Bonnie didn't care what Doris thought. Everything was minimal compared with Flor's increasing queerness and her own headlong and cowardly flight. She talked about Flor, and how Flor was magnifying Bonnie's failings for Dr. Linnetti.
“All children hate their parents,” said Doris, shrugging at this commonplace. She was sewing straps for Bonnie. She bit off a thread. There were subjects on which she permitted herself a superior tone. These people had means but were strictly uneducated. Only Bob had a degree. As far as Doris could make out, Flor had hardly even been to school. Doris was proud of her education — a bundle of notions she trundled before her like a pram containing twins. She could not have told you that the shortest distance between two points was a straight line, but she did know that “hostility” was the key word in human relations, and that a man with an abscessed tooth was only punishing himself.
“All I can say is I adored my mother,” said Bonnie. “That's all I can say.”
“You haven't faced it. Or else you don't remember.”
Bonnie remembered other things: she remembered herself, Bonnie, at thirty-seven, her name dragged in the mud, vowing to Flor she would never look at a man again; swearing that Flor could count on her for the rest of her life. She had known in her heart it was a temporary promise and she had said, “I still have five good years.” At forty-two, she thought, My life isn't finished. I still have five good years. And so it had been, the postponement of life five years at a time, until now Flor was married and in a dream, and Bonnie was fifty-two. She wanted Flor to hold off; to behave well; not to need help now, this very minute. She was pulled this way and that, now desperate for her own safety, now aghast with remorse and the stormy knowledge of failure. She left Doris sitting on the floor and went into her daughter's room. Flor was lying on the bed, wide-eyed, with a magazine. She kept a magazine at hand so that she could pretend to be reading in case someone came. None of them liked her habit of lying immobile in the semi-dark.
Bonnie sat down on the bed. She wanted to say, Flor, I've had a hell of a life. Your father was a Catholic. He made me be a Catholic and believe a lot of things and then he left off being one and divorced me. And that isn't everything, it's only a fragment. What she said was: “Darling, I'm not going to suggest you see a priest, because I know you wouldn't. But I do agree with Bob, I don't think Dr. Linnetti is any good. If you're going to stay here in August anyway you should see someone else. You know, I used to know a doctor…”
“I know,” said Flor, loathing awakened.
But Bonnie hadn't meant that old, disastrous love affair. She had meant a perfectly serious professional man out in Neuilly. Flor's eyes alarmed her. She fingered the magazine between them and thought of the other doctor, the lover, and wondered how much Flor had seen in those days. Flor must have been eleven, twelve. She felt as though she had been staring in the sun, the room seemed so dark.
“You see,” said Flor, “I'm perfectly all right and I don't need a priest. Mama. Listen. I'm all right. I'm slightly anemic. It makes me pale. Don't you remember, I was always a bit anemic?”
Flor had said what Bonnie wanted said.
“Oh, I know,” said Flor's mother eagerly. “I remember! Oh, lambie, when you were small, the awful chopped raw liver mess you had to eat! You were anemic. Of course I remember now.”
“It makes me tired,” said Flor gently. “Then there's Doctor L., three times a week. That's tiring too. It just wears me out. And so, I lie down. August alone will be just wonderful. I'll lie down all the time. I'm anemic, Mama.”
Bonnie's soft eager eyes were on her daughter. She would have cried at her, if she dared, Yes, tell me, make me believe this.
Now, that was the disarming thing about Flor. She could be so sensible, she could explain everything as though you were the nitwit. She could smile: “Don't worry about me,” and you would think, Flor knows what she's doing. She's all right.
All the same, thought Bonnie, it was a pity that she was only twenty-six and had lost her looks.
Bob Harris had no division of purpose. He wanted Flor to go away from Paris for the next four weeks. Sometimes he said Cannes, because she liked the sea. He mentioned Deauville, but Bonnie pulled a long face. He knew there was more to it than getting through August, but that was all there was time for now. His father had arrived from New York. He was a mild old man, who had not wanted this marriage. He seemed to take up no space in the apartment, and he made everyone generous gifts. Bonnie tried to charm him, and failed. She tried to treat him like a joint parent, with foolish young people to consider, but that failed too. She gave up. She felt that disapproval of the match should be her own family's prerogative and that the Harrises were overstepping. The old man saw Flor, her silence, her absence, and believed she had a lover and that her pallor was owing to guilty thoughts. The young people had been married two years: it seemed to him a sad and wretched affair. There were no children and no talk of any. He thought, I warned him, but he held stilclass="underline" he did not want to cause the estrangement of his only son. His gentle sadness affected them all. He was thinly polite, and looked unwell. His skin had the bluish clarity of skimmed milk. Bonnie wanted to scream at him: I didn't want your son! She wondered why he felt he had to be so damned courtly. In her mind there was no social gap between a Jewish wine merchant and her ex-husband's old bootlegger of thirty years before.
Bonnie and her son-in-law were linked in one effort: keeping the old man from knowing the true state of affairs. Bonnie was always willing to unite when their common existence was threatened. She deplored the marriage and believed Flor might have made a better match, but most of the time she was grateful. She worshiped the Harris money: she would have washed all the Harris feet every day if that had been part of the deal. There had always been an unspoken, antagonistic agreement with Bob, which Flor had never understood. She never understood why Bob was nice to her mother. She guessed — that was at the start, when she was still curious and working things out — that it was Jewish-ness, respect for parents. But this was a subject from which he slid away. Evasion was seared into his personality. He had a characteristic sliding movement of head and body when conversation took a turn he didn't like. It was partly because of this that they had named him the Seal.
The façade they put up now was almost flawless: the old man may even have been deceived. In the effort, they were obliged to look at themselves, and these moments, near-horror, near-perfection, were unrehearsed. They dragged resisting Flor to parties, to restaurants, to the theater. At times Bob and Bonnie began to believe in the situation, and they would say, in amazement, “There, do you see how good life can be?” Flor seemed quite normal, except that she complained of being tired, but many women are like that. One day they made an excursion to Montparnasse: Bob bought pictures, and Bonnie had unearthed a young artist. She said he was Polish and full of genius. It was a bad outing: Bob was irritated because Bonnie had promised to help the young man without telling him first. The studio was like dozens more in Paris: there was a stove with last year's ashes, and the pictures he showed them were cold and stale. There was a flattering drawing of Bonnie tacked to the wall. The painter talked as if he owed his diction to an attentive study of old Charles Boyer films. He had a ripe-pear voice and a French accent.