“No, sir,” said Gibson, looking up from his notebook. “Homicide dressed up to look like suicide, wasn’t it?”
“It was, indeed. The place has been pretty extensively chopped up and rehashed, but the victim was on this side of the passage and in what must have been the room now taken in to make the Greenroom. Next door there was a gas fire backing on to his own. The job was done by blowing down the tube next door. This put out the fire in this room and left the gas on, of course. The one next door was then re-lit. The victim was pretty well dead-drunk and the trick worked. We got the bloke on the traces of crepe hair and greasepaint he left on the tube.”
“Very careless,” Fox said. “Silly chap, really.”
“The theatre,” Alleyn said, “was shut up for a long time. Three or four years at least. Then Adam Poole took it, renamed it the Vulcan and got a permit for renovation. I fancy this is only his second production here.”
“Perhaps,” Fox speculated, “the past history of the place played on deceased’s mind and led him to do away with himself after the same fashion.”
“Sort of superstitious?” Gibson ventured.
“Not precisely,” said Fox majestically. “And yet something after that style of thing. They’re a very superstitious mob, actors, Fred. Very. And if he had reason, in any case, to entertain the notion of suicide—”
“He must,” Alleyn interjected, “have also entertained the very very nasty notion of throwing suspicion of foul play on his fellow-actors. If there’s a gas fire back-to-back with this—”
“And there is,” Fox said.
“The devil there is! So what does Bennington do? He re-creates as far as possible the whole set-up, leaves no note, no indication, as far as we can see, of his intention to gas himself, and — who’s next door, Fox?”
“A Mr. Parry Percival.”
“All right. Bennington pushes off, leaving Mr. Parry Percival ostensibly in the position of the Jupiter murderer. Rotten sort of suicide that’d be, Br’er Fox.”
“We don’t know anything yet, of course,” said Fox.
“We don’t, and the crashing hellish bore about the whole business lies in the all-too-obvious fact that we’ll have to find out. What’s on your inventory, Gibson?”
Sergeant Gibson opened his note-book and adopted his official manner.
“Dressing-table or shelf,” he said. “One standing mirror. One cardboard box containing false hair, rouge, substance labelled ‘nose-paste,’ seven fragments of greasepaint and one unopened box of powder. Shelf. Towel spread out to serve as table-cloth. On towel, one tray containing six sticks of greasepaint. To right of tray, bottle of spirit-adhesive. Bottle containing what appears to be substance known as liquid powder. Open box of powder overturned. Behind box of powder, pile of six pieces of cotton-wool and a roll from which these pieces have been removed.” He looked up at Alleyn. “Intended to be used for powdering purposes, Mr. Alleyn.”
“That’s it,” Alleyn said. He was doubled up, peering at the floor under the dressing-shelf. “Nothing there,” he grunted. “Go on.”
“To left of tray, cigarette case with three cigarettes and open box of fifty. Box of matches. Ash-tray. Towel, stained with greasepaint. Behind mirror, flask — one-sixth full — and used tumbler smelling of spirits.”
Alleyn looked behind the standing glass. “Furtive sort of cache,” he said. “Go on.”
“Considerable quantity of powder spilt on shelf and on adjacent floor area. Considerable quantity of ash. Left wall, clothes. I haven’t been through the pockets yet, Mr. Alleyn. There’s nothing on the floor but powder and some paper ash, original form undistinguishable. Stain as of something burnt on hearth.”
“Go ahead with it then. I wanted,” Alleyn said with a discontented air, “to hear whether I was wrong.”
Fox and Gibson looked placidly at him. “All right,” he said, “don’t mind me. I’m broody.”
He squatted down by the overcoat. “It really is the most obscene smell, gas,” he muttered. “How anybody can always passes my comprehension.” He poked in a gingerly manner at the coat. “Powder over everything,” he grumbled. “Where had this coat been? On the empty hanger near the door, presumably. That’s damned rum. Check it with his dresser. We’ll have to get Bailey along, Fox. And Thompson. Blast!”
“I’ll ring the Yard,” said Fox and went out.
Alleyn squinted through a lens at the wing-taps of the gas fire. “I can see prints clearly enough,” he said, “on both. We can check with Bennington’s. There’s even a speck or two of powder settled on the taps.”
“In the air, sir, I dare say,” said Gibson.
“I dare say it was. Like the gas. We can’t go any further here until the dabs and flash party has done its stuff. Finished, Gibson?”
“Finished, Mr. Alleyn. Nothing much in the pockets. Bills. Old racing card. Cheque-book and so on. Nothing on the body, by the way, but a handkerchief.”
“Come on, then. I’ve had my belly-full of gas.” But he stood in the doorway eyeing the room and whistling softly.
“I wish I could believe in you,” he apostrophized it, “but split me and sink me if I can. No, by all that’s phoney, not for one credulous second. Come on, Gibson. Let’s talk to these experts.”
They all felt a little better for Jacko’s soup, which had been laced with something that, as J. G. Darcey said (and looked uncomfortable as soon as he’d said it), went straight to the spot marked X.
Whether it was this potent soup, or whether extreme emotional and physical fatigue had induced in Martyn its familiar complement, an uncanny sharpening of the mind, she began to consider for the first time the general reaction of the company to Bennington’s death. She thought: “I don’t believe there’s one of us who really minds very much. How lonely for him! Perhaps he guessed that was how it would be. Perhaps he felt the awful isolation of a child that knows itself unwanted and thought he’d put himself out of the way of caring.”
It was a shock to Martyn when Helena Hamilton suddenly gave voice to her own thoughts. Helena had sat with her chin in her hand, looking at the floor. There was an unerring grace about her and this fireside posture had the beauty of complete relaxation. Without raising her eyes she said: “My dears, my dears, for pity’s sake don’t let’s pretend. Don’t let me pretend. I didn’t love him. Isn’t that sad? We all know and we try to patch up a decorous scene but it won’t do. We’re shocked and uneasy and dreadfully tired. Don’t let’s put ourselves to the trouble of pretending. It’s so useless.”
Gay said. “But I did love him!” and J.G. put his arm about her.
“Did you?” Helena murmured. “Perhaps you did, darling. Then you must hug your sorrow to yourself. Because I’m afraid nobody really shares it.”
Poole said: “We understand, Helena.”
With that familiar gesture, not looking at him, she reached out her hand. When he had taken it in his, she said: “When one is dreadfully tired one talks. I do, at all events. I talk much too easily. Perhaps that’s a sign of a shallow woman. You know, my dears, I begin to think I’m only capable of affection. I have a great capacity for affection, but as for my loves, they have no real permanency. None.”
Jacko said gently: “Perhaps your talent for affection is equal to other women’s knack of loving.”
Gay and Parry Percival looked at him in astonishment, but Poole said: “That may well be.”
“What I meant to say,” Helena went on, “only I do sidetrack myself so awfully, is this. Hadn’t we better stop being muted and mournful and talk about what may happen and what we ought to do? Adam, darling, I thought perhaps they might all be respecting my sorrow or something. What should we be talking about? What’s the situation?”
Poole moved one of the chairs with its back to the curtain and sat in it. Dr. Rutherford returned and lumped himself down in the corner. “They’re talking,” he said, “to Clem Smith in the — they’re talking to Clem. I’ve seen the police surgeon, a subfusc exhibit, but one that can tell a hawk from a handsaw if they’re held under his nose. He agrees that there was nothing else I could have done, which is no doubt immensely gratifying to me. What are you all talking about? You look like a dress rehearsal.”