115. The Old Bailey
Ian Cross put his head round the pupils’ door. A room full of pupils looked up hopefully. Cross looked at Natalie Blake.
“Want to see a grown jury weep? Bridgestone need a random pupil to make up the numbers. Court One, Bailey. With Johnnie Hampton-Arse. Don’t worry, you won’t have to do anything, just look pretty. Grab your wig.”
She was excited to be chosen. It proved the efficacy of her strategy as compared to, say, Polly’s. Don’t get romantically involved with the star tenants of criminal sets. Do good work. Wait for your good work to be noticed. This innocence and pride was preserved right up until the moment she took her seat and spotted the victim’s family in the gallery, unmistakeably Jamaican, the men in shiny gray double-breasted suits, the women in their wide-brimmed hats topped with sprays of synthetic flowers.
“Watch and learn,” whispered Johnnie, rising for opening remarks.
116. Voyeurism
The defense was constituted along the same basic lines as transubstantiation. Someone else had used the vicar’s flat to chop up Viv. Someone else had deposited her body in a series of bin bags by Camden Lock, twenty yards from his own back door. He claimed the key was freely passed among his parishioners; many people had a copy. That his sperm was found inside her was only evidence of further coincidence. (The papers had dug up a series of suspiciously similar-looking local prostitutes, all claiming to have known the vicar in the biblical sense.) “But this is not a trial about race,” said Johnnie, directing the jury’s attention to Natalie Blake with a slight move of his arm, “and to allow it to become one is to submit the evidential burden — your first concern, as jurors in a British court — to the guilty-cos-we-say-so principles of our lamentable gutter press.” The distressed huddle of Viv’s family kept clinging to each other in the gallery, but Natalie did not look at them again.
The prosecution offered a PowerPoint presentation. Grubby-looking Camden interiors. Natalie Blake sat forward in her chair. The point was the flecks of blood, but it was everything else that interested her. Four modish 60s-era white chairs, unexpected for a man of the cloth. The too-big piano in the too-small room. Mismatched sofa and ottoman, a top-of-the-range TV. Out-dated fitted kitchen with a cork floor, unfortunate, the blood soaks in. Natalie felt a nudge from the junior advocate and began taking down the pretend notes she’d been instructed to scribble.
117. In the robing room
As Natalie Blake turned to shuck off her gown, Johnnie Hampton-Rowe appeared behind her, put his hand on her shirt, pulling it aside with her bra. She had a delayed reaction: he was pinching her nipple before she managed to ask him what the fuck he thought he was doing. With the same sleight of hand she’d just seen in court, he turned the fact of her shouting into the crime. Backed off at once, sighing: “All right, all right, my mistake.” Out of the door before she’d turned round. By the time she had collected herself and come out of the room he was at the far end of the hallway bantering with the rest of the team, discussing the next day’s strategy. The junior advocate pointed at Natalie with a pen. “Pub. Seven Stars. You coming?”
118. Emergency consultation
Leah Hanwell arranged to meet Natalie Blake at Chancery Lane tube. She was working close by, as a gym receptionist on the Tottenham Court Road. They walked to the Hunterian Museum. It began to rain. Leah stood between two huge Palladian columns and looked up at the Latin tag etched on gray stone.
“Can’t we go to the pub?”
“You’ll like this.”
They made their tiny donations at the desk.
“Hunter was an anatomist,” explained Natalie Blake. “This was his private collection.”
“Have you told Frank?”
“He wouldn’t be helpful.”
With no warning Natalie prodded Leah into the first atrium, as Frank had done to her a few months before. Leah didn’t scream or gasp or cover her hands with her eyes. She walked right past all the noses and shins and buttocks suspended in their jars of formaldehyde. Straight to the bones of the Giant O’ Brien. Put her hand flat against the glass, and smiled. Natalie Blake followed her reading from a leaflet, explaining, always explaining.
119. Cocks
Thick and squat and a little comical, severed a few inches after the head, or perhaps simply shrunken in death. Some circumcised, some apparently gangrenous. “Not feeling that envious,” said Leah. “You?” They moved on. Past hipbones and toes, hands and lungs, brains and vaginas, mice and dogs and a monkey with a grotesque tumor on its jaw. By the time they reached the late-stage fetuses they were a little hysterical. Huge foreheads, narrow little chins, eyes closed, mouths open. Natalie Blake and Leah Hanwell made the Munch face at each other, at them. Leah knelt to look at a diseased piece of human material Natalie could not identify.
“You went to the pub.”
“I sat there for twenty minutes looking at the grain of the table. They talked about the case. I left.”
“You think he did the same with this Polly girl?”
“They had a ‘thing.’ Maybe it started the same way. Maybe he does it to everyone.”
“The plot thickens. I hate plots. The gym’s the same, full of cocks making drama. Drives me insane.”
“What’s that bit? Cancer?”
“Of the bowel. Dad’s kind.” Leah moved away from the jar and sat down on a little bench in the middle of the room. Natalie joined her and squeezed her hand.
“What are you going to do?” asked Leah Hanwell.
“Nothing,” said Natalie Blake.
120. Intervention
A few weeks passed. Dr. Singh cornered Natalie Blake in the pupils’ room. It was clear she had been sent as a sort of emissary. Some people upstairs — unnamed — were “concerned.” Why had she stopped participating in the social life of the set? Did she feel isolated? Would it help to talk to someone who’d “been through it”? Natalie took the little card. Without realizing it she must have rolled her eyes. Dr. Singh looked wounded, and drew a finger under a line of letters: QC, OBE, PhD. “Theodora Lewis-Lane was a trail-blazer”—this was meant as an admonishment—“no us without her.”
121. Role models
A fancy cake shop on the Gray’s Inn Road. Natalie was fifteen minutes late but Theodora was twenty, demonstrating that “Jamaican Time” had not quite died out in either of them. She was fascinated by Theodora’s chat-show weave (having recently abandoned her own, upon Frank’s request), and the subtle, glamorous variants she bought to the female barrister’s unofficial uniform: a gold satin shirt beneath the blazer; a diamante trim to the black court shoes. She was at least fifty, with the usual island gift of looking twenty years younger. Surprisingly — given her fearsome reputation — she was no more than five foot two. When Natalie slipped off her chair to shake Theodora’s hand she looked disconcerted. Sitting, she reclaimed her gravitas. In an accent not found in nature — somewhere between the Queen and the speaking clock — she ordered a tremendous number of pastries before proceeding without any encouragement to tell the story of her gothic South London childhood and unlikely professional triumph. When this tale was not quite finished, Natalie Blake took a fastidiously small bite of a croissant and murmured, “I guess I just really want my work to be taken on its own merits…”
When she looked up from her plate, Theodora had her little hands folded in her lap.