Durant unscrewed the nozzle, trotted to the house, went quickly up the steps of the verandah, crossed to the door and kicked it open. The door didn’t bang against the wall as it should have. Instead, it hit something soft and yielding that made no noise.
The Filipino giant stepped out from behind the door. In his right hand was a tiny knife. As the knife flashed toward him Durant decided — almost dreamily — that it was actually a big knife, a shakeout with a seven- or eight-inch blade. The giant’s huge hand only made it look tiny. Still appraising the knife, Durant spun sideways, arching his body back like a matador anxious to avoid the horn. The knife sliced through his shirt.
Durant drove the brass nozzle into the giant’s left eye. The giant grunted and clapped his left hand to the eye. Durant pivoted and slammed the fist with the nozzle into the giant at least six inches below the massive silver belt buckle. The giant said something that sounded like whoof, took one step back and kicked Durant in the chest.
It was a hard kick powered by a telephone-pole leg. If Durant hadn’t spun right, bending over, offering only his left thigh, the kick would have caught him in the groin. But it missed the groin and the thigh and struck just below the sternum. Durant discovered he could no longer breathe and that it hurt too much to try. He sank to his knees and then curled up on the cool terrazzo floor.
As he lay on the floor, wondering about suffocation and waiting for the knife blade, Durant felt the giant’s hand go through his pockets. He heard the Mercedes key jingle on its ring. He heard the front door slam and wondered whether the kick had broken any ribs and whether the ribs had punctured his lungs. Durant tried for a deep breath but the pain wouldn’t permit it. He attempted a single cautious shallow breath. It burned like a poison gas, but some air flowed into his lungs and Durant discovered he wasn’t going to suffocate after all.
He heard the Mercedes’ engine start. Then a car door slammed. Another engine started, this time the Toyota’s, and there was the unique strained sound of a car being driven in reverse. After that, it was quiet.
Durant made himself sit up. He made himself breathe small shallow breaths. The pain in his chest was still excruciating but at least he could pull air into his lungs. He rose slowly, a few inches at a time. He tried to stand up straight, found that he couldn’t, and stood — bent over — breathing little sips of air. Finally, he straightened, ignoring the pain, and shuffled into the long living room, moving like a 96-year-old emphysemiac with bad feet.
A tan suitcase and a dark brown carry-on bag were on the floor next to the baby grand piano. The piano’s lid was closed. Someone had left a woman’s cordovan purse on top of it.
Durant tried to call Emily Cariaga’s name, but all that came out was a high-pitched croak. Durant sucked in his first deep breath. It seared his lungs, but again he refused to acknowledge the pain and used the breath to bellow her name. He waited, listening. There was no reply.
He left the living room and walked slowly down the long hall toward her bedroom. The door was closed. Durant reached for the doorknob, hesitated, opened the door and went in.
She lay on her back near the foot of the large spool bed, dressed for traveling in gray slacks and a dark blue blouse. Near her left hand was a heavy dark gray tweed jacket because she always said it turned cold once you reached Hawaii. Her eyes were closed, her mouth open, and she had been stabbed in the chest. Durant knelt beside her and noticed she had been stabbed three times and that there really wasn’t very much blood.
He was never quite sure how long he knelt beside Emily Cariaga’s body. It could have been one minute, or it could have been ten. But after she at last turned from Emily Cariaga into a corpse, Durant rose, walked around the bed to the telephone and called the police. After that, he called Artie Wu.
The name Hermenegildo Cruz was centered on the engraved business card the Manila detective lieutenant had handed Durant. In the lower left-hand corner was a telephone number. In the lower right, a discreet one-word advertisement in six-point italics: Homicide.
Durant guessed Lt. Cruz had had the cards printed at his own expense since it was unlikely the Manila police would have paid for engraving. Durant also found the homicide detective to be almost as novel as his business card — what with the buttery vanilla raw silk suit and the brown and white shoes with their fleur-de-lis toes and almost invisible built-up heels. Then there was the blue chambray cotton shirt with its button-down collar and what Durant suspected to be a Paul Stuart label. Finally, there was the hand-painted tie, featuring a long thin silvery waterfall and tall pines that spoke of either a mischievous regard for camp or extraordinarily bad taste.
Lt. Cruz himself, although not very tall, had one of those long slender faces that perfect bones make almost pretty. Under a small straight inquisitive nose grew a mustache. It wasn’t of the American highway-patrol-macho variety, but rather of the suave and immaculate strain much favored by film stars in the thirties and forties. The homicide lieutenant also had a wealth of neatly trimmed thick black hair garnished with a pushed-up wave in front. The wave provided a resting ledge for a pair of expensive aviator sunglasses. Beneath the glasses, the hair, and an unlined forehead were two of the smartest brown eyes Durant had ever seen.
He and Lt. Cruz sat at either end of a couch in the living room near the baby grand piano. Emily Cariaga’s purse was still on its closed lid, her suitcase and carry-on bag nearby on the floor. Durant had gone through all three before the police arrived.
There were perhaps a dozen uniformed and plainclothes police in the house. One of them, a middle-aged crusty-looking uniformed sergeant, was on the living room phone, speaking a mixture of English and Tagalog as he notified the victim’s relatives of her death. His surprisingly gentle tones were pitched too low for Durant to hear anything that was said.
Lt. Cruz asked Durant the same question for the sixth or seventh time, again phrasing it in a different way. “You’re positive you saw nothing or no one out of the ordinary?”
“Two dead persons,” Durant said. “That’s a little extraordinary for me.”
“Setting them aside for the moment.”
“Nothing,” Durant said and tried for a deep breath, only to cough it out. Lt. Cruz eyed him sympathetically.
“Do you suffer from asthma or bronchitis, Mr. Durant?”
“Asthmatic bronchitis,” Durant said, not at all sure there was such an affliction. “Stress sometimes brings it on. I must be allergic to stress.” He smiled faintly, hoping the smile would be taken as an apology for his evident lack of sterner stuff.
“Do you smoke?” Cruz asked.
“I’m trying to quit.”
Lt. Cruz’s manicured right hand grabbed a fistful of air. “You must grasp the nettle.”
Durant smiled his weakling’s smile again. “And the withdrawal pains?”
“They will pass quickly,” Lt. Cruz said in the hectoring tone of a reformed smoker.
“That’s good to know,” Durant said and coughed two small, almost delicate coughs.
“Were you sleeping with the deceased?” Lt. Cruz asked in the same tone he had used to ask if Durant smoked.
“I beg your pardon,” Durant said, letting his inflection measure out just the right amount of resentment.
“Sorry, but I must know the depth of your relationship. Was it casual? Purely social? Intimate? What?”
“We were good friends.”
“Lovers.”
“We enjoyed each other’s company.”
“In bed?”
Durant turned his mouth into a thin offended line and let his silence voice more resentment.
Lt. Cruz sighed. “Where did you meet?”
“At the dentist’s.”