She peered over the edge and, still seeing no sign of Philip, went back inside. She closed the book and glared at the cover. It was a gift from Philip, although “gift” probably wasn’t the right word. “Suggestion” was more like it. He had given her the book after they’d had a disastrous dinner with one of his old friends. “This is a great book,” he’d said. “I thought you might enjoy it.”
“Thank you,” she’d said gratefully, although she knew exactly what he was up to. He was trying to educate her, and while she thought it was sweet of him, she couldn’t understand why he found it necessary. As far as she was concerned, it was Philip who needed educating. Every time she mentioned a hot new actor or some YouTube video everyone was talking about, or even when she played music for him off her iPod, he claimed never to have heard of any of it. This was frustrating, but she always refrained from criticizing him. She at least had the decency not to hurt his feelings and make him feel old.
In adopting this attitude, she’d found she could pretty much get Philip to do whatever she wanted. Today, for instance, they were going to visit the set of Schiffer Diamond’s new TV show. Everyone was talking about the show, and knowing Philip was, as he put it, “old friends” with Schiffer, Lola had wondered why he hadn’t gone to see her. Philip seemed to wonder, too, and, with her urging, went down to her apartment and left her a note. One evening, Schiffer called, and Philip went into his office and talked to her on the phone for an hour with his door closed while Lola waited impatiently outside. When he came out, he said he was going to see Schiffer on the set, but Lola shouldn’t bother coming with him, as it would be dull and she would be bored. This after it was her idea to go in the first place! Then she’d given him a foot massage and, while she was rubbing his feet, pointed out that a set visit would be good for her education. As his researcher and girlfriend, naturally, she wanted to understand everything about his work. “You know what I do,” he’d protested, but only mildly. “I sit at a computer all day.”
“That’s not true,” she said. “You’re going to Los Angeles for two weeks in January. And I’ll probably come out for a week. I’ll have to go to the set with you then — you can’t expect me to sit in a hotel room all day.”
“I thought we discussed L.A.,” he said, tensing his foot. “It’s going to be a nightmare. The first two weeks of production always are. I’ll be working sixteen-hour days. It won’t be fun for you at all.”
“You mean I won’t see you for two weeks?” she’d exclaimed. He must have felt guilty, because almost immediately, he agreed to take her with him to the set of Lady Superior after all. She was so pleased, she didn’t even mind about him not going to her parents’ house for Thanksgiving; she told herself it was too soon in their relationship to be spending holidays with each other’s families. She wouldn’t have wanted to spend Thanksgiving with Enid, which was what Philip had done, taking his aunt to a boring lunch at the Century Club. Philip had dragged Lola there once, and she’d vowed never to return. Everyone was over eighty. So Lola happily went back to Windsor Pines and met up with her girlfriends and stayed up until two A.M. on Friday night and showed off pictures of her and Philip and Philip’s apartment. One of her friends was engaged and planning a wedding; the others were trying to get their boyfriends to marry them. They looked at the photographs of Philip and his apartment and sighed in envy.
That was three weeks ago, and now it was nearly Christmas, and Philip had finally come up with a day for the set visit. Lola spent two days get ting ready. She’d had a massage and a spray tan, her dark hair was highlighted with strands of gold, and she’d bought a dress at Marc Jacobs. After the purchase, her mother called, wondering if she had indeed just spent twenty-three hundred dollars. Lola accused her mother of using her credit card to spy on her. They had had a rare fight, and Lola hung up, felt terrible, then called her mother back. Beetelle was nearly in tears. “Mommy, what’s wrong?” Lola demanded. When her mother didn’t respond, Lola asked in a panic, “Are you and Daddy getting a divorce?” “Your father and I are fine.” “So what’s the problem?” “Oh, Lola,” her mother said, sighing.
“We’ll talk about it when you come home for Christmas. In the meantime, try to be careful with money.”
This was very strange, and Lola hung up, perplexed. But then she decided it wasn’t important. Her mother got upset about money every now and again, but she always got over it and, feeling guilty, usually bought Lola a trinket like Chanel sunglasses.
Philip, meanwhile, was around the corner, getting his hair cut. He’d frequented this particular salon, located on Ninth Street off Fifth, for thirty years. His mother started coming to the salon in the seventies, when the clients and stylists would play music on a boom box and snort cocaine.
Naturally, the proprietor was a dear friend of his mother’s. Everyone was a dear friend of his mother’s. She’d had that charming neediness that made people want to take care of her. She’d been a trust fund girl and considered a great beauty, but there was an air of tragedy about her that only increased her fascination. No one was surprised when she killed herself in 1983.
The proprietor, Peter, had been giving Philip the same haircut for years and was nearly finished, but Philip was trying to kill time. Peter had recently recovered from cancer and had begun to work out at a gym every day, so they talked about his routine. Then they talked about Peter’s house upstate in the Catskills. Then they talked about how the neighborhood was changing. Philip was dreading the set visit and the impending meeting of his former love and his current lover. There was a bald difference between “love” and “lover,” the first being legitimate and honorable, the second being temporary and even, he thought, when it came to Lola, slightly embarrassing.
This unpleasant reality had come to light during the dinner with the Yugoslavian director. The director, who happened to have won two Academy Awards, was an elderly man who drooled, and whose Russian wife, dressed in gold Dolce & Gabbana (and twenty years younger, about the same difference in age, Philip guessed, as he and Lola), had had to feed him his soup. The director was a curmudgeon, and his wife was ridiculous, but still, the man was a legend, and despite his age (which couldn’t be helped) and his silly wife, Philip had the utmost respect for him and had been looking forward to the dinner for months.
Lola, intentionally or not, was on her worst behavior. During a long dis-course during which the director explained his next project (a movie about an obscure civil war in Yugoslavia in the thirties), Lola had attended to her iPhone, sending texts and even taking a call from one of her girlfriends in Atlanta. “Put it away,” Philip had hissed at her. She gave him a hurt look, signaled to the waiter, and asked for a Jell-O shot, explaining to the table that she didn’t drink wine, as it was for old people. “Stop it, Lola,” he said.
“You do drink wine. You’ll have what everyone else is having.” “I don’t drink red wine,” she pointed out. “Besides, I need something strong to get through this dinner.” She’d asked the director if he’d ever worked on any popular movies. “Popular?” he’d asked, startled. “Vat is zat?”
“You know,” Lola said. “Movies for regular people.”
“Vat is regular people?” the director asked, insulted. “I think my tastes are too sophisticated for a young lady such as yourself.”
The old man hadn’t meant to be insulting, but it had come out that way. And Lola took the bait.
“What’s that mean?” she’d said. “I thought art was for the people. If the people can’t understand it, what’s the point?”