Our Mutual Friend

'Water-meadows, or such like,' she had sometimes murmured, on the day's pilgrimage, when she had raised her head and taken any note of the real objects about her. There now arose in the darkness, a great building, full of lighted windows. Smoke was issuing from a high chimney in the rear of it, and there was the sound of a water-wheel at the side. Between her and the building, lay a piece of water, in which the lighted windows were reflected, and on its nearest margin was a plantation of trees. 'I humbly thank the Power and the Glory,' said Betty Higden, holding up her withered hands, 'that I have come to my journey's end!'

She crept among the trees to the trunk of a tree whence she could see, beyond some intervening trees and branches, the lighted windows, both in their reality and their reflection in the water. She placed her orderly little basket at her side, and sank upon the ground, supporting herself against the tree. It brought to her mind the foot of the Cross, and she committed herself to Him who died upon it. Her strength held out to enable her to arrange the letter in her breast, so as that it could be seen that she had a paper there. It had held out for this, and it departed when this was done.

'I am safe here,' was her last benumbed thought. 'When I am found dead at the foot of the Cross, it will be by some of my own sort; some of the working people who work among the lights yonder. I cannot see the lighted windows now, but they are there. I am thankful for all!'

The darkness gone, and a face bending down.

'It cannot be the boofer lady?'

'I don't understand what you say. Let me wet your lips again with this brandy. I have been away to fetch it. Did you think that I was long gone?'

It is as the face of a woman, shaded by a quantity of rich dark hair. It is the earnest face of a woman who is young and handsome. But all is over with me on earth, and this must be an Angel.

'Have I been long dead?'

'I don't understand what you say. Let me wet your lips again. I hurried all I could, and brought no one back with me, lest you should die of the shock of strangers.'

'Am I not dead?'

'I cannot understand what you say. Your voice is so low and broken that I cannot hear you. Do you hear me?'

'Yes.'

'Do you mean Yes?'

'Yes.'

'I was coming from my work just now, along the path outside (I was up with the night-hands last night), and I heard a groan, and found you lying here.'

'What work, deary?'

'Did you ask what work? At the paper-mill.'

'Where is it?'

'Your face is turned up to the sky, and you can't see it. It is close by. You can see my face, here, between you and the sky?'

'Yes.'

'Dare I lift you?'

'Not yet.'

'Not even lift your head to get it on my arm? I will do it by very gentle degrees. You shall hardly feel it.'

'Not yet. Paper. Letter.'

'This paper in your breast?'

'Bless ye!'

'Let me wet your lips again. Am I to open it? To read it?'

'Bless ye!'

She reads it with surprise, and looks down with a new expression and an added interest on the motionless face she kneels beside.

'I know these names. I have heard them often.'

'Will you send it, my dear?'

'I cannot understand you. Let me wet your lips again, and your forehead. There. O poor thing, poor thing!' These words through her fast-dropping tears. 'What was it that you asked me? Wait till I bring my ear quite close.'

'Will you send it, my dear?'

'Will I send it to the writers? Is that your wish? Yes, certainly.'

'You'll not give it up to any one but them?'

'No.'

'As you must grow old in time, and come to your dying hour, my dear, you'll not give it up to any one but them?'

'No. Most solemnly.'

'Never to the Parish!' with a convulsed struggle.

'No. Most solemnly.'

'Nor let the Parish touch me, not yet so much as look at me!' with another struggle.

'No. Faithfully.'

A look of thankfulness and triumph lights the worn old face.

The eyes, which have been darkly fixed upon the sky, turn with meaning in them towards the compassionate face from which the tears are dropping, and a smile is on the aged lips as they ask:

'What is your name, my dear?'

'My name is Lizzie Hexam.'

'I must be sore disfigured. Are you afraid to kiss me?'

The answer is, the ready pressure of her lips upon the cold but smiling mouth.

'Bless ye! NOW lift me, my love.'

Lizzie Hexam very softly raised the weather-stained grey head, and lifted her as high as Heaven.

Chapter 9 Somebody Becomes the Subject of a Prediction

We give thee hearty thanks for that it hath pleased thee to deliver this our sister out of the miseries of this sinful world."' So read the Reverend Frank Milvey in a not untroubled voice, for his heart misgave him that all was not quite right between us and our sister — or say our sister in Law — Poor Law — and that we sometimes read these words in an awful manner, over our Sister and our Brother too.

And Sloppy — on whom the brave deceased had never turned her back until she ran away from him, knowing that otherwise he would not be separated from her — Sloppy could not in his conscience as yet find the hearty thanks required of it. Selfish in Sloppy, and yet excusable, it may be humbly hoped, because our sister had been more than his mother.

The words were read above the ashes of Betty Higden, in a corner of a churchyard near the river; in a churchyard so obscure that there was nothing in it but grass-mounds, not so much as one single tombstone. It might not be to do an unreasonably great deal for the diggers and hewers, in a registering age, if we ticketed their graves at the common charge; so that a new generation might know which was which: so that the soldier, sailor, emigrant, coming home, should be able to identify the resting-place of father, mother, playmate, or betrothed. For, we turn up our eyes and say that we are all alike in death, and we might turn them down and work the saying out in this world, so far. It would be sentimental, perhaps? But how say ye, my lords and gentleman and honourable boards, shall we not find good standing-room left for a little sentiment, if we look into our crowds?

Near unto the Reverend Frank Milvey as he read, stood his little wife, John Rokesmith the Secretary, and Bella Wilfer. These, over and above Sloppy, were the mourners at the lowly grave. Not a penny had been added to the money sewn in her dress: what her honest spirit had so long projected, was fulfilled.

'I've took it in my head,' said Sloppy, laying it, inconsolable, against the church door, when all was done: I've took it in my wretched head that I might have sometimes turned a little harder for her, and it cuts me deep to think so now.'

The Reverend Frank Milvey, comforting Sloppy, expounded to him how the best of us were more or less remiss in our turnings at our respective Mangles — some of us very much so — and how we were all a halting, failing, feeble, and inconstant crew.

'SHE warn't, sir,' said Sloppy, taking this ghostly counsel rather ill, in behalf of his late benefactress. 'Let us speak for ourselves, sir. She went through with whatever duty she had to do. She went through with me, she went through with the Minders, she went through with herself, she went through with everythink. O Mrs Higden, Mrs Higden, you was a woman and a mother and a mangler in a million million!'