Their lives had run aground on the treacherous shoals and sandbanks of the double consciousness of childhood timelessness and preadolescent solitude, from which they could not escape even when the waters came in abundance and the tide raised their boats. This is why they probably chose and enjoyed the dangerous life. Although they managed to make themselves and others believe they were responsible and thinking people, André’s stammering, Hans’s eternal jests relating to the lower body, and Ágost’s destructive apathy directed constantly at himself gave them away.
However, they did not have to make one another believe anything.
And anyway they couldn’t have done so, because they had no protection against one another. Left to themselves, and no less to their individual introspection, in their secret and common language they continued to play the game of their painfully missed families. The game had much more to do with children’s imagination than with adult lives. They did not have to step out of the fantastic world in which every gesture turns into a question of life and death and yet everything must be handled playfully. They sometimes altered and exchanged roles just as they had in school.
Although Hans was the biggest and strongest of them, not to mention that he spoke more languages, the role of the father was kept firmly in the hands of the oldest, André, who otherwise tended to be more sentimental and brutal. Without exception, in every boarding school the leading role is always that of the missing father. And because tenderness was one trait of the physically better constituted Hans, he could aspire only to the role of the mother. In their secret language, casting acquired a double meaning. Hans was much stronger and more important than a father, since he was taking care of the family in place of a real mother, yet he was only a deputy of the father, who needed care so he could guide the others unimpeded. This meant everybody. In the spirit of this duality, they struggled with each other for first place. Which also meant the clarification of the eternal question of who should have a bigger say in interfering with Ágost’s life.
They attached neither doubts nor hopes to the outcome of this ritual battle; since André was maintained in his autocratic role by the most secret fighting signal, he had no reason to fear he would lose his paternal authority. That, however, did not keep the other two, aside from short periods of cease-fire, from continuously trying to topple him, if necessary by underhanded means. Kronos must be blinded.
They appreciated one another strictly from the viewpoint of this struggle of mythic proportions. André was considered clever, though in dangerous situations a bit hesitant, Hans decidedly irresponsible, cynical, and dull, though in delicate situations inventive and reliable. With their basic constitutional traits these two confirmed their own casting but also placed Ágost in the role of the child to be taken care of, who meant more to Hans than his own children, for example, from whom he lived very far geographically and with whom he was not allowed to maintain contact. Ágost needed care, guidance, at times protection as well, and he was phlegmatic enough to endure this. In public he did what Hans considered proper, and to keep things simple he matched his opinions to André’s way of thinking. He wound himself around them, a tactic that matched the one he had followed as a child when from one day to the next he found himself at the Villeneuve boarding school, where they beat him on the very first night. He already spoke French quite fluently when his father took him to Switzerland, but the other children could not forgive his not having it as his mother tongue. He infuriated them with his mistakes. They wanted to expel the intruder. They counted his mistakes and then he had to endure silently the same number of slaps on his face in the bluish glitter of the night-light. Try as he might to be heroic, after the third or fourth slap he could not take it anymore — broke down. Then they gagged him, wrestled him to the ground, and wrapped him in a blanket; that’s what they’d been waiting for. All day long they waited for him to yell in Hungarian, cry and call out for his mother in Hungarian so they wouldn’t understand. For which he would earn extra punishment.
Every night they beat him, kicked him, tortured him, and stepped on him, until after a few weeks he found the solution.
He put himself under the guardianship of older boys. This meant humiliating slavery, he had to fawn and flatter, but in fact, he was using them as he would use objects needed for good camouflage. This turned into eternal servitude, yet in this way he could better conceal his shattered self-assurance, and that was more important for his survival.
Perhaps, unlike the two other men, he constitutionally did not have the urge to show his real self directly or show off before others. Occasionally, though, he would rebel against them, just as once he had done against his slave drivers, or he would pout and sulk ridiculously, behavior that also belongs to the ambiguous childhood repertory of extortion and resistance. On such occasions, André, looking daggers, would order Ágost back to his place, and/or Hans would enfold him in his huge body, warm him as a stove would, and in no time the two men would defuse the rebellion. This was precisely what Ágost wanted to achieve, this is how he rewarded them. In their game, this became the source of mutual enjoyment, because at one point the bigger boys had to bend down to their protégé, exclude their effusive tenderness from sexual proscriptions, and he could legally break free of them. They no longer had to play the roles of Zeus and Hera, at last they could behave as those lost distant parents, on whom they had given up completely, should have behaved with them.
Between women and girls, the differences in mental constitution, the fine mechanism of emotions, is probably even more important.
Between men and boys, it is the physical traits, the coarser or at least more visible signs, that dictate this secret casting of roles.
Size, muscle power, adroitness, or, more mysteriously, energy is linked to traits that are not completely physical. Of course, the possession of certain mental abilities can be advantageous, especially if the fine mechanism of emotions is also first rate. Not because they would be put to use — among boys this use is forbidden — but because it can serve their cunning and wickedness. André Rott was of smaller stature and more fragile than Kovách, who struggled with a number of illnesses usually attributed to women, such as migraine headaches, and who was always on guard against chest colds of a mysterious origin that were hard to cure. He gave the impression of a soft canine; not harmless, it could probably tear you apart but, if left in peace, it would loll around or curl up and snooze on the warm oven. Looking at André, however, one would have the impression of a looming clash; there are faces and physiques that emanate some unnamable restlessness.
Something radiates from them that demands a response, but not everyone is ready with one. His skull was unusually narrow and elongated. In relation to his body it was not out of proportion, but it resembled nothing so much as a spool. His forehead was bony, lumpy, and convex, his nose thin, hooked, with a very prominent ridge. He exuded rigor, authority, and strength; his dark hair and the bluish stubble bristling under his skin deepened this impression. Two of his facial features not only softened and greatly reduced the grievous sternness of his appearance, but were also enchanting, alluring, enthralling. One was the deep dimple on his forceful chin, which was difficult to shave, and the other, his dark eyes, accentuated by very long lashes; his soulful glances.
Looking into his eyes was like entering a labyrinth; if one didn’t stand on guard, one might not find the way out.
Added to this were the almost repulsively thick, purplish red lips, the lower one jutting out a bit.