“Where I sweep our crumbs is nothing to do with you,” I replied with some spirit. “That I have to sweep them at all is the fault of your father. A sensible girl—”
“How dare you speak against my father!” she interrupted me with blazing eyes.
“We will not discuss the question further,” I answered, with sense and dignity.
“I think you had better not!” she retorted.
Turning her back on me, she commenced to gather up her hairpins—there must have been about a hundred of them. I assisted her to the extent of picking up about twenty, which I handed to her with a bow: it may have been a little stiff, but that was only to be expected. I wished to show her that her bad example had not affected my own manners.
“I am sorry my presence should have annoyed you,” I said. “It was quite an accident. I entered the room thinking your father was here.”
“When you saw he wasn't, you might have gone out again,” she replied, “instead of hiding yourself behind a picture.”
“I didn't hide myself,” I explained. “The easel happened to be in the way.”
“And you stopped there and watched me.”
“I couldn't help it.”
She looked round and our eyes met. They were frank, grey eyes. An expression of merriment shot into them. I laughed.
Then she laughed: it was a delightful laugh, the laugh one would have expected from her.
“You might at least have coughed,” she suggested.
“It was so amusing,” I pleaded.
“I suppose it was,” she agreed, and held out her hand. “Did I hurt you?” she asked.
“Yes, you did,” I answered, taking it.
“Well, it was enough to annoy me, wasn't it?” she suggested.
“Evidently,” I agreed.
“I am going to a ball next week,” she explained, “a grown-up ball, and I've got to wear a skirt. I wanted to see if I could manage a train.”
“Well, to be candid, you can't,” I assured her.
“It does seem difficult.”
“Shall I show you?” I asked.
“What do you know about it?”
“Well, I see it done every night.”
“Oh, yes; of course, you're on the stage. Yes, do.”
We readjusted the torn skirt, accommodating it better to her figure by the help of hairpins. I showed her how to hold the train, and, I humming a tune, we commenced to waltz.
“I shouldn't count my steps,” I suggested to her. “It takes your mind away from the music.”
“I don't waltz well,” she admitted meekly. “I know I don't do anything well—except play hockey.”
“And try not to tread on your partner's feet. That's a very bad fault.”
“I do try not to,” she explained.
“It comes with practice,” I assured her.
“I'll get Tom to give me half an hour every evening,” she said. “He dances beautifully.”
“Who's Tom?”
“Oh, father.”
“Why do you call your father Tom? It doesn't sound respectful.”
“Oh, he likes it; and it suits him so much better than father. Besides, he isn't like a real father. He does everything I want him to.”
“Is that good for you?”
“No; it's very bad for me—everybody says so. When you come to think of it, of course it isn't the way to bring up a girl. I tell him, but he merely laughs—says it's the only way he knows. I do hope I turn out all right. Am I doing it better now?”
“A little. Don't be too anxious about it. Don't look at your feet.”
“But if I don't they go all wrong. It was you who trod on mine that time.”
“I know. I'm sorry. It's a little difficult not to.”
“Am I holding my train all right?”
“Well, there's no need to grip it as if you were afraid it would run away. It will follow all right. Hold it gracefully.”
“I wish I wasn't a girl.”
“Oh, you'll get used to it.” We concluded our dance.
“What do I do—say 'Thank you'?”
“Yes, prettily.”
“What does he do?”
“Oh, he takes you back to your chaperon, or suggests refreshment, or you sit and talk.”
“I hate talking. I never know what to say.”
“Oh, that's his duty. He'll try and amuse you, then you must laugh. You have a nice laugh.”
“But I never know when to laugh. If I laugh when I want to it always offends people. What do you do if somebody asks you to dance and you don't want to dance with them?”
“Oh, you say your programme is full.”
“But if it isn't?”
“Well, you tell a lie.”
“Couldn't I say I don't dance well, and that I'm sure they'd get on better with somebody else?”
“It would be the truth, but they might not believe it.”
“I hope nobody asks me that I don't want.”
“Well, he won't a second time, anyhow.”
“You are rude.”
“You are only a school-girl.”
“I look a woman in my new frock, I really do.”
“I should doubt it.”
“You shall see me, then you'll be polite. It is because you are a boy you are rude. Men are much nicer.”
“Oh, are they?”
“Yes. You will be, when you are a man.”
The sound of voices rose suddenly in the hall.
“Tom!” cried Miss Deleglise; and collecting her skirt in both hands, bolted down the corkscrew staircase leading to the kitchen, leaving me standing in the centre of the studio.
The door opened and old Deleglise entered, accompanied by a small, slight man with red hair and beard and somewhat watery eyes.
Deleglise himself was a handsome old fellow, then a man of about fifty-five. His massive, mobile face, illuminated by bright, restless eyes, was crowned with a lion-like mane of iron-grey hair. Till a few years ago he had been a painter of considerable note. But in questions of art his temper was short. Pre-Raphaelism had gone out of fashion for the time being; the tendency of the new age was towards impressionism, and in disgust old Deleglise had broken his palette across his knee, and swore never to paint again. Artistic work of some sort being necessary to his temperament, he contented himself now with engraving. At the moment he was engaged upon the reproduction of Memlinc's Shrine of St. Ursula, with photographs of which he had just returned from Bruges.
At sight of me his face lighted with a smile, and he advanced with outstretched hand.
“Ah; my lad, so you have got over your shyness and come to visit the old bear in his den. Good boy. I like young faces.”
He had a clear, musical voice, ever with the suggestion of a laugh behind it. He laid his hand upon my shoulder.
“Why, you are looking as if you had come into a fortune,” he added, “and didn't know what a piece of bad luck that can be to a young fellow like yourself.”
“How could it be bad luck?” I asked, laughing.
“Takes all the sauce out of life, young man,” answered Deleglise. “What interest is there in running a race with the prize already in your possession, tell me that?”
“It is not that kind of fortune,” I answered, “it is another. I have had my first story accepted. It is in print. Look.”
I handed him the paper. He spread it out upon the engraving board before him.
“Ah, that's better,” he said, “that's better. Charlie,” he turned to the red-headed man, who had seated himself listlessly in the one easy-chair the room contained, “come here.”
The red-headed man rose and wandered towards us. “Let me introduce you to Mr. Paul Kelver, our new fellow servant. Our lady has accepted him. He has just been elected; his first story is in print.”