Outside in the world, there were places where things were not so tranquil. By this time there were already troops in motion in long trains of personnel-carrying trucks. There were mobile guided missile detachments moving at top speed across state lines and along the express highway systems. Every military plane in the coastal area was aloft, kept fueled by tanker planes to be ready for any sort of offensive or defensive action that might be called for. The short wave instructions to the construction camp had become known, and all the world knew that Boulder Lake National Park had been evacuated to avoid contact with non-human aliens. The aliens were reported to have hunted men down and killed them for sport. They were reported to have paralysis beams, death beams and poison gas. They were described as indescribable, and described in "artist's conceptions" on television and in the newspapers. They appeared—according to circumstances—to resemble lizards or slugs. They were portrayed as carnivorous birds and octopods. The artists took full advantage of their temporarily greater importance than cameramen. They pictured these diverse aliens in their one known aggressive action of trailing Vale down and carrying him away. This was said to be for vivisection. None of the artists' ideas were even faintly plausible, biologically. The creatures were even portrayed as turning heat rays upon humans, who dramatically burst into steam as the beams struck them. Obviously, there were also artist's conceptions of women being seized by the creatures from outer space. There was only one woman known to be in the construction camp, but that inconvenient fact didn't bother the artists.
The United States went into a mild panic. But most people stayed on their jobs, and followed their normal routine, and the trains ran on time.
The public in the United States had become used to newspaper and broadcast scares. They were unconsciously relegated to the same category as horror movies, which some day might come true, but not yet. This particular news story seemed more frightening than most, but still it was taken more or less as shuddery entertainment. So most of the United States shivered with a certain amount of relish as ever new and ever more imaginative accounts appeared describing the landing of intelligent monsters, and waited to see if it was really true. The truth was that most of America didn't actually believe it. It was like a Russian threat. It could happen and it might happen, but it hadn't happened so far to the United States.
An official announcement helped to guide public opinion in this safe channel. The Defense Department released a bulletin: An object had fallen from space into Boulder Lake, Colorado. It was apparently a large meteorite. When reported by radar before its landing, defense authorities had seized the opportunity to use it for a test of emergency response to a grave alarm. They had used it to trigger a training program and test of defensive measures made ready against other possible enemies. After the meteorite landed, the defense measures were continued as a more complete test of the nation's fighting forces' responsive ability. The object and its landing, however, were being investigated.
Lockley tramped up hillsides and scrambled down steep slopes with many boulders scattered here and there. He moved through a landscape in which nothing seemed to depart from the normal. The sun shone. The cloud cover, broken some time since, was dissipating and now a good two-thirds of the sky was wholly clear. The sounds of the wilderness went on all around him.
But presently he came to a partly-graded new road, cutting across his way. A bulldozer stood abandoned on it, brand-new and in perfect order, with the smell of gasoline and oil about it. He followed the gash in the forest it had begun. It led toward the camp. He came to a place where blasting had been in progress. The equipment for blasting remained. But there was nobody in sight.
Half a mile from this spot, Lockley looked down upon the camp. There were Quonset huts and prefabricated structures. There were streets of clay and wires from one building to another. There was a long, low, open shed with long tables under its roof. A mess shed. Next to it metal pipes pierced another roof, and wavering columns of heated air rose from those pipes. There was a building which would be a commissary. There was every kind of structure needed for a small city, though all were temporary. And there was no movement, no sound, no sign of life except the hot air rising from the mess kitchen stovepipes.
Lockley went down into the camp. All was silence. All was lifeless. He looked unhappily about him. There would be no point, of course, in looking into the dormitories, but he made his way to the mess shed. Some heavy earthenware plates and coffee cups, soiled, remained on the table. There were a few flies. Not many. In the mess kitchen there was grayish smoke and the reek of scorched and ruined food. The stoves still burned. Lockley saw the blue flame of bottled gas. He went on. The door of the commissary was open. Everything men might want to buy in such a place waited for purchasers, but there was no one to buy or sell.
The stillness and desolation of the place resulted from less than an hour's abandonment. But somehow it was impossible to call out loudly for Jill. Lockley was appalled by the feeling of emptiness in such bright sunshine. It was shocking. Men hadn't moved out of the camp. They'd simply left it, with every article of use dropped and abandoned; nothing at all had been removed. And there was no sign of Jill. It occurred to Lockley that she'd have waited for Vale at the camp, because assuredly his first thought should have been for her safety. Yes. She'd have waited for Vale to rescue her. But Vale was either dead or a captive of the creatures that had been in the object from the sky. He wouldn't be looking after Jill.
Lockley found himself straining his eyes at the mountain from whose flank Vale had been prepared to measure the base line between his post and Lockley's. That vantage point could not be seen from here, but Lockley looked for a small figure that might be Jill, climbing valiantly to warn Vale of the events he'd known before anybody else.
Then Lockley heard a very small sound. It was faint, with an irregular rhythm in it. It had the cadence of speech. His pulse leaped suddenly. There was the mast for the short wave set by which the camp had kept in touch with the outer world. Lockley sprinted for the building under it. His footsteps sounded loudly in the silent camp, and they drowned out the sound he was heading for.
He stopped at the open door. He heard Jill's voice saying anxiously, "But I'm sure he'd have come to make certain I was safe!" A pause. "There's no one else left, and I want...." Another pause. "But he was up on the mountainside! At least a helicopter could—"
Lockley called, "Jill!"
He heard a gasp. Then she said unsteadily, "Someone just called. Wait a moment."
She came to the door. At sight of Lockley her face fell.
"I came to make sure you were all right," he said awkwardly. "Are you talking to outside?"
"Yes. Do you know anything about—"
"I'm afraid I do," said Lockley. "Right now the important thing is to get you out of here. I'll tell them we're starting. All right?"
She stood aside. He went up to the short wave set which looked much like an ordinary telephone, but was connected to a box with dials and switches. There was a miniature pocket radio—a transistor radio—on top of the short wave cabinet. Lockley picked up the short wave microphone. He identified himself. He said he'd come to make sure of Jill's safety, and that he'd been passed by the rushing mass of cars and trucks that had evacuated everybody else. Then he said, "I've got a car about four miles away. It's in a ditch, but I can probably get it out. It'll be a lot safer for Miss Holmes if you send a helicopter there to pick her up."