Her nostrils flared, and I watched all of them sniff the air. Everyone moved at once, scattering around the room. Claudia stood, grabbed my arm--my gun arm--and pulled me back towards the far side of the kitchen and the wall. She already had her gun out in her right hand. I jerked my gun arm free as Igor moved with her and they stood in front of me, blocking my view. Igor had his gun out, too. I was about to ask what the hell was going on, when I smelled it. The acrid, musty scent of snakes.
I had the Browning out and pointed at the door, sighted two-handed when the first snake man came through the kitchen doorway with Caleb in front of him, a sawed-off shotgun pressed into the angle of his jaw. "Anyone moves, and he dies."
40
EVERYONE FROZE, AS if we'd all taken a collective breath and held it. "No one has to die here," the snake man said. He looked at me with a huge copper-colored eye. The strong black stripe that edged the eyes looked like dramatic makeup. There were no scars on this one's face. He was shorter and seemed younger. His scaled face almost managed a smile, but the jaw of a snake is just not made for smiling. His eyes were as empty and alien as the rest of him. "Our boss just wants to talk to Ms. Blake, that's all."
"Have him pick up the damn phone and make an appointment," I said. I was staring down the barrel of the Browning at a point near the center of his chest, far enough up from Caleb's head that I wasn't worried about shooting him, but close enough to the throat that with the ammo I had in the gun it might pretty much decapitate him. If he ever moved the gun barrel out of Caleb's jaw. A sawed-off shotgun, with silver shot at touching range, and Caleb would be gone. I didn't much like him, but I couldn't let the bad guys blow his head off, could I?
"He didn't think you'd come," the snake man said.
"You go away, have him call, and I promise to give it the consideration it deserves." My voice was quiet because I was stilling my breath as much as I could, waiting for that one shot, if it ever came.
The snake man ground the barrel into Caleb's neck, until he forced a small pain sound from him. "This is silver shot, Ms. Blake. At this range it'll take his head."
"The second after he dies, so do you." Claudia said it, her voice as quiet and steady as the arm that held the gun that was pointed at the snake man's head.
He gave a hissing laugh, and it was echoed from behind him. More of the things started to move up in the open doorway. I caught a flash of silver metal, more guns. "No one else comes through that doorway, or I'll blow you away and let Caleb take his chances."
He pushed the barrel of the shotgun into Caleb's jaw until the smaller man had to rise on tiptoe, and I saw the first hints of panic on his face. "I don't think she likes you very much," the snake man hissed.
"Doesn't matter," I said. "I'm not letting you bring more guns into this room."
"You promise not to hurt Anita." It was Merle. I'd almost forgotten him standing to one side and behind us.
"We won't harm a hair on her head."
"We can smell that you're lying," Claudia said.
The snake head turned to one side, birdlike. "Most people can't smell changes in us, can't smell anything but the stink of snake."
Cherry's voice. "Anita."
My eyes flickered to her, and I saw movement outside the sliding glass doors. They were trying to flank us. "We've got movement on this side," Igor said.
For once other people had guns, and they seemed to know what they were doing. How refreshing. My gaze turned back to the snake man in time to see him motion with the barrel of the gun towards the glass. "We have the house surrounded. There is no need for all of you to die."
Claudia fired a second before I did. Her bullet hit him in the face, mine took him high on the chest, low on the neck. His head vanished in a welter of blood and thicker things. My ears rang with the shots in the small space. The snake's body jerked back; the shotgun went off as his hand convulsed. Caleb threw himself to the floor towards us. Two more snake men came through the door shoulder-to-shoulder, both with shotguns. Claudia said, "Left."
I shot the one on the right, and she took the one on the left. Both of us hit what we aimed at, and the two fell to the floor, one shotgun skidding across the floor towards us.
Another shotgun blast exploded to our left. I turned towards the noise, I couldn't help it. The sliding glass door had shattered, and I hadn't heard the sound of falling glass, just the shotgun roaring. Igor was kneeling, using the island as cover, as he put two shots into the chest of a man. The man fell to his knees, abruptly, like a puppet whose strings had been cut.
"Incoming," Claudia said, and I turned back to the other door. I could see the barrel of a shiny revolver, something nickel plated. Claudia was standing with her body pressed to the cabinets on the near wall, almost hidden from the door. She fired twice at that shiny barrel, and there was a scream that overrode the ringing in my ears. A screaming that went on and on like the squeal of a baby rabbit when a cat gets it. Dimly, I heard someone yell, "Shut up, Felix!"
Shots showered into the room from the side of the inner door that neither Claudia nor I could see and still stay hidden. Someone touched my arm, and I whirled, smacking into Nathaniel with the barrel of the Browning. He pointed. Igor was on the floor, on his side, with the first hint of crimson trickling across the floor. I saw Zane and Cherry under the table, hugging the ground. I caught a glimpse of Merle farther back, tucked into the corner of the cabinets, probably better hidden than any of us. What do you do in a gunfight if you have no gun, hide? I had a moment of meeting Merle's eyes, before I turned back to the wreckage.
A man stepped through the broken sliding glass door, a pump-action shotgun in his hands. He pumped a round in as he stepped through the door. I shot him three times before his knees collapsed from under him. He should have had the round pumped in before he stepped through the door.
Claudia was putting bullets into the inner door. I don't think she was hitting anything now, but she was keeping them from rushing us. Nothing else moved in the broken door, but I stayed crouched, gun aimed two-handed at the opening.
Bullets rained down from the inner door, and Claudia and I hugged the cabinets. I kept an eye on the far door, but I couldn't keep aimed and take cover at the same time. Another shotgun blast roared through the room from the little window above the sink. It took a big bite out of the island cabinets. I was as low to the ground as I could get, on my butt, pressed to the cabinets, but I kept the Browning on the sliding glass door. The shotgun sent another blast through the little window, and the shots from the living room came one after the other, not aiming, just keeping us where we were. I kept my eyes and my gun on the far door. They were shooting to cover something, and that was the only door left.
Three of them came through the sliding door, and everything slowed down. I was seeing the world through crystal, everything sharp edged. I had all the time in the world to see the two snakes and the lion man Marco come through in a blur of movement that was so fast I knew that none of them was human. I saw the shotguns, long and black, barrels impossibly long; the lion, Marco, had a 9 mil in each hand. I had an impression of blond and golden fur, before my first bullet took him in the side, spun him around. Claudia fired into one of the snakes, dropped him, but the other shotgun roared, and I felt her stagger above me.
I put two shots into the man's chest, and he collapsed on the kitchen table, shotgun falling soundlessly to the floor.
A bullet hit right next to me, and I saw Marco aiming from a prone position. I brought the Browning around to aim at him, but I was going to be too late. I watched him squeezing off the shot and knew he had me. There wasn't time to be scared, just a calm thought, that he was going to shoot me, and I couldn't stop him. Then a black blur was on his back, jerking him backwards, as the shot skidded along the floor in front of me. A wereleopard in man form threw the man out of the door and vanished after him.