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Jerzy Pilch

My First Suicide

The Most Beautiful Woman in the World

I

When great love comes along, a person always thinks he has fallen in love with the most beautiful woman in the world. But when a person has fallen in love with the most beautiful woman in the world, he can have problems.

If she wasn’t The Most Beautiful Woman in the World in the strict sense, she was in the top ten, and if it wasn’t the top ten, then the top one hundred — the details are unimportant. She was dazzling in a planetary sense.

I saw her, and I committed a rookie’s mistake. Instead of being satisfied with admiring, I resolved to conquer her.

I saw her at a certain reception — that is, I saw her for the first time and in person at a certain reception. Before then I had seen her likeness hundreds of times on various photographs, advertisements, posters, and billboards. The famous visage of the depraved madonna — which so excited photographers, cameramen, and directors — was universally known. The reception took place in the gardens of a Western embassy. It was a very significant, very ritual, and very annual reception. On the societal bond market, an invitation to that reception was considered an unusually valuable security.

The uniqueness of the garden reception at the embassy was also made clear by that fact that, in addition to the habitués — virtuosos at the art of the reception — lost intellectuals were wandering around, intellectuals who never attended receptions, but who had to their credit works devoted to the culture of the Western country whose ambassador was hosting the reception. They were distinguished by their archaic suits, immoderate gluttony, and great enthusiasm. When the jaded habitués confessed to them that they hated receptions, the intellectuals tried to comfort them somehow and urged them on to eat, drink, and have fun. The jaded habitués — who, at all receptions, would drone on gloomily about hating receptions, and who found an equally gloomy hearing for their confessions among other jaded habitués of receptions, who likewise hate receptions — gazed stupefied at the hearty, smiling oldsters, who, flushed with champagne, grabbed them by the elbow with an unexpectedly iron grip, led them to the groaning table and, looking around, exclaimed in triumph:

“But why so sad, young man! You’ve got to appreciate the sunny side of life! Especially today! Especially here! What a wonderful reception! You simply must eat something! Here you are! Exquisite fish! Exquisite cold cuts! Exquisite salad!” and they shoved plates into jaded hands, and piled up heaping portions and shoved them before jaded faces. “You simply must eat something! And then the drinks await us. The libations are excellent! Please be so good as to help yourselves!”—and the intellectuals, seemingly lost, but in truth feeling like fish in water in the gardens of the embassy, winked roguishly and dove merrily into the undulating throng.

It was a steamy July day. Clouds dark as lead and light as electricity were scudding along toward Warsaw from the west. The Most Beautiful Woman in the World didn’t budge from her spot for a good two hours. I circled.

At first I didn’t notice that I was circling. Without a goal — so it seemed to me — I sauntered about the gardens of the embassy holding a glass of still water. I didn’t particularly seek anyone out. Nor did anyone seek me. I instinctively attempted to avoid the bores who were lying in ambush for victims. After enough receptions, this ability becomes second nature. Bores lying in ambush for victims are like sharpshooters in war — they sow death. Somehow I managed to pull it off. True, one bore, a colorless columnist in civilian clothes, what might be called “Independence Style,” managed to take my bearings. He approached and began to blather — for the thousandth time he told the story of how he was arrested during Martial Law. I was already beginning to think I was a goner, but once he got closer, it turned out that my assailant, in spite of the early hour, was already distinctly fuddled — I lost him without trouble. I, of course, didn’t drink a drop myself; true, in the depths of my soul I wasn’t excluding the possibility that yet that evening, having locked myself up tight and alone at home, I might uncork a bottle, but here — out of the question.

By the time I was passing The Most Beautiful Woman in the World for the third time, I realized that I was circling, and that I was circling in ever tighter orbits. She stood near one of the numerous wicker chairs set out on the grassy areas. She was smoking cigarettes, which was a rarity among the stars, who were so hysterically concerned with their health. She stood, and she didn’t budge. Time and again some sort of jittery habitué would appear in her vicinity, tight like a bow string, but all of them flagged and quickly fell away.

I made ever smaller circles. I could already see quite well the legs that had paced the most prestigious catwalks of the world; the shoulders that, season after season, were wrapped in the most expensive creations of Dior, Versace, Lagerfeld, and Montana; the hair, fragrant with the most expensive shampoos of the globe; the décolletage boldly presenting the profile of the famous bust, which the floodlights of Hollywood film studios had briefly lit up. Briefly, since she hadn’t had a big career as an actress. That is to say, it is true that fifteen years ago she played a stewardess who served Harrison Ford a drink — even that was the pipe dream of the majority of professional European actresses — but after this episode offers didn’t come pouring out of the proverbial bag. It goes without saying: this did not diminish her in the least — at least not in my eyes. On the contrary. There was a logic in this. Her uncanny beauty decided her fate. Nothing else came into play. Putting it the other way around, which is to say point-blank: in everything she took up, with the exception of her own beauty, she was rather a clod. And, unfortunately, she took up various things. She recorded a CD with her own songs — the chief value of which was its almost complete lack of background hiss. She published a slender volume of verse — a rare sort of catastrophe, since it was bloody, and at the same time completely lacking in expression. She painted and organized an exhibition of her own work — oh, Jesus Christ! To tell the truth, even her one-second performance as an actress at the side of Harrison Ford — especially considering its minuscule time span — knew no bounds. It was sorry consolation that, at the side of such a virtuoso, everyone — and especially a fledgling artist — looks pale.

But her defeats had no bearing on the fact of her beauty. Who cared about the fact that she was no singer, a wretched poet, and a miserable painter, since — when they came into contact with her — the greatest singers lost their voices, the most distinguished poets didn’t know what to say, and the most original painters peed their pants from sheer sensation?

I was already close to that beauty. I was close, but I wasn’t tight like a bow-string — I was shaking like jelly.

“I’m happy to see you alive,” I managed to stammer, absurdly. I had intended to say, of course: “I’m happy to see you live,” which was supposed to have been the ritual and safe phrase of the admirer who knows his idol from the movie theater, from television, as well as from the thousands of photographs, and now gives expression to his ecstasy at seeing her in real life. Instead of this, my nerves made me blurt out some sort of, I don’t know — some sort of post-traumatic or post-heart-attack line. “I’m happy to see you alive” sounded, after all, as if she had just escaped from some sort of life-threatening danger, but no one had heard anything of the sort. There isn’t anything bad, however, that can’t come out to the good. She looked at me and burst out laughing unexpectedly loudly. Quite clearly — to use literary Polish — my unfortunate lapsus had amused her.