Mahnmut turns to share this prognosis with Odysseus, but the Achaean has turned and walked away.
The second day out from Mars and Phobos.
Odysseus walks the hallways, climbs the stairways, avoids the elevators, searches the rooms, and ignores the Hephaestan artifices called moravecs as he seeks a way out of this metal-halled annex to Hades.
“O Zeus,” he whispers in a long chamber empty and silent except for humming boxes, whispering ventilators, and gurgling pipes, “Father wide-ruling over gods and men alike, Father whom I disobeyed and rashly warred with, He who hast thundered forth from starry heaven for all the length of my life, He who once sent his beloved daughter Athena to favor me with her protection and love, Father, I ask thee now for a sign. Lead me out of this metal Hades of shadows and shades and impotent gestures to which I have come before my time. I ask only for my chance to die in battle, O Zeus, O Father who rules over the firm earth and the wide sea. Grant me this final wish and I shall be thy servant for all the days remaining to me.”
There is no answer, not even an echo.
Odysseus, son of Laertes, father of Telemachus, beloved of Penelope, favorite of Athena, clenches his fists and teeth against his fury and continues to pace the metal tunnels of this shell, this hell.
The artifices have told him that he is in a metal ship sailing the black sea of the kosmos, but they lie. They have told him that they took him from the battlefield on the day the Hole collapsed because they seek to help him find his way home to his wife and son, but they lie. They have told him that they are thinking objects—like men—with souls and hearts like men, but they lie.
This metal tomb is huge, a vertical labyrinth, and it has no windows. Here and there Odysseus finds transparent surfaces through which he can peer into yet another room, but he finds no windows or ports to look out onto this black sea of which they speak, only a few bubbles of clear glass that show him an eternally black sky holding the usual constellations. Sometimes the stars wheel and spin as if he’s had too much to drink. When none of the moravec machine toys are around, he pounds the windows and the walls until his massive, war-calloused fists are bloody, but he makes no marks on the glass or metal. He breaks nothing. Nothing opens to his will.
Some chambers are open to Odysseus, many are locked, and a few—like the place called the bridge, which they showed him on that first day of his exile in this right-angled Hades—are guarded by the black and thorny artifices called rockvecs or battle ‘vecs or Belt troopers. He has seen these black-thorned things fight during the months they helped protect Ilium and the Achaean encampments against the fury of the gods, and he knows that they have no honor. They are only machines using machines to fight other machines. But they are larger and heavier than Odysseus, armed with their machine weapons, and armored with their built-in blades and metal skin, whereas Odysseus has been stripped of all his weapons and armor. If all else fails, he will try to wrest a weapon away from one of the battle ‘vecs, but only after he has exhausted all his other choices. Having held and wielded weapons since he was a toddler, Odysseus, son of Laertes, knows that they must be learned—practiced with—their function and form understood as any artist understands his tools—and he does not know these blunt, scalloped, heavy, pointless weapons that the rockvecs carry.
In the room with all the roaring machines and the huge, plunging cylinders, he talks to the huge metal crab of a monster. Somehow, Odysseus knows the thing is blind. Yet somehow, he also knows, it finds its way around without the use of its eyes. Odysseus has known many brave men who were blind, and has visited blind seers, oracles, whose human sight had been replaced with second sight.
“I want to go back to the battlefields of Troy, Monster,” he says. “Take me there at once.”
The crab rumbles. It speaks Odysseus’ language, the language of civilized men, but so abominably that the words sound more like the crash of harsh surf on rocks—or the plunge and hiss of the huge pistons above—rather than true human speech.
“We have… long trip… in front of me… us… noble Odysseus, honored son of Laertes. When that is dead… finished… over… we hope to remove you… return you… to Penelope and Telemachus.”
How dare this animated metal hulk touch the names of my wife and child with its hidden tongue, thinks Odysseus. If he had even the dullest of swords or the crudest of clubs, he would bash this thing to pieces, tear open its shell, and find and rip out that tongue.
Odysseus leaves the crab-monster and seeks the bubble of curved glass where he can see the stars.
They are not moving now. They do not blink. Odysseus sets his scarred palms against the cold glass.
“Athena, goddess… I sing the glorious Power with azure eyes, Pallas Athena, tameless, chaste, and wise… hear my prayer.
“Tritogenia, goddess… town-preserving Maid, revered and mighty; from his awful head whom Zeus himself brought forth… in warlike armor dressed… Golden! All radiant!… I beseech thee, hear my prayer.
“Wonder, goddess, strange possessed… the everlasting Gods that Shape to see… shaking a javelin keen… impetuously rush from the crest of Aegis-bearing God, Father Zeus… so fearfully was heaven shaken… and did move beneath the might of the Cerulean-eyed…. hear my prayer.
“Child of the Aegis bearer, Third Born… sublime Pallas whom we rejoice to view… wisdom personified whose praise shall never unremembered be… hail to thee… please hear my prayer.”
Odysseus opens his eyes. Only the unblinking stars and his own reflection return his gray-eyed gaze.
The third day out from Phobos and Mars.
To a distant observer—say, someone watching through a powerful optical telescope from one of the orbital rings around Earth—the Queen Mab would appear as a complicated spear-shaft of girder-wrapped spheres, ovals, tanks, brightly painted oblongs, many-belled thruster quads, and a profusion of black buckycarbon hexagons, all arranged around the core stack of cylindrical habitation modules, all of which, in turn, are balanced atop a column of increasingly brilliant atomic flashes.
Mahnmut goes to see Hockenberry in the infirmary. The human is healing quickly, thanks in part to the Grsvki-process, which fills the ten-bed recovery room with the smell of a thunderstorm. Mahnmut has brought flowers from the Queen Mab’s extensive greenhouse—his memory banks had told him that this was still proper protocol in the prerubicon Twenty-first Century from which Hockenberry, or at least Hockenberry’s DNA, had come. The scholic actually laughs at the sight of them and allows that he’s never been given flowers before, at least as best he can recall. But Hockenberry adds that his memory of his life on Earth—his real life, his life as a university scholar rather than as a scholic for the gods—is far from complete.
“It’s lucky that you QT’d to the Queen Mab,” says Mahnmut. “No one else would have had the medical expertise or the surgical skills with which to heal you.”
“Or the spidery moravec surgeon,” says Hockenberry. “Little did I know when I met Retrograde Sinopessen that he’d end up saving my life within twenty-four hours. Funny how life works.”
Mahnmut can think of nothing to say to that. After a minute, he says, “I know you’ve talked to Asteague/Che about what happened to you, but would you mind discussing it again?”
“Not at all.”
“You say that Helen stabbed you?”
“Yes.”
“And the motive was just to keep her husband—Menelaus—from ever discovering that it was she who betrayed him after you quantum teleported him back to the Achaean lines?”