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Lola hadn’t meant to get so involved with Thayer Core. She knew it was dangerous but found she enjoyed the thrill of getting away with it.

And being uncertain about her relationship with Philip, she justified her behavior by reminding herself that she needed a backup in case things with Philip didn’t work out. Admittedly, Thayer Core wasn’t much of a consolation prize, but he did know lots of people and claimed to have all kinds of connections.

But then Philip was coming home in a few days, and Lola warned Thayer that their time together had to end. Thayer was annoyed. Not because he wouldn’t be seeing Lola but because he so enjoyed spending time in One Fifth. He liked everything about it, and simply entering the building on Fifth Avenue made him feel superior. Before going in, he often looked around the sidewalk to see if anyone was watching, envying him his position. Then he’d pass by the doormen with a wave. “Going up to Philip Oakland’s,” he’d say, making a jerking motion with his thumb. The doormen regarded him with suspicion — Thayer could tell they didn’t like him and didn’t approve — but they didn’t stop him.

Dropping by Philip’s apartment that morning, Thayer suggested he and Lola look at some Internet porn. Lola was eating potato chips, crunching them obnoxiously just for the hell of it, Thayer thought. “Can’t,” she said.

“Why not? You a prude?” Thayer said. “Nope. No Internet service. It’s all Paul Rice’s fault. That’s what everyone is saying, anyway. Enid says they’re going to try to kick him out. Don’t know if they can, but now everyone in the building hates him.”

“Paul Rice?” Thayer asked casually. “The Paul Rice? Who’s married to Annalisa? The society tartlet?”

Lola shrugged. “They’re super-rich. She rides around in a Bentley and has designers send her clothes. I hate her.”

“I hate them both,” Thayer said, and smiled.

Heeding the call to action, Mindy and Enid had scheduled an emergency meeting of the board. On her way down to Mindy’s, Enid paused outside Philip’s door. Sure enough, she heard voices — Lola’s and that of an unidentified man who, she assumed, was Thayer Core. Had Lola will-fully misunderstood what she’d said? Or was she simply dumb? Enid knocked on the door.

Immediately, there was silence. Enid knocked again. “Lola?” she called out. “It’s me. I need to talk to you.” She heard hurried whispers, and then Lola opened the door. “Hi, Enid,” she said with false cheer.

Enid pushed past her and found Thayer Core sitting on Philip’s couch with a script in his hand. “Hello,” Enid said. “And who might you be?”

Thayer suddenly became the proper prep-school boy whose image he’d been trying to shed for the past five years. He stood up and held out his hand. “Thayer Core, ma’am.”

“Enid Merle. I’m Philip’s aunt,” Enid said dryly.

“Wow,” Thayer said. “Lola didn’t tell me you were Philip’s aunt.”

“Are you a friend of Philip’s?”

“Yes, I am. And of Lola’s. Lola and I were discussing my script. I was hoping Philip might be able to give me some pointers. But I can see you two have things to talk about,” Thayer said, looking from Enid to Lola.

“I need to get going.” He jumped up and grabbed his coat.

“Don’t forget your script,” Enid said to him.

“Right,” Thayer said. He exchanged a look with Lola, who smiled stiffly. Thayer picked up the script, and Enid followed him into the hall.

They rode down to the lobby without speaking, which was fine by Thayer. His head was full of ideas, and he didn’t want to lose them by talking. In the past thirty minutes, he’d gleaned enough interesting material for several blog items. One Fifth was a hotbed of intrigue; perhaps he might create an entire series dedicated to the goings-on in the building. He could call it “The Co-op.” Or perhaps “The Lives of the Rich and Privileged.”

“Goodbye,” Enid said firmly when the elevator doors opened into the lobby. Thayer nodded at her and hurried out. All he needed to continue his attack on the residents of One Fifth was a steady supply of information. He turned over the script in his hand and smiled. It was the first draft of a screenplay by Philip Oakland with a working title of “Bloody Mary.” Philip Oakland would be furious if he discovered Lola had allowed an unfinished script to get out. And it wouldn’t get out as long as Lola was a good girl and played along. From now on, Thayer decided, Lola could come to his apartment. She would keep him up to date on the goings-on in One Fifth, and when she was finished talking, she could give him a blow job.

Enid rang Mindy’s bell. The door was opened by Sam, who had changed his mind about going to school, claiming he was sick. He led Enid into the tiny living room, where the three members of the board were engaged in a fierce discussion about Paul Rice.

“Can’t we force him to allow Time Warner into his apartment?”

“Of course. It’s the same as a handyman. And it’s affecting the other residents. But if he refuses, we have to get a letter from the building’s attorney.”

“Has anyone tried to talk to him?”

“We all have,” Enid said. “He’s impossible.”

“What about the wife? Maybe someone should talk to his wife.”

“I’ll try again,” Enid said.

On the other side of the wall, Sam Gooch lay on his bed, pretending to read his mother’s New Yorker. He’d left his door open so he could overhear the conversation. He looked up at the ceiling, feeling extremely pleased with himself. True, his actions had caused a great deal of trouble for everyone in the building, and he was scared to death of being found out, but it was worth it to get even with Paul. Sam guessed Paul would not be harassing anyone anymore, especially his mother. He would never say anything to Paul, but when they passed in the lobby, he would give Paul a certain look, and Paul would know Sam had been responsible.

Hopefully, he’d never be able to prove it.

A few minutes later, Enid knocked on the Rices’ door. Maria, the housekeeper, opened it a crack and said through the tiny slit, “No visitors.”

Enid stuck her fingers in the crack. “Don’t be silly. I need to see Mrs.

Rice.”

“Enid?” Annalisa called out. She stepped into the hallway, closing the door behind her. “This is not our fault.”

“Of course it isn’t,” Enid said.

“It’s because everyone hates Paul.”

“A co-op is like a private club,” Enid said. “Especially in a building like One Fifth. You may not necessarily like all the other members, but you do have to get along with them. Otherwise, it tears the whole building apart. Word gets out that it’s not such a great building, and then everyone’s real estate goes down. And no one likes that, my dear.”

Annalisa looked down at her hands.

“There is an unspoken code of behavior. For instance, residents must strive to avoid unpleasant encounters. We can’t have neighbors insulting each other. Yes, One Fifth is a fancy apartment building. But it’s also people’s homes. It’s their sanctuary. And without the security of that sanctuary, people become angry. I’m afraid for you and Paul. Afraid of what will happen if you don’t allow the repairman from Time Warner into your apartment.”

“He’s already here,” Annalisa said.

“Ah,” Enid replied, taken aback.

“He’s by the service entrance. Perhaps you’d like to talk to him.”