Standing at his side, Glory Meechum cleared her throat. “I’m sure you’re aware,” said Monroe, still smiling at Carmela, “that Glory will be receiving a major award Saturday night.”
“Mmn, yes,” said Carmela noncommittally. Glory is getting an award? Well, this is news to me. No wonder Shamus is being so solicitous. Glory obviously sent out the order to round up an audience and I’m one of the pigeons.
“It’s our Founder’s Award,” Monroe Payne went on to explain. “A most prestigious award that only gets handed out every couple years or so.” Monroe turned his high-powered charm on Glory. “But Glory’s been a most generous patron so the award is well deserved.”
Glory fixed a hard stare on Carmela. “I hope you’ll be joining us at my table, Carmela.”
So that’s what this little soiree tonight is all about, mused Carmela. A prelude to Glory’s award. A warm-up.
If there was an uncomfortable moment or two, Monroe Payne didn’t seem to be aware of it.
“I’m trying to convince Glory to underwrite one of our upcoming shows,” Monroe confided to Carmela, while continuing to smile widely at Glory.
“Which show would that be?” asked Carmela, nibbling at her Camembert. Ah, finally something tasty.
“Feminist Art Perspectives of the Lower Mississippi,” replied Monroe.
Carmela stole a quick glance at Glory’s impassive face. Glory underwrite a show on feminist art? Never happen. No way, no how. The word feminist doesn’t exist in her lexicon.
But Monroe continued to rattle on about Glory. “Don’t you know,” he told Carmela, “that Glory is one of our Gold-level patrons. Not only has she donated a significant number of artworks to our museum, but she has followed them up with generous cash gifts as well.” Monroe paused dramatically and took a sip of his drink, trying to avoid the tiny purple umbrella that bobbed about, threatening to poke his eye out. “Everyone wants to donate works of art or have their money go toward purchasing works of art. But nobody ever wants their money to pay the heat bill or buy new display cases or pay the guards’ salaries. But those are some of the necessary evils that are part and parcel of running a large museum.” Monroe Payne gave a hangdog look, as though he sincerely regretted having to dirty his hands dealing with those particular necessary evils.
Carmela nodded politely. This was a side of Glory she didn’t know much about. But having had up close and personal experiences with the strange and wily Glory Meechum, Carmela knew it was likely the woman had set up some sort of nonprofit foundation through the family’s Crescent City Bank. That way Glory could appear civic-minded and magnanimous, while still getting a nice fat tax deduction.
“Did you know, Carmela,” said Glory, “that Founder’s Award recipients get to have their portrait painted?” She gazed down at the carpet, narrowing her eyes at some imaginary speck of lint. Carmela figured Glory was probably itching to pull the vacuum cleaner out of the closet for a fast touch-up. She also wondered if Glory was up to speed on the merits of a Flowbee attachment.
“That’s great about the portrait,” said Carmela, her mouth stuffed with cheese. “Terrific.” This last word came out terrifuff.
“ Monroe was also trained as a painter,” added Glory. “In Italy.” She was trying her darnedest to keep the conversation ball rolling.
Monroe laughed. “Studied painting. Years ago. And I was terrible. It’s no wonder my professors urged me to switch to museology instead.”
At that moment Glory’s housekeeper, Gabriella, came and whispered something in Glory’s ear.
“If you’ll excuse me,” said Glory, still being maddeningly polite as she scurried away.
Monroe gazed after Glory with watery eyes. “She’s a wonderful woman,” he told Carmela. “Generous to a fault.”
“Mmn,” murmured Carmela. Is he talking about the same Glory Meechum who kicked me out of Shamus’s house right after he rather unceremoniously took off? The same Glory Meechum who canceled all our joint credit cards? Who tried to get my name stricken from the rolls of the Garden Club?
Monroe continued to mumble platitudes about Glory, but Carmela suddenly wasn’t listening. Instead, she was intently watching Shamus as he talked and joked with a pretty young blond woman who was wearing a short black cocktail dress that had a keyhole cutout in back. Shamus’s left hand kept wandering up to that keyhole cutout. Flagrantly flirting right in front of the not-yet ex-wife, she thought. Where’s my digital camera when I need it? Judge, take a gander at this photo of the unfaithful husband flirting outrageously with another woman. Mental cruelty of the worst kind, wouldn’t you say?
“Mrs. Meechum?” said Monroe, his voice firm, as though he were repeating himself. “Carmela?”
Carmela blinked, turned her head, stared into Monroe Payne’s dark brown eyes. “I’m sorry,” she said. “You were saying…?”
“That was some nasty business last weekend. With the fellow who owned the shop next to yours?”
“Bartholomew Hayward,” said Carmela. “Yes, it was quite a shocker.”
“Do you know… are the police close to catching someone?” Monroe asked. “Or has that already been in the papers? I’ve been so frantic at the Institute finalizing plans for Monsters & Old Masters, I’m afraid I haven’t stayed all that well informed.”
Carmela shook her head. “You haven’t missed anything so far. But the police do seem to be focused on Billy Cobb, Barty Hayward’s young assistant.”
“From the hesitancy in your voice, I’m guessing you have other ideas,” said Monroe. “Glory told me how you so cleverly helped Shamus out of a spot of bad luck this past year.”
“Well, I wish I could shine that lucky star on Billy,” said Carmela. “He’s the nephew of one of my best friends and she’s very upset that he’s come under suspicion. Maybe you know my friend… Tandy Bliss?”
“Tandy and Darwin Bliss. Of course I know them,” said Monroe. “It’s good of you to be so involved. The world would be a far better place if more people were independent thinkers like you.” He glanced around quickly, as if making sure no one would overhear. “You have a suspect in mind?” he asked.
Carmela pursed her lips and a tiny frown creased her forehead. “Not exactly. Let’s just say I’m trying to follow up on a couple clues.”
“Clues that the police uncovered?” said Monroe with an encouraging look.
Carmela hesitated, not wanting to say too much. “Actually, I think the police would pretty much discount what I believe might be important.”
“Then be careful,” warned Monroe. “After having spent more years than I care to admit embroiled in the world of art and antiquities, I know that nefarious people abound. Which means that Bartholomew Hayward probably had any number of enemies.”
Carmela considered Monroe Payne’s words. They pretty much followed her line of thinking, too.
Monroe leaned toward her conspiratorially. “Lots of backbiting and strange goings-on in the art world,” he murmured in a low voice. “Would you believe that a person who resides right here in our very own Garden District once tried to palm off a sixteenth-century painting that disappeared from the collection of a prominent Dutch family during World War II?” He reared back and shook his head. “Shameful.”
“I hear a lot of stolen World War II artwork has resurfaced,” said Carmela.
Monroe grimaced. “Has for some time now. It just isn’t discussed in polite society.”
“I’m getting that same feeling about Barty Hayward’s murder,” said Carmela. “Which is why all of us at the shop have been struggling to get a handle on it.”
“Again,” said Monroe, flashing her a concerned look, “please exercise caution.”
“Don’t worry,” said Carmela. “I’m not about to stumble headlong into trouble. By the way, will you be attending Bartholomew Hayward’s funeral tomorrow?”