. The other is circling my back. He holds me and I shake. And I swear … I swear he’s just healed me a little bit.
“I still see you, Senna,” he says into my hair. “You can’t ever stop seeing what you recognize as part of yourself.”
A week later, Landscape stops playing. I am stepping out of my shallow, lukewarm bath when her voice cuts off in the middle of the chorus. I wrap a towel around myself and dart out of the bathroom to find Isaac. He’s in the kitchen when I come careening around the corner still clutching the towel to my dripping body. We stare at each other for a good two minutes, waiting for it to start up again, thinking there is a kink in the system. But it never comes back. It feels like a relief until the silence kicks in. True, deafening silence. We are so used to the noise, it takes a few days to acclimate to the loss of it. That’s what it’s like to be a prisoner of anything. You want your freedom until you get it, then you feel bare without your chains. I wonder if we ever get out of here, will we feel the loss? It sounds like a joke, but I know how the human mind works.
Two days later the power goes. We are in darkness. Not just in the house. November has come. The sun will not rise on Alaska for two months. It’s the ultimate darkness. There is nowhere to find light, except crouched in front of the fire as our logs dwindle. That’s when I know we’re going to die.
Chapter Twenty-Six
We eat the last potato sometime in late November. Isaac’s face is so drawn I would syphon out my own body fat to give him if I had any.
“Something is always trying to kill me,” I say one day as we sit watching the fire. The floor is our perpetual hangout, in the attic room—as close to the fire as we can get. Light and heat. Light and heat. The barrels of diesel in the shack are empty, the cans of ravioli in the pantry are empty, the generator is empty. We’ve chopped down the trees on our side of the fence. There are no more trees. I watched Isaac hack at them from the attic window whispering “Hurry, hurry…” until he cut them down and hauled the logs inside to burn. But there is snow, plenty of snow. We can eat the snow, bathe in the snow, drink the snow.
“It seems that way, yes. But so far nothing has been able to.”
“What?”
“Kill you,” he says.
Oh yeah. How easily the brain flits about when there is no food to hold it in place.
Lucky me.
“We are running out of food, Senna.” He looks at me like he really needs me to understand. Like I haven’t seen the goddamn pantry and fridge. We’ve both lost so much weight I don’t know how I could ignore it. I know what we’re running out of: food … wood … hope…
Isaac set the traps we found in the shed, but with an electric fence we’re not sure how many animals can get to our side without frying themselves first. Our power is out, but the fence remains on. The hum of the electricity feels like a slap in the face.
“If our generator ran out of power, there must be another power source on the property.”
Isaac puts another log on the fire. It bites gingerly at the wood, and I close my eyes and say, hotter, hotter, hotter…
“It’s all been planned out, Senna,” he says. “The zookeeper meant for us to run out of generator fuel the same week that we were plunged into permanent darkness. Everything that is happening has been planned.”
I don’t know what to say, so I say nothing.
“We have enough for another week, maybe, if we’re careful,” he tells me.
The same question as always ricochets through my brain. Why would someone go through all the trouble to get us here, only to let us starve and freeze? I ask my question out loud.
Isaac answers with less enthusiasm than I asked. “Whoever did this is crazy. Trying to make sense of crazy makes you just as crazy.”
I suppose he’s right. But I’m already crazy.
Three days later we run out of food. Our last meal is a handful of rice cooked over the fire in a pot that Isaac rigs with metal poles he found in the shed. It is barely soft enough to chew. Isaac gives me the larger portion, but I leave most of it on my plate. I don’t care if I die hungry. The only truth is that I’m going to die. When they finally find my body I don’t want them cutting me open and seeing half digested rice in my stomach. It feels insulting. Prisoners always get their choice of a last meal. Where is mine? I think of the potato skins I ate over the sink. It feels good now, to know that I didn’t waste them. We ate coffee grounds last week for breakfast. It was almost funny at first, like something out of a horror, survival story, but when they clogged up my throat with their bitterness I wanted to cry.
I roll myself tighter into my blanket. It’s so cold, but we only burn two logs a day. If we can just get past that fence we can hack at the trees to our hearts’ content. Sometimes I see Isaac outside staring at it, his hands in his pockets and his head dipped back. He walks up and down with a screwdriver he found in the shed, holding it against the posts to see how far the spark jumps. I think he’s hoping for a day the zookeeper forgets. We’ve already chopped down anything that can burn, including the shed itself. The doors in the house are made of fiberglass or we would have used those too. We’ve burned furniture. Isaac sawed and hacked at the beds until only the metal frames were left. We’ve burned books. God—books! We burned the puzzles, we even pulled down the Oleg Shuplya prints, first for their wooden frames, and eventually we’d tossed in the paper as well. I could call this situation my own personal Hell, but Hell is warm. I’d love to be in Hell right now.