“We met on the stairs,” said Flor seriously.
“Met on the stairs, Flor? Met on the stairs?” Bonnie sounded fussed and overcontained, as if she might scream. Flor never spoke to strangers and, since spring, had given up even her closest friends. The two young women seemed about to reveal something: for an instant Bonnie had the crazy idea that one of the two had been involved in a fatal accident and that the other was about to describe it. That was how you became, living with Flor. Impossible, illogical pictures leaped upward in the mind and remained fixed, shining with more brilliance and clarity than the obvious facts. Later she realized that this expectation of disaster was owing to a quality in the newcomer. Doris Fischer, so assertive, so cheerfully sane, often took on the moody gestures of an Irish actress about to disclose that her father was a drunkard, her brother an anarchist, her mother a saint, et cetera. It gave a false start to her presence: any portentousness was usually owing to absentmindedness or social unease, although that could be grave enough.
“We were both down there waiting for the elevator,” said Doris, in her friendly, normal way. “It was stuck some place. You know how it never works in this building…” They had started to climb the stairs together, and she had spoken to Flor. That was all. It was quite ordinary, really.
In Flor's mind, this meeting was extraordinary in the full sense of the word. That any one should accost and speak to her assumed the proportions of fatality. She had been pinpointed, sought out, approached. In her amazement she grasped something that was not far wrong: she had been observed. Doris Fischer had been watching the comings and goings of these people for days, and had obtained from the concierge that they were American. Thoughts of simply presenting herself at their door had occurred and been rejected: wisely, too, for Bonnie would not have tolerated that. This spider role was contrary to Doris's nature. She was observing when she wanted to be involved, and keeping still when everything compelled her to cry, “Accept me!” She was a compatriot and lonely and the others might take her at that value, but Flor's perspective was not wholly askew. Doris was like a card suddenly turned out of the pack: “Beware of a fair-haired woman. She attaches herself like a limpet to the married rock.” She would want them all, and all their secrets. She would fill the idleness of her days with their affairs. She would disgorge secrets of her own, and the net would be woven and tight and over their heads.
Everyone remained standing. The fairly mundane social occasion — the person who lived downstairs coming to call — was an event. Doris Fischer saw the husband and the mother as standing forms against the hot summer light. Her eyes were dazzled by the color in the room. The chandelier threw spectrums over peacock walls; blue silk curtains belled and collapsed. Doris thought the room itself perfectly terrible. Her own taste rotated on the blond-wood exports from sanitary Sweden; on wrought-iron in its several forms; on the creeping green plants that prosper in centrally heated rooms but die in the sun. Nothing in her background or her experience could make her respond to the cherished object or the depth of dark, polished wood. She saw there were modern paintings on the walls, and was relieved, for she disliked the past. Radiating confidence now, she stepped farther inside, pointed at the wall opposite, and accused something hanging there.
“It's very interesting,” she said, in an agreeable but slightly aggressive voice. “What is it? I mean, who's it by?”
“It is by an Australian who is not yet recognized in his own country,” said Bob. He often spoke in this formal manner, never slurring words, particularly when he was meeting someone new. He considered Doris's plain brown-and-white shoes, her plain shirtwaist dress of striped blue cotton, her short, fluffy hair. He was anything but aggressive. He smiled.
They all turned to the painting. Bonnie looked at a bright patch on the bright wall, and Doris at something a child of six might have done as well. Flor saw in the forms exploding with nothing to hold them together absolute proof that the universe was disintegrating and that it was vain and foolish to cry for help. Bob looked at a rising investment that, at the same time, gave him aesthetic pleasure; that was the way to wrap up life, to get the best of everything. Quite simply, he told the price he had paid for the painting last year, and the price it would fetch now that the artist was becoming known: not boasting, but showing that a taste for beauty paid — something like that.
Distress on the fringe of horror covered the faces of the three women, like a glaze, endowing them with a sudden, superficial resemblance. Florence's horror was habituaclass="underline" it was almost her waking look. Bonnie suffered acutely at her son-in-law's trampling of taste. Doris, the most earnest, thought of how many children in vague, teeming, starving places could have been nourished with that sum of money. Doris stayed to tea; they kept her for dinner. She came from Pennsylvania but had lived in New York. She knew no one Bonnie knew, and Bob thought it typically wicked of his mother-in-law to have asked. They were all in a strange land and out of context. Divisions could be recognized; they needn't be stressed. Doris said that her husband was a cameraman. Sometimes she said “cameraman,” sometimes “film technician,” sometimes “special consultant.” He was in Rome on a job, and would be there all summer. Doris had decided to stay in Paris and get to know the place; when Frank was working, she only got in his way. She was imprecise about the Roman job. A transferred thought hovered like an insect in the room: She's lying. Bonnie thought, He's gone off with a girclass="underline" Bob thought, They're broke. He's down there looking for work. Doris was clumsy and evasive, she was without charm or fantasy or style, but they insisted she stay. Flor could do with an American friend.
In honor of the meal, Doris went home and returned wearing some sort of finery. She looked like a social worker going to the movies with a girl friend, Bonnie thought. Unjust appraisal always made her kind: she all but took Doris in her arms. Doris was surprised at the meal, which was scanty and dull. She was accustomed to the food of her childhood, the hillocks of mashed potatoes, the gravy made with cream; she knew the diet of a later bohemia, spaghetti with wine and the bottles saved for candle-holders. She could not decide if these well-to-do people were ascetic or plain stingy. Flor ate next to nothing. Doris looked at her over the table and saw a bodiless face between lighted candles — a thin face and thick, lusterless hair. They had lighted the candles without drawing the curtains, and, as the summer night had not yet descended, the room was neither dark nor light, which, for some reason, Doris found faintly disturbing. The dining room was Chinese: throughout the meal she was glared at by monsters. It was enough to put anybody off. Bonnie chattered and nervously rattled the little bell before her. Bob was all indifference and charm. He couldn't stop charming people: it was a reflex. But it didn't mean much, and Doris left him cold. She sensed this, and wished she could make him pay. She would have been distant and mysterious, but she had already talked too much about herself. She had given it all away first go. They had bantering jokes together, underneath which moved a river of recognition. Bonnie listened to them with a glued smile, and fell into a melancholy state of mind, wondering if she were to spend the rest of her life with moral, mental, social, and emotional inferiors. She thought these two were perfectly matched. Actually, they were alike, but not in a way that could draw them together. Neither Bob nor Doris had much feeling for the importance of time: either of them could have been persuaded that the world began the day he was born. It was not enough on which to base a friendship; in any case, Doris had decided she was chiefly interested in Flor. One day she would ask Flor if Bob really loved her, and if he had any intellectual interests other than painting, and what they talked about when they were alone, and if he was any good in bed. This was the relationship she was accustomed to and sorely missed: warm, womanly, with a rich exchange of marital secrets. She smiled at Flor, and Bonnie intercepted the smile and turned it toward herself.