"All the same, I haven't made my bow to our hosts. One must be civil."
He even ventured on a joke, for he turned to La Faloise and said:
"Eh, you idiot?"
And with that he pushed his way through the crowd. The valet's full voice was no longer shouting out names, but close to the door the count and countess were still talking, for they were detained by ladies coming in. At length he joined them, while the gentlemen who were still on the garden steps stood on tiptoe so as to watch the scene. Nana, they thought, must have been chattering.
"The count hasn't noticed him," muttered Georges. "Look out! He's turning round; there, it's done!"
The band had again taken up the waltz in the Blonde Venus. Fauchery had begun by bowing to the countess, who was still smiling in ecstatic serenity. After which he had stood motionless a moment, waiting very calmly behind the count's back. That evening the count's deportment was one of lofty gravity: he held his head high, as became the official and the great dignitary. And when at last he lowered his gaze in the direction of the journalist he seemed still further to emphasize the majesty of his attitude. For some seconds the two men looked at one another. It was Fauchery who first stretched out his hand. Muffat gave him his. Their hands remained clasped, and the Countess Sabine with downcast eyes stood smiling before them, while the waltz continually beat out its mocking, vagabond rhythm.
"But the thing's going on wheels!" said Steiner.
"Are their hands glued together?" asked Foucarmont, surprised at this prolonged clasp. A memory he could not forget brought a faint glow to Fanchery's pale cheeks, and in his mind's eye he saw the property room bathed in greenish twilight and filled with dusty bric-a-brac. And Muffat was there, eggcup in hand, making a clever use of his suspicions. At this moment Muffat was no longer suspicious, and the last vestige of his dignity was crumbling in ruin. Fauchery's fears were assuaged, and when he saw the frank gaiety of the countess he was seized with a desire to laugh. The thing struck him as comic.
"Aha, here she is at last!" cried La Faloise, who did not abandon a jest when he thought it a good one. "D'you see Nana coming in over there?"
"Hold your tongue, do, you idiot!" muttered Philippe.
"But I tell you, it is Nana! They're playing her waltz for her, by Jove! She's making her entry. And she takes part in the reconciliation, the devil she does! What? You don't see her? She's squeezing all three of 'em to her heart--my cousin Fauchery, my lady cousin and her husband, and she's calling 'em her dear kitties. Oh, those family scenes give me a turn!"
Estelle had come up, and Fauchery complimented her while she stood stiffly up in her rose-colored dress, gazing at him with the astonished look of a silent child and constantly glancing aside at her father and mother. Daguenet, too, exchanged a hearty shake of the hand with the journalist. Together they made up a smiling group, while M. Venot came gliding in behind them. He gloated over them with a beatified expression and seemed to envelop them in his pious sweetness, for he rejoiced in these last instances of self- abandonment which were preparing the means of grace.
But the waltz still beat out its swinging, laughing, voluptuous measure; it was like a shrill continuation of the life of pleasure which was beating against the old house like a rising tide. The band blew louder trills from their little flutes; their violins sent forth more swooning notes. Beneath the Genoa velvet hangings, the gilding and the paintings, the lusters exhaled a living heat and a great glow of sunlight, while the crowd of guests, multiplied in the surrounding mirrors, seemed to grow and increase as the murmur of many voices rose ever louder. The couples who whirled round the drawing room, arm about waist, amid the smiles of the seated ladies, still further accentuated the quaking of the floors. In the garden a dull, fiery glow fell from the Venetian lanterns and threw a distant reflection of flame over the dark shadows moving in search of a breath of air about the walks at its farther end. And this trembling of walls and this red glow of light seemed to betoken a great ultimate conflagration in which the fabric of an ancient honor was cracking and burning on every side. The shy early beginnings of gaiety, of which Fauchery one April evening had heard the vocal expression in the sound of breaking glass, had little by little grown bolder, wilder, till they had burst forth in this festival. Now the rift was growing; it was crannying the house and announcing approaching downfall. Among drunkards in the slums it is black misery, an empty cupboard, which put an end to ruined families; it is the madness of drink which empties the wretched beds. Here the waltz tune was sounding the knell of an old race amid the suddenly ignited ruins of accumulated wealth, while Nana, although unseen, stretched her lithe limbs above the dancers' heads and sent corruption through their caste, drenching the hot air with the ferment of her exhalations and the vagabond lilt of the music.
On the evening after the celebration of the church marriage Count Muffat made his appearance in his wife's bedroom, where he had not entered for the last two years. At first, in her great surprise, the countess drew back from him. But she was still smiling the intoxicated smile which she now always wore. He began stammering in extreme embarrassment; whereupon she gave him a short moral lecture. However, neither of them risked a decisive explanation. It was religion, they pretended, which required this process of mutual forgiveness, and they agreed by a tacit understanding to retain their freedom. Before going to bed, seeing that the countess still appeared to hesitate, they had a business conversation, and the count was the first to speak of selling the Bordes. She consented at once. They both stood in great want of money, and they would share and share alike. This completed the reconciliation, and Muffat, remorseful though he was, felt veritably relieved.
That very day, as Nana was dozing toward two in the afternoon, Zoe made so bold as to knock at her bedroom door. The curtains were drawn to, and a hot breath of wind kept blowing through a window into the fresh twilight stillness within. During these last days the young woman had been getting up and about again, but she was still somewhat weak. She opened her eyes and asked:
"Who is it?"
Zoe was about to reply, but Daguenet pushed by her and announced himself in person. Nana forthwith propped herself up on her pillow and, dismissing the lady's maid:
"What! Is that you?" she cried. "On the day of your marriage? What can be the matter?"
Taken aback by the darkness, he stood still in the middle of the room. However, he grew used to it and came forward at last. He was in evening dress and wore a white cravat and gloves.
"Yes, to be sure, it's me!" he said. "You don't remember?"
No, she remembered nothing, and in his chaffing way he had to offer himself frankly to her.
"Come now, here's your commission. I've brought you the handsel of my innocence!"
And with that, as he was now by the bedside, she caught him in her bare arms and shook with merry laughter and almost cried, she thought it so pretty of him.
"Oh, that Mimi, how funny he is! He's thought of it after all! And to think I didn't remember it any longer! So you've slipped off; you're just out of church. Yes, certainly, you've got a scent of incense about you. But kiss me, kiss me! Oh, harder than that, Mimi dear! Bah! Perhaps it's for the last time."
In the dim room, where a vague odor of ether still lingered, their tender laughter died away suddenly. The heavy, warm breeze swelled the window curtains, and children's voices were audible in the avenue without. Then the lateness of the hour tore them asunder and set them joking again. Daguenet took his departure with his wife directly after the breakfast.
CHAPTER XIII
Toward the end of September Count Muffat, who was to dine at Nana's that evening, came at nightfall to inform her of a summons to the Tuileries. The lamps in the house had not been lit yet, and the servants were laughing uproariously in the kitchen regions as he softly mounted the stairs, where the tall windows gleamed in warm shadow. The door of the drawing room up-stairs opened noiselessly. A faint pink glow was dying out on the ceiling of the room, and the red hangings, the deep divans, the lacquered furniture, with their medley of embroidered fabrics and bronzes and china, were already sleeping under a slowly creeping flood of shadows, which drowned nooks and corners and blotted out the gleam of ivory and the glint of gold. And there in the darkness, on the white surface of a wide, outspread petticoat, which alone remained clearly visible, he saw Nana lying stretched in the arms of Georges. Denial in any shape or form was impossible. He gave a choking cry and stood gaping at them.