Oh sure, I thought savagely; well, he wouldn't, would he? I mean stealing his best friend's girl isn't betrayal, any more than stealing thirty-seven million pounds and making you his accomplice is. That's altruism. That's nobility. That's sacrifice!
Six pages of Larry-inspired self-absorption went by before she braced herself to address me again, this time in patronising terms:
You see, Tim, Larry is life continued. He will never let me down. He is life made real again, and just to be with him is to be travelling and taking part, because where Tim avoids, Larry engages. And where Tim ...
Signal ends again. Where Tim what? What was left of me to destroy that she hadn't destroyed already? And if Larry was life continued, what was Tim in the gospel according to St. Larry, passed down to us by the disciple Emma? Life discontinued, I supposed. Better known as death. And death, when she found herself living with it, became a bit infectious, presumably—which is why she plucked up the courage to bolt that Sunday morning while I was at church.
But I am not guilty, I thought. I am the deceived, not the deceiver.
* * *
"Make me one person, Tim," she implores me on our first night in Honeybrook. "I've been too many people for too long, Tim. Be my one-man convent, Tim, my Salvation Army. Never let me down."
Larry will never let you down, you simpleton! Larry's going to dump you in the deepest pit you ever saw! That's what he does! Don't preach to me about your love for him! Larry as life? Your sacred feelings? How many times can you be true to your feelings and have any feelings left to be true to? How many times can you consign yourself to the sweet blue sky of eternity, only to come slinking home in the small hours of the morning with your dress torn and two teeth missing?
Yet the protector in me was on full alert, even as the bonds of guilt and ignorance fell away. Every page and every word I read injected me with fresh urgency, spurring me forward in my desire to free her from her latest, greatest folly.
* * *
Emma as artist. Emma as mistress of the Freudian doodle. Emma as the echo of Larry's eternal outcry against a world he can neither join nor destroy. "For us," she has written. A lighthouse is the most charitable description of it. It rises proudly up the centre of the page. It has four slender, tapering walls with windows not unlike my arrow slits. It has a conical tip like a helmet and like other conical tips. On the ground floor she has drawn a soulful cow, on the first floor Larry and Emma are eating out of bowls, on the second they are embracing. And on the top floor, naked as in Paradise, they are keeping watch from opposite windows.
But for when? For what? Now it was Cranmer, her saviour, who scrambled after her, calling Stop! and Wait! and Come back!
* * *
An indignant Larry dissertation, all for Emma, on the origin of the word ingush, which turns out to be a Russian notion, imposed by the invader. Ingush, it seems, is simply the Ingush word for people, as chechen is the Chechen word for people (cf. the Boer colonialists' use of bantu for the black people of Africa). The Ingush word for the people of Ingushetia is evidently Galgai. Larry is incensed by such insensitivity on the part of the Russians, and naturally wishes Emma to share his anger...
* * *
I was reading burned paper.
Sometimes I had to hold it to the light. Sometimes I was obliged to use a magnifying glass or complete a garbled sentence for myself. Paper burns badly, as every spy knows. Print survives, if only white on black. But Emma was no spy, and whatever security precautions she had imagined she was taking, they were not those recommended by the likes of Marjorie Pew. I was reading letters and numbers. Her italic handwriting was clear despite the flames.
25 x MKZ22. . . . . 200 appro
500 x ML7. . . . . . 900
1 x MQ18. . . . . . 50
Against each entry, a tick or cross. And along the bottom of the page the words: Order confirmed by AM, Sept 14, 10.30 a.m., his phone call.
I heard Jamie Pringle: Mathematics not up Larry's street . . . Brighter than Larry by a mile, when it came to numbers. I had a vision of her sitting at the desk in Cambridge Street, her black hair tucked sternly behind her ears and into the collar of her high-necked blouse, while she works out the arithmetic that her musician's brain is good at, and waits for Larry to hurry up the hill from Bristol Temple Meads station after another tiring day at the Lubyanka, darling.
Grand total 4 1/2 approx, I read at the foot of the following page. Her numbers were italic too.
Four and a half whats, damn you? I asked, angry with her at long last. Thousands? Millions? A few of the thirty-seven and rising? Then why did Larry have to sell your jewellery for you? Why did he have to give away his office gratuity?
I heard Diana again and felt my hackles rise: one perfect note.
The image was forming. Perhaps it had already formed. Perhaps the what was there, and only the why remained. But Cranmer in this mood was a desk officer. And deductions, if he made them at all, came after, not before and not during, his researches.
* * *
I was listening.
I had an urge to laugh, to wave, to answer back, "Emma! It's me. I love you. Actually, I still do! Incredibly, irrationally, I adore you, whether I'm life or death or just boring old Tim Cranmer!"
Outside my arrow slits the world was going to the devil. The chapel tower grumbled, shutters banged, lead downpipes hurled themselves against stone walls as the thunder struck. Gutters overflowed and gargoyles could not spew out the rushing water fast enough. The rain stopped and the uneasy truce of a country night returned. But all I was thinking was: "Emma, it's you," and all I was hearing was Emma speaking on the answering machine from Cambridge Street in a voice so lovely that I wanted to hold the machine against my face: a warm and patient voice as well as a musical one, made a little lazy by lovemaking, perhaps, and addressed to people who might not speak much English or be conversant with such Western mysteries as the answering machine.
"This is Free Prometheus of Bristol, and this is Sally speaking," she was saying. "Hullo, and thanks for calling. I'm afraid we can't talk to you just now, because we have had to go out. If you wish to leave a message, wait until you hear a short whistle, then begin speaking immediately. Are you ready ... ?"
After Emma, the same message again, read to us by Larry in Russian. And Larry when he spoke Russian slipped into another skin, because the Russian language had been his refuge from tyranny. It was where he had locked himself away from the father who had lectured him, and the school that had urged conformity on him, and the prefects who had flogged him to give the message force.
After he had spoken Russian he spoke again, in a language that I arbitrarily placed in the Caucasus—since I didn't understand a syllable. But I couldn't mistake the air of drama, the pulse of conspiracy, that he managed to squeeze into such a formal little message. I listened to him again in Russian. Then again in the unfamiliar language. So charged, so heroic, so full of moment. What did he remind me of? The book beside his bed in Cambridge Street? Memories of his hero Aubrey Herbert, who had fought to save Albania?
I had it—the Canning!
We are back at Oxford; it's nighttime and it's snowing. We are sitting in someone's rooms in Trinity; there are a dozen of us, and we are drinking mulled claret, and it's Larry's turn to read us a paper on whatever pretentious subject has caught his fancy. The Canning is just another self-regarding Oxford discussion group, except that it's a bit older than most and has some decent silver. Larry has chosen Byron and intends to shock us. Which he duly does, insisting that Byron's greatest loves were men, not women, and dwelling upon the poet's devotion while at Cambridge to a choirboy, and while in Greece to his page, Loukas.