The boxes at Ascot have always occupied a kind of limbo position when it comes to the whole event. There are boxes set aside for major trainers and owners, and of course I do not mean these. Their usefulness is logical and credible, but those people were always present at Ascot as part of the racing fraternity and never because of fashion. They will continue to be at the meetings, long after the beau monde has moved on. But for those who only went to Ascot for the fun and frolic, a day out with some horses in the background, the boxes were always faintly unconvincing. To start with it was not necessary to get an Enclosure badge to rent or visit one, and in the old days, when the authorities exerted some control over whom they admitted to the Enclosure, the boxes could become the haven of the socially not-quites, those divorced actresses and grinning, motor dealers who were snubbed by the Old Guard.
The second problem was that most of them were simply minute. You went through a door in a concrete gallery, to be admitted to an itsy-bitsy entrance hall, with a little kitchenette from a 1950s caravan on one side. This led into the space for dining and generally living it up, which was roughly the size of a hotel bathroom, and beyond was the balcony, where two people could just about stand side by side on two or three steps. All in all, the average box was about as capacious and gracious as a lift in Selfridges. But to the mighty ones who are socially insecure, a much larger group than many people realise, they offered a chance to enjoy the race meeting on their own terms, in a place which might be modest but where they were king, instead of spending the day detecting sneers and slights in the behaviour of the Enclosure crowd that surrounded them. I would guess this was the appeal for Joanna’s father, and that Alfred Langley was prepared to accompany his wife and daughter, but only on the condition that he could have a box to hide in for most of the day.
Mrs Langley darted up to me, her eyes flicking round the empty room behind my back, checking that nobody more important needed attention. ‘Joanna’s on the balcony,’ she said, ‘with some friends.’ Then, nervous that she had somehow given offence with this blameless statement, she continued, ‘She told us you were coming.’
‘I’m afraid Minna had to meet her father in White’s, but she sends her love.’
Mrs Langley nodded. ‘Sir Timothy Bunting,’ she muttered, as if I were unaware of the name of my host.
‘Yes,’ I said.
She nodded again. There was something shifty about her that her smooth hair and tailored suit and really rather nice diamond brooch could not mask. She was jumpy, like Peter Lorre waiting to have his collar felt in a black-and-white thriller about the mob. As I got to know her better I found this sense of frightened uncertainty never left her. She couldn’t relax, which I suspect was both part of what turned her daughter against her, but at the same time was the root of her power.
Joanna was leaning against the railing when I went out, attended by Lord George Tremayne and one or two other swains, all a little, but not very, drunk, and all holding empty or near-empty champagne flutes, that new glass that had only recently started to replace the gentle, bosom-shaped cup favoured in the previous decade. But then the Langleys were nothing if not up to the minute. That said, it was a lovely day and the sight of Joanna smiling up at me, her face framed with her own golden hair and the white brim of her lace hat, with the wide sweep of the lush green racetrack behind her, was very cheering.
‘I came,’ I said.
‘So you did.’ She walked up a step or two and kissed my cheek, then turned back to her companions. ‘Push off, will you?’ They protested, but she was quite definite. ‘Go inside. Get some more to drink and bring me one in a minute.’ She touched my sleeve. ‘I’ve got something to tell him and it’s private.’ Naturally, none of this would have been sayable if she had lived even remotely within the rules of the crowd she was running with, but not for the last time I appreciated that the advantage of not being held captive by the need to observe correct form is that you can often get things done far more efficiently. In other words, they left.
I have already written about her beauty and it is probably true that I place physical beauty too high on my list of desirable attributes, but, in this case, it really was spectacular. No matter how closely one looked, Joanna’s face was as near perfect as any I have ever seen not made of plastic, drawn on a page or enshrined on the silver screen. Smooth, evenly coloured skin, without a trace of a blemish; a mouth shaped with the soft curves of a petal, beneath widely placed deep-blue, almost purple, eyes, fringed with thick, long lashes; a statue’s nose; and masses of gleaming born-blonde curls framing her cheeks and cascading to her shoulders. She was, as the song says, lovely to look at. ‘What are you looking at?’ Her voice, with its faint tinge of Essex, caught at my reveries, repeated the phrase and returned me to the present.
‘At you,’ I said.
She smiled. ‘That’s nice.’ There was, in addition to everything else, something particularly charming in the contrast between her ethereal appearance and her absolute normality, her complete next-doorness which is hard to capture in words but was probably the core of the charm that delivered Charles II to Nell Gwynne, or enabled so many of the cockney Gaiety Girls to marry into the peerage in the 1890s. Her cheeriness was in some way the opposite of vanity, yet not self-consciously modest either. Just perfectly natural.
‘What is this private thing you have to say to me? I couldn’t be more fascinated.’
She blushed slightly, not an angry red, but with a soft, warm pink diffused evenly across her features, like someone caught unawares in the dawn light. ‘It’s not really private. That was just to make them shove off.’ I smiled. ‘But I was sorry you saw all that nonsense at the gate. I don’t want you to think badly of me.’ Again the direct simplicity of her appeal was both flattering and tremendously disarming.
‘I couldn’t think badly of you,’ I replied, which was no more than the truth. ‘And anyway, I am fairly sure the world will be reading about it tomorrow morning, so I will, if anything, feel rather bucked to have been an eyewitness.’
I’m afraid this had not made things better. ‘My mum thinks it all helps. To be in the news. To have everyone going on about me. She thinks it makes me…’ She hesitated, searching for the right word, ‘interesting.’ Whatever word she had chosen this was clearly a question and a request for help, even if it was not phrased as such.
I attempted to look encouraging and not judgemental. ‘To quote Oscar Wilde, the only one thing worse than being talked about is not being talked about.’
She gave a perfunctory laugh, more as a polite recognition that I had said something supposedly funny than because she found it amusing. Then, after a moment, she said, ‘Yeah, I’ve heard that before, but you don’t believe it, do you? None of you do.’
The trouble was this was true, really, but I didn’t want to be a killjoy, certainly not to kill her joy. Still, she was asking my opinion so I strove to be as honest as I could be. ‘It depends entirely what you want to come out of it. What are you striving for? What is your goal?’