18
THAT was an afternoon I wouldn't care to live through again, not even if I knew what the evening was going to bring. To begin with, Wolfe was totally unbearable. After lunch he got behind his desk with a book, and after a dozen assorted attempts to get a conversation started I quit. Then Saul Panzer phoned in, and he growled at me to get off the line. I had already suspected that he had Saul on a trail, since a check of the cash box and book had informed me that he had given Saul three hundred bucks, and that confirmed it. I always resent it when he sees fit to give one of the boys a chore that he thinks I don't need to know about, and that time it was more offensive than usual, since I couldn't very well blab anything, sitting there on my tail, yawning.
Worse than him, though, was me. He had told me twice to take a nap, so naturally I wasn't going to. I wanted to be there if the phone rang. I wanted to be there if Mrs. Adams came to confess to the three murders. But I did not want to make out checks or work on the germination records or go through catalogues. My problem was to stay awake without having anything to keep my eyes open, and it was even tougher after Wolfe went up to the plant rooms at four o'clock. For two solid hours only one notion occurred to me that had any attraction at all, to phone Mrs. Potter in Glendale and tell her I had got home safely, and I vetoed that because it might prove to he habit-forming. But by gum I stayed awake, if you can call it that.
There was another call from Saul just before dinner, and again I was told to get off the line. Wolfe's end of the chat was nothing but grunts. After dinner he told me to go to bed, and God knows I would have liked to, but I got stubborn and went for a walk instead. I dropped in at a movie, found myself getting fascinated with the idea of resting my head on, the soft fat female shoulder next to me, jerked away, and got up and went home. It was a little after ten.
Wolfe was at his desk, going through the stack of germination slips that had accumulated while I was away. I asked him, "Any more movement?"
"No."
I gave up. "I might as well go up and lie down a while." I went and twirled the knob of the safe. "I put the bolt on in front and I'll check the back. Good night."
"Good night."
The phone rang. I stepped to my desk and got it.
"Nero Wolfe's residence, Archie Goodwin speaking."
"I want to speak to Wolfe."
"Who is it please?"
"James A. Corrigan."
I covered the transmitter and told Wolfe, "Corrigan. He sounds hoarse and harassed. Do you care to speak to him?"
Wolfe took his instrument, and I put mine back at my ear.
"This is Nero Wolfe. Mr. Corrigan?"
"Yes. I've mailed you a letter, but you're responsible for this, so I think you ought to hear it. I hope you'll hear it in your dreams the rest of your life. This is it. Are you listening?"
"Yes, but -"
"Here it goes."
It busted my eardrum, or felt like it. It was a combination of a roar and a smack. By reflex my wrist moved the receiver away, then I moved it back. There was a confused clatter and a sort of thump, then nothing. I told the transmitter, "Hello hello!"
Nothing. I cradled it and turned. Wolfe was sitting with the instrument dangling from his hand, scowling at me.
"Well?" he demanded.
"Well yourself. How do I know? I suppose he shot himself."
"Where was he?"
I sneered. "Do you think I staged it?"
"There was a radio going."
"I heard it. 'The Life of Riley.' WNBC."
He replaced the phone, slow motion, and regarded me. "This is preposterous. I don't believe it. Get Mr. Cramer."
I swiveled and dialed and got a voice. I asked for Cramer, and he wasn't there. Neither was Stebbins. I got a sergeant named Auerbach, informed Wolfe, and he took it.
"Mr. Auerbach? This is Nero Wolfe. Are you familiar with the Dykes-Wellman-Abrams case?"
"Yes."
"And with the name James A. Corrigan?"
"Yes, I know the name."
"I just had a phone call. The voice said it was James A. Corrigan, but it was husky and agitated and I can't vouch for it. It said - I think you should put this down. Have you pencil and paper?"
"In a second - okay, shoot."
"He said it was Corrigan, and then, quote, 'You're responsible for this, so I think you ought to hear it. I hope you'll hear it in your dreams the rest of your life. This is it. Are you listening? Here it goes.' Unquote. There came immediately the sound of an explosion, resembling a gunshot, and other confused noises, followed by silence except for the sound of a radio, which had been audible throughout. That's all."
"Did he say where he was phoning from?"
"I've told you all I know. As I said, that's all."
"Where are you now?"
"At my home."
"You'll be there if we want you?"
"Yes."
"Okay." He hung up. So did Wolfe. So did I.
"So your memory's failing," I observed. "You forgot that he said he had mailed you a letter."
"I like to see my mail first, without interference. Where does Mr. Corrigan live?"
I got the Manhattan phone book, turned the pages, and found it. Then, to check, I went and unlocked the filing cabinet, got out the Wellman folder, and fingered through the papers. I announced, "Corrigan lives at one-forty-five East Thirty-sixth Street. Phelps lives at three-seventeen Central Park West. Kustin lives at nine-sixty-six Park Avenue. Briggs lives at Larchmont. O'Malley lives at two-oh-two East Eighty-eighth."
I put the folder back and locked the cabinet. "Am I going to bed now?"
"No."
"I thought not. What, sit here and wait? Even if they find a corpse they might not get around to us until morning. It would take a taxi five minutes to go crosstown to Thirty-sixth and Lexington. The fare would be fifty cents including tip. If it's a blank I can walk home. Do I go?"
"Yes."
I went to the hall for my hat and coat, let myself out, and walked a block north. At Tenth Avenue I flagged a passing taxi, got in, and gave the driver the address.
A radio car was double-parked in front of 145 East Thirty-sixth, with no one in it. I entered the building. On the list of names on the wall of the vestibule, Corrigan was at the top, fifth. I went on in. It was an old private dwelling done over into apartments, with a self-service elevator. The elevator was there at that floor. From somewhere below came a faint sound of voices, but there was no one in sight. I opened the elevator door, entered, pushed the 5 button, and was lifted. When it stopped I emerged. There was only one door, at the right of the small hall, and standing at it was a cop.
"Who are you?" he asked, not sociably.
"Archie Goodwin. I work for Nero Wolfe."
"What do you want?"
"I want to go to bed. Before I can do so I have to find out if we got imposed on. We reported this. The guy that lives here, so he said, phoned us and told us to listen, and then a gun went off or a good imitation of one. He didn't hang up but he was gone, and we phoned Homicide. We don't know if the phone call was from here, and I came to see."
"Why Homicide?"
"This might be connected with a case they're on. We have friends there - sometimes friends, sometimes enemies, you know how it is. Is your colleague inside?"
"No. The door's locked. He went down for the superintendent. What did the guy say on the phone?"
"He just said we ought to hear something and told us to listen, and bang. May I put my ear to the door?"
"What for?"
'To listen to the radio."
"Yeah, I've heard of you. Full of gags. Should I laugh?"
"No gags tonight, I'm too sleepy. We heard the radio on the phone, and I thought I'd check. If you don't mind?"
"Don't touch the door or the knob."
"I won't."
He stepped aside, and I got my ear close to the angle of the door and the jamb. Ten seconds was enough. As I listened there was another sound in the hall, the elevator starting down.