“I’m sorry,” she said.
Quickly he pushed his cock back in and zipped up; with the outline of it so conspicuous, he seemed more self-conscious than he had when it was out levitating in the night air. He laughed, without smiling, not at all in a promising way.
“You little cunt,” he said evenly.
“I can’t, I’m sorry,” Molly said, and she pushed her way through the door and into the kitchen. She stayed in the dining room until her shift was over; then, telling her busboy that she felt sick, she left the restaurant without cashing out. Halfway home she sat down on a bench at a bus stop; the buses didn’t run at that hour. She sat and thought and didn’t come home until one-thirty, hoping John would be angry at her for it. But he wasn’t.
The struggles just to get by, to meet the rent and have enough left over for a couple of nights out of the apartment, were a blessing in a way; it kept them, for the most part, from lifting their heads to see the vast amount of time that lay before them at that tender age, time they had no plans to fill, time that represented an unfathomable test of the love that got them through the here and now.
The student film societies started up again, and Molly and John paid a dollar (he refused to sneak in) to see The Magnificent Ambersons, Downhill Racer, Meet Me in St Louis. On the walk home, Molly told John the story of Margaret O’Brien’s snowman-whacking scene, how Minnelli got her to throw a tantrum by telling her that someone had killed her dog.
“How do you know that?” John said.
“I read the textbook for one of the film courses I was auditing,” she said. “It was before we met.”
“Read it how?”
She looked at him, as if unsure of the tone of his question. “I would go to the UC bookstore,” she said, “and sit in the stacks in the textbook section, and read it there.”
They walked on in silence for a little while.
“What do you want to do?” John said.
From the stress on the word do, Molly knew what he was talking about; but she pretended not to.
“For a living, I mean,” John said. “Or a career, or whatever the word is. What kind of work would you most want to do?”
Molly shrugged, unhappy with the question.
“I don’t remember how long you have to have lived in California to establish residency, but if you had it you could enroll here really cheaply, you know. Of course, even a really cheap tuition, at this point we don’t have the money.”
“I couldn’t ask you to do that,” she said.
“Of course you could. I mean, maybe not right now.”
The streetlights flooded the leaves as they walked in step on the empty sidewalks toward home. Molly simultaneously loved and resented John for his optimism. She couldn’t have found the words to explain how hopeless it actually seemed.
Two weeks later Molly was walking up Telegraph, on her way to work, wearing her uniform, when two of her old housemates from Vine Street, Steve and Guy, appeared on either side of her. At first she was happy to see them, especially since they acknowledged her, or at least made no conspicuous effort to get away from her. Then, at the corner of Telegraph and Dwight, Guy took her arm and directed her away from the restaurant, in the direction of the house. “Richard wants to see you,” Steve said. Molly laughed at their serious expressions, but before she had even stopped laughing things had ceased to seem comic. They were acting so strangely that Molly had to remind herself that these were people whom she had shared a home with, people who had been quite charitable towards her, that there was nothing to worry about.
Richard was seated at the kitchen table; surprisingly, unlike Steve and Guy, he was not wearing his usual red polo shirt. Over his shoulder Molly could see that the furniture was now gone from the living room, replaced by six or eight foldaway beds. Richard nodded at the other two and they left the kitchen.
“I’m sorry to surprise you like that,” Richard said. He seemed to have acquired the ability to sit for long stretches without fidgeting, without moving at all. “But Steve and Guy didn’t want to cross your threshold, knowing how you live, and honestly I can’t blame them. Your father has attempted suicide. Through God’s intervention this attempt has failed. He’s in the hospital in Albany. Your mother has asked that you return home for a while.”
Molly felt her jaw trembling. She didn’t speak. There was something in Richard’s manner that made her fear the consequences of crying. He looked at her without any tenderness at all — only with a kind of professional conscientiousness, as if he were delivering a telegram and took care not to give any indication he had looked at it to see what it said.
“If you call and give her your address,” he continued, “your mother says she will wire you the money for an airplane ticket.”
Molly, try as she might, couldn’t really make vivid for herself what she had just been told, and his flat tone wasn’t making it any easier. “What about you?” she said finally.
“What do you mean?”
“I mean aren’t we both going back?”
His expression did not change; which is to say, his face did not resolve itself into any recognizable expression at all. “She asked me. I told her it was of no consequence to me, and that in any case her husband had now sinned mortally and without evidence of his repentance I could not be in his company.”
“How — I mean, did she say how he—”
“I don’t have any idea.”
“Tell me what else she said, anything at all.”
“She asked me to pass the message on to you, since she didn’t know where you were living, and I’ve done that. If you want to know more, I think you should call her. In fact, I think you should call her anyway.”
Molly scrutinized her brother; confusion was making her squint. “You’re really not coming with me?”
“I have business here,” he said.
They sat across from each other for several more minutes, until his patience with her began to seem like a form of ostentation. But when she stood up to go, she suddenly realized what she wanted to ask him.
“Can you do that?” she said. “Can you just decide that your family is simply no longer your family?”
She could see him soften a bit. “My family is right here,” he said gently. “The Howe family lived by nothing, for nothing. You are all reaping what you have sown.”
Molly expected to find John home from the library when she got back, but he wasn’t there. She called in sick at the restaurant. Then, after breathing deeply a few times, she called the house in Ulster. Her father’s voice was on the answering machine. “Mom, it’s Molly,” she said quickly; after a pause, she left her phone number. Then she hung up.
John didn’t get back for three more hours, much later than expected. Kay had not called back by then either. When he opened the door, after dark, and switched the lights on, he was frightened to see Molly glaring hatefully at him from the center of the living room, red-eyed, silent, and nearly hysterical from loneliness.
EVERY MORNING, ON his drive to work, John passed two of the five billboards that constituted the First National Bank of Charlottesville campaign. Three different times he had actually witnessed motorists drifting to a stop on the shoulder and getting out to look at the images more closely, which surely wasn’t something you could say about a lot of billboard campaigns. John hadn’t had a hand in them, personally. They were site-specific; one, on a stretch of county road that ran through some undeveloped rolling hills, was a trompe-l’oeil picture of a house under construction. The other, right across from the main gates of the university, showed a mother and daughter hugging beside the open hatchback of a car loaded to the roof with stereo equipment, duffel bags, and cardboard boxes full of books: first day of freshman year. Both contained no type — only the bank’s familiar logo, Monticello with a 1 in the center of it, in the upper left corner.