Forain knew that some of Tremski's friends thought he was unreliable. He had a reputation for not paying authors their due. There were writers who complained they had never received the price of a postage stamp; they could not make sense of his elegant handwritten statements. Actually, Tremski had been the exception. Forain had arranged his foreign rights, when they began to occur, on a half-and-half basis. Tremski thought of money as a useful substance that covered rent and cigarettes. His wife didn't see it that way. Her forefinger at the end of a column of figures, her quiet, seductive voice saying, “Blaise, what's this?” called for a thought-out answer.
She had never bothered to visit Forain's office, but made him take her to tea at Angelina's, on the Rue de Rivoli. After her strawberry tart had been eaten and the plate removed, she would bring out of her handbag the folded, annotated account. Outdone, outclassed, slipping the tearoom check into his wallet to be dissolved in general expenses, he would look around and obtain at least one satisfaction: She was still the best-looking woman in sight, of any age. He had not been tripped up by someone of inferior appearance and quality. The more he felt harassed by larger issues, the more he made much of small compensations. He ran his business with a staff of loyal, worn-out women, connected to him by a belief in what he was doing, or some lapsed personal tie, or because it was too late and they had nowhere to go. At eight o'clock this morning, the day of the funeral, his staunch Lisette, at his side from the beginning of the venture, had called to tell him she had enough social-security points for retirement. He saw the points as splashes of ink on a clean page. All he could think to answer was that she would soon get bored, having no reason to get up each day. Lisette had replied, not disagreeably, that she planned to spend the next ten years in bed. He could not even coax her to stay by improving her salary: Except for the reserve of capital required by law, he had next to no money, had to scrape to pay the monthly settlement on his daughter, and was in continual debt to printers and banks.
He was often described in the trade as poor but selfless. He had performed an immeasurable service to world culture, bringing to the West voices that had been muffled for decades in the East. Well, of course, his thimble-size firm had not been able to attract the leviathan prophets, the booming novelists, the great mentors and tireless definers. Tremski had been at the very limit of Forain's financial reach — good Tremski, who had stuck to Forain even after he could have moved on. Common sense had kept Forain from approaching the next-best, second-level oracles, articulate and attractive, subsidized to the ears, chain-smoking and explaining, still wandering the universities and congresses of the West. Their travel requirements were beyond him: No grant could cover the unassuming but ruinous little hotel on the Left Bank, the long afternoons and evenings spent in bars with leather armchairs, where the visitors expected to meet clever and cultivated people in order to exchange ideas.
Forain's own little flock, by contrast, seemed to have entered the world with no expectations. Apart from the odd, rare, humble complaint, they were content to be put up on the top story of a hotel with a steep, neglected staircase, a wealth of literary associations, and one bath to a floor. For recreation, they went to the café across the street, made a pot of hot water and a tea bag last two and a half hours, and, as Forain encouraged them to keep in mind, could watch the Market Economy saunter by. Docile, holding only a modest estimation of their own gifts, they still provided a handicap: Their names, like those of their characters, all sounded alike to barbaric Western ears. It had been a triumph of perseverance on the part of Forain to get notice taken of their books. He wanted every work he published to survive in collective memory, even when the paper it was printed on had been pulped, burned in the city's vast incinerators or lay moldering at the bottom of the Seine.
Season after season, his stomach eaten up with anxiety, his heart pounding out hope, hope, hope, he produced a satirical novella set in Odessa; a dense, sober private journal, translated from the Rumanian, best understood by the author and his friends; or another wry glance at the harebrained makers of history. (There were few women. In that particular part of Europe they seemed to figure as brusque flirtatious mistresses or uncomplaining wives.) At least once a year he committed the near suicide of short stories and poetry. There were rewards, none financial. A few critics thought it a safe bet occasionally to mention a book he sent along for review: He was considered sound in an area no one knew much about, and too hard up to sponsor a pure disaster. Any day now some stumbling tender newborn calf of his could turn into a literary water ox. As a result, it was not unusual for one of his writers to receive a sheaf of tiny clippings, sometimes even illustrated by a miniature photograph, taken at the Place de la Bastille, with traffic whirling around. A clutch of large banknotes would have been good, too, but only Tremski's wife had held out for both.
Money! Forain's opinion was the same as that of any poet striving to be read in translation. He never said so. The name of the firm, Blaise Editions, rang with an honest chime in spheres where trade and literature are supposed to have no connection. When the minister of culture had decorated him, not long before, mentioning in encouraging terms Forain's addition to the House of Europe, Forain had tried to look diffident but essential. It seemed to him at that instant that his reputation for voluntary self-denial was a stone memorial pinning him to earth. He wanted to cry out for help — to the minister? It would look terrible. He felt honored but confused. Again, summoned to the refurbished embassy of a new democracy, welcomed by an ambassador and a cultural attaché recently arrived (the working staff was unchanged), Forain had dared say to himself, Why don't they just give me the check for whatever all this is costing? — the champagne, the exquisite catering, the medal in a velvet box — all the while hoping his thoughts would not show on his face.
The truth was that the destruction of the Wall — radiant paradigm — had all but demolished Forain. The difference was that Forain could not be hammered to still smaller pieces and sold all over the world. In much the same way Vatican II had reduced to bankruptcy more than one publisher of prayer books in Latin. A couple of them had tried to recoup by dumping the obsolete missals on congregations in Asia and Africa, but by the time the Third World began to ask for its money back the publishers had gone down with all hands. Briefly, Forain pondered the possibility of unloading on readers in Senegal and Cameroon the entire edition of a subtle and allusive study of corruption in Minsk, set in 1973. Could one still get away with it — better yet, charge it off to cultural cooperation? He answered himself: No. Not after November 1989. Gone were the stories in which Socialist incoherence was matched by Western irrelevance. Gone from Forain's intention to publish, that is: His flock continued to turn them in. He had instructed his underpaid, patient professional readers — teachers of foreign languages, for the most part — to look only at the first three and last two pages of any manuscript. If they promised another version of the East-West dilemma, disguised as a fresh look at the recent past, he did not want to see so much as a one-sentence summary.