“My God,” the old man said when Tom had finished. “Now I know why you were in such a state when you arrived. I think all that calls for some more brandy, without the coffee this time. Will you have some?”
“I’d fall asleep if I had any more,” Tom said. “I’m only half done with this.” Putting it all into words had helped him. Despite what he said, he was tired but not at all sleepy, and he felt much calmer.
The Shadow smiled at him, patted his knee, and took his cup out into his kitchen. He returned with a snifter of brandy and set it on the table, then turned over the Glenroy Breakstone record and filled the room with the confidential, passionate sounds that Tom would associate with both this moment and his mother for the rest of his life.
He sat down again across from Tom and looked at him steadily—with what looked to the boy like steady unambiguous affection, as he swirled the brandy in his glass. “Just now, you told me two very useful bits of information, and confirmed something that I have always thought to be true—that you went out to the Goethe Park area seven years ago for the same reason that you made your English teacher drive you to Weasel Hollow. I saw you that day, and I knew that you saw me too. You didn’t recognize me, but you saw me.”
Mr. von Heilitz seemed very excited, and his excitement infected Tom. “You were there? You told me—that first time I came here, you asked if I remembered the first time—”
“And that was it, Tom! Think!”
And then Tom did remember a gloomy Gothic house, and a face that had looked skull-like peering through the curtains. His mouth dropped open. Von Heilitz was grinning at him. “You were in that house on Calle Burleigh!”
“I was in that house.” His eyes glowed at Tom from over the top of the snifter as he drank. “I saw you coming down the block, looking between the houses to see 44th Street.”
“What were you doing there?”
“I rent houses and apartments in various places on Mill Walk, and I use them when I have to keep an eye on things and stay out of sight. That place was as close as I could get to Wendell Hasek’s house on 44th Street. From the top floor, I could see that whole block of 44th Street.”
“Wendell Hasek,” Tom said, and then saw him: a fat man with a crewcut leaning against a bay window in the brown and yellow house, and the same man appearing on its porch, signaling with his hand.
“He was there,” he said. “He must have seen me. He sent out—” Tom stopped talking, seeing an older boy and a dark-haired girl in his memory. Jerry Fairy. And what are you gonna do now, Jerry Fairy? “He sent his children out to get me. Jerry and Robyn. They wanted to know—”
You want to know what’s going on? Why don’t you tell me, huh? What are you doing here?
“—what I was doing there. And then—”
He saw two other older boys, a fat boy who already looked angry and a boy as thin as a skeleton, rounding the corner of a native house. The whole crowded, frightening scene of those few minutes came back to him in a rush: he remembered Jerry hitting him, and the sudden flash of pain, and how he had lashed out and broken Jerry’s nose—
Nappy! Robbie! Get him!
He remembered the knives. Running. Remembered seeing Wendell Hasek come out on his front steps and winding his hand in the air. The fear of it, and the sense of uncanniness: of being trapped in a movie, or a dream.
“Jerry must have sent for his friends,” he said.
Tom began to shake. Now he could remember everything: the gleam bouncing off one of the knives, the insolent way the one called Robbie had lounged before he began running, the white street name in the purple air, AUER, the certainty that Robbie was going to shove his long knife into him, the traffic on Calle Burleigh suddenly dividing around him and a grey-haired man on a bicycle swooping toward the ground like a trick rider in a circus. He put his hands over his eyes. The mesh of a grille, and a face pointed toward him.
“Nappy and Robbie,” he said.
“Nappy LaBarre and Robbie Wintergreen. That’s right. The Cornerboys.”
Tom’s shaking had gradually subsided, and he stared at von Heilitz.
“That was what they called themselves,” the detective said. “They all dropped out of school at fourteen, and they did a few things for Wendell Hasek. They stole. They kept a lookout for police. In general, they got up to no good until they reached their early twenties, when they suddenly turned respectable and started working for the Redwing Holding Company.”
“What do they do for the Redwings?” He remembered something Sarah had said that afternoon. “Oh—they’re bodyguards.”
“I suppose that’s what they’re called.”
“And what about Robyn?”
Von Heilitz smiled and shook his head. “Robyn got a job taking care of a sick old woman. When the old woman died while they were on a trip to the mainland, Robyn inherited her entire estate. The family took her to court on the mainland, but Robyn won the case. Now she’s just spending her money.”
“Hasek recognized me,” Tom said. “That’s why he sent for the Cornerboys. A few days before, he came to our house. He must have tracked down my grandfather—and he must have stopped at a couple of bars too, because he was smashed. Anyhow, he was shouting and throwing rocks, and my grandfather went outside to handle him. I followed him, and Hasek saw me. My grandfather ran him off, and I went back inside, and when Grand-Dad came back he went upstairs. They were all talking about it. I heard my mother screaming, Where did that man come from? What did he want? And my grandfather answered, He came from the general vicinity of 44th and Auer, if you’re interested. As for what he wants, what do you think he wants? He wants more money.”
“And you overheard, and a few days later you went out there—across the island by yourself, at ten years of age. Because you’d heard enough to think that if you went to that place, you’d be able to understand everything. And instead you were almost killed, and wound up in the hospital.”
“And that’s why everybody kept asking me what I was doing out there,” Tom said, and another level of confusion fell away from him. “Why were you at the hospital today?”
“I wanted to see for myself what you learned from Nancy Vetiver. I knew that poor Michael Mendenhall couldn’t have much more time, and I spent a couple of hours a day in the lobby—in the disguise you saw—to see what would happen when he died. And I learned that my impression of David Natchez was correct—he’s a real force for good. That he’s stayed alive all this time means that he’s also a resourceful character. Someday, Tom, we’re going to need that man—and he is going to need us.”
Von Heilitz stood up and pushed his hands into his pockets. He began pacing back and forth between his chair and the table. “Now let me ask you another one. What do you know about Wendell Hasek?”
“He was wounded once,” Tom said. “In a payroll robbery from my grandfather’s company. The robbers were shot to death, but the money was never found.”
Von Heilitz stopped pacing, and fixed his eyes on the Degas painting of a ballet dancer. He seemed to be listening very intently to the music. “And does that remind you of anything?”
Tom nodded. “It reminds me of lots of stuff. Hasselgard. The Treasury money. But what—”
Von Heilitz whipped around to face him. “Wendell Hasek, who was at Eagle Lake the summer Jeanine Thielman was murdered, came to your house looking for your grandfather. He wanted money, or so it seems. We can speculate that he felt he deserved more money for having been wounded in the payroll robbery, even though he had already been given enough to buy a house. When you turn up a short time later, he is anxious enough to send out his son, and to summon his son’s friends, to see what you’re doing there. Doesn’t that suggest that he is concealing something?” He fixed Tom with his eyes.