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That, Michael knew, was where he was going.

He cut diagonally across the field, then darted across the deserted highway and into another field. He moved quickly now, feeling exposed in the emptiness with the full moon shining down on him. Ten minutes later he had crossed the field and come once more to the highway, this time as it emerged from the village. Across the street, he could see Ben Findley's driveway and, at its end, the little house, and the barn.

He considered trying to go down the driveway and around the house, but quickly abandoned the idea. A light showed dimly from behind a curtained window, and he had a sudden vision of old man Findley, his gun cradled in his arms, standing in silhouette at the front door.

Staying on the north side of the road, he continued moving eastward until he came abreast of his own driveway. He waited a few minutes, wondering whether perhaps he shouldn't go back to his grandparents'. In the end, though, he crossed the road and started down the drive to the abandoned house that was about to become his home. As he came into the overgrown yard, he stopped to stare at the house. Even had he not known that it was empty, he could have sensed that it was. In contrast to the other houses he had passed that night, which all seemed to radiate life from within, this house-his house-gave off only a sense of loneliness that made Michael shiver again in the night and hurry quickly past it.

His progress slowed as he plunged into the weed-choked pastures that lay between the house and the river, but he was determined to stay away from the fence separating Findley's property from their own until the old man's barn could conceal him from the same man's prying eyes. It wasn't until he was near the river that he finally felt safe enough to slip between the strands of barbed wire that fenced off the Findley property and begin doubling back toward the barn that had become his goal.

He could feel it now, feel the strange sense of familiarity he had felt that afternoon, only it was stronger here, pulling him forward through the night. He didn't try to resist it, though there was something vaguely frightening about it. Frightening but exciting. There was a sense of discovery, almost a sense of memory. And his headache, the throbbing pain that had been with him all evening, was gone.

He came up to the barn and paused. There should be a door just around the corner, a door with a bar on it. He didn't understand how he knew it was there, for he'd never seen that side of the barn, but he knew. He started toward the corner of the barn, his steps sure, the uncertainty he'd felt a few minutes ago erased.

Around the corner, just as he knew it would be, he found the door, held securely shut by a heavy wooden beam resting in a pair of wrought-iron brackets. Without hesitation, Michael lifted the bar out of its brackets and propped it carefully against the wall. As he pulled the door open, no squeaking hinges betrayed his presence. Though the barn was nearly pitch dark inside, it wasn't the kind of eerie darkness the woods by the river had held, at least not for Michael. For Michael, it was an inviting darkness.

He stepped into the barn.

He waited, half expectantly, as the darkness seeped into him, enveloping him within its folds. And then something reached out of the darkness and touched him.

Michael started, but stood his ground, oddly unafraid. And then he heard a voice, flat, almost toneless, drifting hollowly from somewhere in the depths of the barn.

"Michael."

Michael froze.

"I knew you'd come." There was a pause, then the voice went on. "I have been calling you. I wasn't sure you heard me."

"Who are you?" Michael asked. His eyes searched the darkness, but could find nothing. Nor could he be certain just where the voice came from. As the silence lengthened, he began backing toward the door. "Tell me who you are," he said, more loudly this time.

And then a dog began barking outside with a sharp, staccato sound, once, twice, three times. And somewhere nearby, a door slammed. Michael darted out of the barn, swung the door closed, and dropped the bar back in the brackets. But just before he ran back into the comparative safety of the fields, he heard the voice once more. Its flat atonality echoed in his mind all the way home.

"I am Nathaniel," the voice said. "I am Nathaniel…"

CHAPTER SEVEN

Michael came into the kitchen the next morning to find his grandfather waiting for him, sitting at the kitchen table, his back ramrod straight. The old man's eyes fixed on Michael with a coldness that stopped the boy in his tracks.

"Sleep well?" Amos asked.

Uncertainly, Michael edged toward the refrigerator and began rummaging on the top shelf for the pitcher of orange juice he knew was there, well concealed by the masses of leftovers his grandmother always seemed to have on hand. "I guess," he said, finally locating the pitcher behind a bottle of milk. He edged it out of the refrigerator, picked up a glass from the drainboard, and started toward the table.

"I didn't," Amos replied. "I heard your mother moving around, and came out to see if she was all right. She was. But she was worried because you were gone."

"I-I went for a walk."

"I see." Amos stood up. "And you're about to go for another walk. March."

Michael's eyes widened, and he stared up at his grandfather. "Wh-where?"

"To the barn," Amos told him, and for the first time Michael noticed the razor strop clutched in his right hand.

"But-"

"No buts," Amos cut in. "You worried your mother last night. You worried her very much. You won't do it again. Now start walking."

Michael's eyes darted toward the door to the hallway, but there was no one in sight, no one to rescue him. Reluctantly, but knowing he had no choice, he followed his grandfather out into the morning sunshine. Only when they were behind the barn, out of sight of the house, did Amos speak again.

"Where did you go?"

Michael hesitated. This morning, what had happened the night before seemed almost to have been a dream. Indeed, as he thought about it, he was no longer sure exactly what had happened. He had gone for a walk, and he seemed to remember having started out toward old man Findley's place. But now he was no longer sure. Had he gone there? He tried hard, but all he could really remember was the forest by the river, and the pasture. And a voice. There had been a voice. Or had there?

"N-nowhere," he said at last. "Just down to the woods by the river. I-I wasn't gone long."

"Drop your pants and bend over."

Slowly, Michael unbuckled his belt and undid his jeans. He turned around, then dropped his pants and leaned over, clutching his knees. A second later he felt the first lash of the strop sting his buttocks, and a scream burst from him.

"Don't yell," Amos told him. "If you yell, it will only get worse. Now, tell me where you went."

"I didn't go anywhere," Michael wailed. "I told you, I only went down by the river."

"You were gone for over an hour."

Again the leather strop slashed across his buttocks, but this time Michael was able to choke off his scream.

"I-I didn't know," he pleaded. "I thought it was only a few minutes."

"You shouldn't have gone at all, not without telling your mother."

"I don't have to tell her everything I do-"

The strop whistled through the air this time and seemed to wrap itself around Michael's thigh like a snake.

"From now on, you ask your mother or me before you do anything. Do you understand?"

Michael said nothing, steeling himself against the next slash of the leather. In a moment, it came, and immediately afterward, the sound of his grandfather's voice.

"Did you hear me?"

"Y-yes…"

Again the strop whistled through the air and burned into his flesh. "Yes, what?"