When Sophia became regent in 1682, she quickly installed her own lieutenants in office. Her uncle Ivan Miloslavsky remained a leading advisor until his death. Fedor Shaklovity, the new commander of the Streltsy, who won the respect of the restless soldiers and reinstilled firm discipline in the Moscow regiments, was another supporter. He was a man from the Ukraine, of peasant stock and barely literate, but he was dedicated to Sophia and ready to see that any order of hers was carried out. As the regency progressed, he became even closer to Sophia, eventually rising to be secretary of the boyar council, whose members hated him fiercely because of his low origins. To balance Shaklovity, Sophia also took counsel from a learned young monk, Sylvester Medvedev, whom she had known while still a girl in the terem. A zealous disciple of Sophia's tutor, Simeon Polotsky, Medvedev was considered to be the most learned theologian in Russia.
Miloslavsky, Shaklovity and Medvedev were important, but the greatest figure of Sophia's regency—her advisor, her principal minister, her strong right arm, her comforter and eventually her lover—was Prince Vasily Vasilievich Golitsyn. A scion of one of the oldest aristocratic houses of Russia, Golitsyn in his tastes and ideas was even more Western and revolutionary than Artemon Matveev. An experienced statesman and soldier, an urbane lover of the arts and a cosmopolitan political visionary, Golitsyn was perhaps the most civilized man Russia had yet produced. Born in 1643, he was educated far beyond the custom of the Russian nobility. As a boy, he studied theology and history and learned to speak and write Latin, Greek and Polish.
In Moscow, in his great stone palace roofed with heavy brass sheets, Golitsyn lived like a grand seigneur on the Western model. Visitors, expecting the usual primitive Muscovite furnishings, were astonished at its splendor: carved ceilings, marble statues, crystal, precious stones and silver plate, painted glass, musical instruments, mathematical and astronomical devices, gilded chairs and ebony tables inlaid with ivory. On the walls were Gobelin tapestries, tall Venetian mirrors, German maps in gilt frames. The house boasted a library of books in Latin, Polish and German, and a gallery of portraits of all Russia's tsars and many reigning monarchs of Western Europe.
Golitsyn found great stimulus in the company of foreigners. He was a constant visitor in the German Suburb, dining there regularly with General Patrick Gordon, the Scottish soldier who had been an advisor and collaborator in his efforts to reform the army. Golitsyn's house in Moscow became a gathering place for foreign travelers, diplomats and merchants. Even Jesuits, whom most Russians rigorously avoided, found a welcome. A French visitor was struck by the sensitive manner in which Golitsyn, instead of heartily urging him to drink the glass of vodka presented on arrival in the manner of most Muscovite hosts, gently advised him not to take it as it was usually not pleasant for foreigners. During the leisurely after-dinner discussions in Latin, topics ranged from the merits of new firearms and projectiles to European politics.
Golitsyn passionately admired France and Louis XIV; he insisted that his son constantly wear a miniature portrait of the Sun King. To the French agent in Moscow, De Neuville, he revealed his hopes and dreams. He talked of further reforms in the army, of trading across Siberia, of establishing permanent relations with the West, of sending young Russians to study in Western cities, of stabilizing money, proclaiming freedom of worship and even emancipating the serfs. As Golitsyn talked, his vision expanded: He dreamed of "peopling the deserts, of enriching the beggars, turning savages into men and cowards into heroes and shepherds' huts into palaces of stone."
Sophia met this unusual man when she was twenty-four, in the full bloom of her rebellion against the terem. Golitsyn was thirty-nine, blue-eyed, wore a small mustache, a neatly trimmed Van Dyke beard and, over his shoulders, an elegant fur-lined cape. Among a crowd of conventional Muscovite boyars in their heavy caftans and bushy beards, he looked like a dashing earl just arrived from England. With her intelligence, her taste for learning and her ambition, it was natural that Sophia should see in Golitsyn the personification of an ideal and the attraction was inevitable.
Golitsyn had a wife and grown children, but it did not matter. Strong-minded and passionate, now plunging into life with abandon, Sophia had cast caution to the winds in her move for power. She would do no less for love. What is more, she would combine the two. With Golitsyn she would share power and love, and together they would rule: He, with his vision, would propose ideas and policies; she, with her authority, would see that they were executed. On her proclamation as regent, she named Golitsyn head of the Foreign Office. Two years later, she conferred on him the rare distinction of Keeper of the Great Seal; in effect, prime minister.
In her early years as regent, Sophia's role was difficult. In private she ruled the state, but in public she shielded her person and her activities behind the ceremonial figures of the two boy Tsars and the administrative offices of Golitsyn. People rarely saw her. Her name appeared on public documents only as "The Most Orthodox Princess, the Sister of Their Majesties." When she did appear in public, it was separately from her brothers and in a manner which made her appear at least co-equal with them. An example was the farewell for departing Swedish ambassadors taking home from Moscow a reconfirmation of the treaty of peace between Russia and Sweden. In the morning, the ambassadors were summoned to watch the formal ceremony in which the boy Tsars pledged their oath on the Holy Gospel to keep the terms of the treaty. The ambassadors arrived in royal carriages to be greeted by Prince Golitsyn, who escorted them between lines of red-coated Streltsy up the Red Staircase into the banqueting hall, where Peter and Ivan sat on their double throne. Benches along the walls of the room were lined with boyars and state officials. The Tsars and the ambassadors exchanged formal greetings, and both sides pledged to keep the peace. Then Peter and Ivan rose, removed the crowns from their heads, walked to a table holding the Holy Gospels and a document containing the text of the treaty, and there, invoking God as a witness, promised that Russia would never break the treaty and attack Sweden. The Tsars kissed the Gospels, and Golitsyn handed the treaty document to the ambassadors.
The official ceremony was thus concluded. The real farewell audience for the ambassadors came later the same day. Once again, the ambassadors were conducted through lines of Streltsy armed with gleaming halberds. At the entrance to the Golden Hall, two chamberlains announced that the great lady, the Noble Tsarevna, the Grand Duchess Sophia Alexeevna, Imperial Highness of all Great and Little and White Russia, was prepared to receive them. The ambassadors bowed and entered the hall. Sophia sat on the Diamond Throne presented to her father by the Shah of Persia. She wore a robe of silver cloth embroidered with gold, lined with sables and covered with mantles of fine lace. On her head was a crown of pearls. Her attendants—the wives of boyars and two female dwarfs—stood nearby. Before the throne stood Vasily Golitsyn and Ivan Miloslavsky. When the ambassadors had saluted her, Sophia beckoned them forward and spoke to them for a few minutes. They kissed her hand, she dismissed them, and subsequently, in the gesture of a Russian autocrat, sent them dinner from her own table.
Under Sophia's regency, Golitsyn prided himself on administering "a reign based on justice and general consent." The people of Moscow seemed content; on holidays, crowds strolled through the public gardens and along the banks of the river. Among the nobility, a strong Polish influence was felt; Polish gloves, fur caps and soap were in demand. Russians became fond of tracing genealogies and creating family coats of arms. Sophia herself continued her intellectual life, writing verses in Russian and even plays, some of which were performed in the Kremlin.