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I handed him his own letter; he read it, nodded to show he understood who I was, and began to speak. He said he knew how Grandfather II had died, he knew that I had received a blood transfusion from him—Grandfather II had told his housekeeper whom to inform if something happened to him and ordered her not to tell my family about it.

The old man waited to find out why I was there, and I asked if he had any papers, maybe photographs; I didn’t want to ask him about Grandfather II, the head of the prison camp, didn’t want to ask about their relationship, it was all clear anyway.

The old man told me to take the album from the closet and remove the greeting card from the first page; there was a photograph behind it.

Age had removed most of the black and white from the photo, it was faded; it felt as if the photographer had been taking a picture of a memory.

There were people in the photo, they were gathered for an opening ceremony for something, among them I recognized Grandfather II; there was only one spot that stood out—a spot of blackness in the place where the shovel in Grandfather II’s hands had dug out a clump of dirt. The hole was dark, it attracted the eye like a beauty mark on a cheek. I understood that the quarry I had seen the day before had come out of that hole.

The photograph tried to convey the joy of the actions, spectral banners blended with the clouds, officers of the camp guards and engineers squeezed together to get into the shot; a poorly dressed band played horns and there was a sense that not the clothes but the musicians were made out of quilted cotton fabric charred by bonfires in winter, and then patched up, not people but puppets; the band played, the flags fluttered, but it was all done—the quarry was begun and the future was predestined; the future of the town, of all these people, and my future.

I stood there, knowing there was nothing more to ask, it was all there in the photo. Get out, get out as fast as I could; I just wanted to find out where the wife and son were buried so I could visit their graves and thereby complete my descent into the past. The old man told me where to look in the local cemetery; but when I started making my hasty farewells, he stopped me.

The old man talked; he knew that the end was near and that he could “confess,” and whatever he said, whatever he admitted, I would not even dare to berate him, so fragile was his health; perhaps this was the first time he could talk freely and he used that freedom to deal with me. “You want to stay clean,” he said. “It won’t work, I’ll dirty you up!”

No, he didn’t see me as a pure boy whose naiveté was irritating; he didn’t want to prove that everyone is more likely to do evil rather than good, he didn’t want to make generalizations; nor did he try to justify himself through a person’s total dependence on circumstances. He hated me because I came from a world with mobile phones, foreign cars, Internet, Wi-Fi, trips abroad, bowling; the world had changed, people chose not to remember anything rather than remember with fear or remember with sorrow, and the old man whispered—thinking he was shouting—that he had been head of the execution squad, he had seen a bullet fly through the body of a goner and the goner did not die because while wounds endanger a healthy body, a person in extreme emaciation no longer senses a wound as a wound, he has great endurance in the face of death. The old man whispered, thinking he was shouting, that the abandoned slag heaps of the mine where they tossed the bodies attracted bears for many years; he whispered that he had shot people himself, with a Nagant rifle, he whispered that there are still undiscovered graves near the town, he knew where, he could show me if I didn’t believe him; the old man was scared.

He wasn’t afraid of what he had done; he became frightened when he realized that he, head of the execution squad, was nothing in today’s world; they did not spit in his face but nor were they afraid of him. He, who had outlived not only his victims but those who could have served as witnesses about and for them, was alone; all the executions, all the murders were forgotten, an entire era had settled to the bottom of memory, and he, locked inside it, was trying to prove that he had existed; the old man could not tolerate the fact that the evil he had wrought no longer existed as evil; he had killed, and the world had finally shut its eyes and when it opened them again it was as if nothing had ever happened. The world did not notice, and the old man was deprived of the only, almost otherworldly, perverted spiritual support in a criminal’s self-perception: knowing that you have done something irreversible, irreparable, once and forever, that you took the place of God; that your act would not be smoothed over or forgotten.

I managed to escape; the old woman unlocked the door and I ran down the stairs carrying the photograph, which I had forgotten to return. I planned to go back to the hotel and lock myself in—everything around me, everything I had seen and felt came back in one sensation, that this world was born of Grandfather II, that he had touched the ground with a shovel blade and the ground responded, opened up, and now it could not be closed, it could not be reversed; the town stood on a fault, and the past had more power over it than the present.

I didn’t reach the hotel; the Volga I had taken from the station came out around a corner and blocked my way; if I hadn’t recognized the car I might have gotten away, instead for a few seconds I thought that the driver had also recognized me and wanted something; then three men jumped out of the car, and in the backseat I saw the captain from the address office; I ran, they caught me, hit me in the back, and bent back my arms.

They opened the trunk about a half hour later; it was getting dark, the car was parked at an enormous man-made lake—one of the settling pools of the mining works, filled with greenish acidic mass; nearby a bird struggled in the chemical mixture—they said birds were poisoned by the pool’s evaporation and fell into it; the lump of dirt fluttered, gurgled, and only its beak—the sludge of the pool did not stick to it—opened and shut, a tiny bellows filling the lungs.

They made me kneel at the edge of the pool; dried vomit and blood stained the concrete; apparently, this place had been used before.

The captain and the driver stayed in the car; they smoked, the dashboard glowed green, the city lights flickered in the distance, a train carrying ore moved along the tracks, the diesel locomotive had long disappeared around the curve but the train kept going, and I suddenly realized that I was afraid I wouldn’t see the final train car; that fear hid the greater fear, that they would beat me, drop me over the edge and dip my face into the settling tank. I looked over my shoulder: three men behind me, I couldn’t tell which one was in charge; the tattoos on their hands were like stamps on the damp linens of platzkart railway bunk beds, the hands twitched and danced as if they’d undergone an electrical shock; the three were talking about what to do with me and the one missing the right ring finger was the most adamant.