Are you okay? I said.
Are you okay? he said, then we both said nothing, and he turned and ran down the block, crawled under a bush on the edge of a garden. It shook as he went through it and then it stopped shaking and I waited for the sound of a door shutting or to see a light in the house turn on or to hear some voice, some sense that he was okay, but there was nothing and there was a possibility that someone might later slice him out of existence and even though I knew that he wouldn’t be fine forever, I wanted to have a sense of his security right then, and I knew it would be a false sense of security, but at least it would be a sense of security, but I kept walking toward the ocean, trying to remind myself that before I had seen the boy he had been existing just fine without my worry and I turned a corner and the midnight ocean was there, all sudden and massive. The coast was all smooth, grey oval rocks and I trudged through it to get closer to the ocean, overcome by the sound of it, the blue-grey arc where it met the navy sky. The ocean sighed and moaned and sighed. I sat down, the weight of my pack burrowing me slightly into the rocks, and I listened to the ocean’s sighs and thought of my husband’s sighs, his tiny sighs and the story he once told me of the year he spent religious while he was working for a nonprofit that tried to feed and clothe the shoeless, ball-bellied, sunken-eyed children of far-off countries.
A seagull walked up and looked at me as if we had known each other for years so I should know exactly what he was thinking and I’d never seen a seagull out walking in the dark, but then the seagull limped away. I found myself floating in and out of weary midparalysis, and all I could see was the dark sky and the flutter of my own eyelids, a fleshy curtain slipping down; I had half-seen dreams of my husband and the seagull, their souls shifting in and out of each other’s body — sometimes my husband was inside a seagull and sometimes a seagull was inside my husband — and this went on for a while until I reached some kind of legal limit for this kind of thing, according to the man who woke me up, a morning sky behind him, this man who seemed smaller than my backpack — he was saying, Good morning, good morning, good morning, as loud as it seemed he could, so I woke up looking at this stranger wishing me a good morning, but I knew he didn’t want me to have a particularly good morning — he wanted me to collect myself, get myself together, show him my passport, stand up, yes, stand up now, thank you.
Have you been taking drugs? You been out on the piss?
Nope. No drugs, I said.
Then have you been on the piss — have you been drinking heavily?
Not even lightly.
You came here by yourself?
(And when the cop said by yourself, I remembered that day many months before when I got on a bus in Brooklyn heading to a city beach alone on a grey Tuesday, and when I asked the bus driver if this bus was going to the beach he had said, You’re going to the beach by yourself?, and he said it in a laughing, disbelieving voice and I felt small and silly and lost, though I wasn’t lost — I was just in Brooklyn on my way to Queens, a surmountable distance from my apartment and everything in it. You want to go to the beach? The beach? the bus driver asked. Today? By yourself? And I said, Yeah, and he said, Why you going to the beach all on your own? What you can do on a beach by yourself? And I said something, explained myself. This lady’s going to the beach by herself, he said to a woman getting on the bus, but she didn’t say anything, just dropped her money into the thing that eats it.)
But this little policeman was less amused by my by-myself-ness and he just asked for my passport and he looked at it and me and said I shouldn’t sleep in public — it’s just not safe — and I thought he was deeply concerned, that he cared deeply and loved all of humanity, this cop, but that probably wasn’t true and I wondered why some people combinations create inaudible noises and others don’t and the cop walked away like I was nothing, nothing at all, just some harmless, lost small animal with a passport.
26
I found a pay phone and called the number and I expected it just to ring and ring like last time, to realize that I might never find Jaye again, or that she might have given me a fake number, or that I’d have to find some other way to get back to that inaudible noise, which I could no longer generate just by thinking of Jaye, but then Jaye’s voice smashed through, and she said I’d called just in time, and where was I, and she told me to stay right there, so I did. She drove up in a tiny silver car with the roof folded back and her hair tied up in a yellow scarf, and I thought, for a moment, I’d be just fine forever.
She drove fast along a road that curved with the ocean and she spoke words I couldn’t hear over the engine whirring and the ocean groaning, and I wanted to tell Jaye about the inaudible noise but there was no good way to explain it without shedding too much light on the inaudible noise, overexposing it, bleaching it white and lifeless, so I closed my eyes and leaned back and the salty air filled up my head and covered my face like the gentle hands of every person in the world who was in love with anyone, and I felt my joints loosen and the strain of my beach sleep melt away.
We’re going back to Wellywood, she said, because she’d changed her mind about spending New Year’s with her ballistic family—and can you believe my mother still calls me Jared? Who’s Jared? I don’t know any fucking Jared, Jaye said, and I didn’t know any fucking Jared either and I understood she didn’t want to think of the way the past was packed into that name, the he she’d been born in — and I could not blame her and I did not blame her and I understood, somehow, something I knew I couldn’t really understand. Jaye put on music and belted along to it and I sat silent and still.
* * *
I wish I could understand what happened the few days we spent at her apartment in Wellington, but the short of it is that the inaudible noise was slowly overtaken by the minor chord so I avoided Jaye so I could avoid the minor chord and I spent long days out wandering the city, sneaking in late, sneaking out early, and on New Year’s Eve I lied and said I felt sick so I needed to stay in — but the next day she caught me coming home in the afternoon—Happy New Year, love! So you’re feeling better then? Got a little fresh air, did ya? — and I knew I wasn’t her love and nothing was new about this year because it had shown up just like all the rest of them and there was something sick and strange about how she was acting as if everything was fine and maybe to her it was, because maybe she’d never heard the inaudible noise and didn’t miss it like I did and didn’t notice the minor chord — she told me she had a surprise outing planned for us and it was time to go and I dreaded what it would be, how she might surprise me. The minor chord was playing softly but increasingly unsoftly in the background as we took a bus and walked through the concrete part of the city and we ended up on an outdoor basketball court where a small crowd had gathered and some women and men made excited noises at Jaye and threw arms around her and my name was said and repeated at me—This is Elyria — This is Elyria — And this is Elyria—and I wanted to be anyone else but I wasn’t anyone else and then it was time, someone said, and everyone sat down on the concrete court and four people dressed like vintage clowns came in, two in a shopping cart, one pushing the shopping cart, one sort of rolling across the ground and they began a sort of presentation of themselves, a routine that hinged on the humor of how sometimes some people do things incorrectly, and Jaye was laughing her hearty laugh and I didn’t understand why everyone was laughing as if they’d never be dead and I wondered why no one else could hear the harshness and hugeness of the minor chord and I tried to put myself elsewhere, to slip into a kind of open-eyed sleep, and I may have accomplished that because I have no memory of how the rest of the clown show went, just that the ending involved a pot of some kind of gruel, some kind of oatmeal goop, and the climax of this entire show involved the clowns serving us bowls of this gruel, their eyes all huge, their mouths hanging open in awe of themselves, and one of them tried to hand me a bowl of this goop and I didn’t want it, and Jaye was looking at me and the clown was looking at me and the clown took my hand and put it around the bowl and put a spoon in the other hand and mimed eating as if to say that was what I should do and I didn’t want to do that but Jaye was eating her goop and laughing and saying, Oh, eat it, love, it’s just terrible, so terrible it’s great, and no accidental missile was hitting the city and putting an end to this, so I put the goop bowl on the court and got up and left and Jaye said, Love? Love? She said love like a question and I said, I’m not feeling so well, and she said, Oh, love, she said love like the name of a dog that had just done something bad, and when Jaye got home she didn’t ask me if I was okay because I was locked in the guest room and I woke up early and left with my pack on before she woke up. I did this because I knew the inaudible noise was gone and I knew I wasn’t part of the kind of people that can eat a clown’s gruel and the wildebeest was throwing its weight around in me and I was trying not to get too beat up by the wildebeest.