‘Hear, O Israel!’ I said in Hebrew, ‘The Lord our God, the Lord is One!’
‘I bear witness that there is no god but God and that Muhammad is the messenger of God,’ said Firouz. For a moment he stared at me wildly as if I had struck him in the face, then he turned to Bembel Rudzuk. ‘Has your Israelite friend registered for the tax payable by those non-Muslims who sojourn among us?’ he said.
‘Yes,’ said Bembel Rudzuk, ‘he has been paying the tax since he first came to Antioch.’
‘See to it also,’ said Firouz, ‘that he dresses in accordance with his station and that he does not ride a horse or carry weapons.’ He turned on his heel, walked back across the square to where an attendant was holding his horse, mounted, and rode off towards the Tower of the Two Sisters, turning once in the saddle to look back.
‘This too will pass,’ said Bembel Rudzuk. ‘Firouz is a man of moods and many of them are unpleasant. As we can do nothing about him we might as well get on with our work.’
There came then to the centre of the square Tower Gate’s foreman. ‘You might as well fetch the bricks for the tower now,’ he said to some of the workmen: ‘that’ll be the next thing after we do this hexagon.’
‘What tower?’ said Bembel Rudzuk.
‘The tower at the centre,’ said the foreman.
‘Ah!’ said Bembel Rudzuk.
‘Did you commission this tower?’ I said to Bembel Rudzuk when the foreman had moved away from us.
‘No,’ he said, ‘but it will give us a platform from which to observe the action of the pattern, and as it will be built at the very beginning we shall thus better see the development of the pattern as it is assembled. I myself had been thinking of erecting a tower when the pattern was complete but it’s better really to have it now.’
The central unit, the hexagon from which would overlappingly radiate all the other hexagons and the stars they contained, measured six feet four inches at its greatest width, and it was on this hexagon that the hexagonal tower was to be built. On the underside of each of the thirty-six tiles of this central hexagon Bembel Rudzuk wrote one of the various names of Allah: The Beneficent on one, The Merciful on another, and so on. ‘You too must write on these tiles,’ he said to me.
‘I cannot,’ I said. ‘God for me is beyond naming, nor have I any other words to write.’ As I said this I noticed two figures poised attentively at the edge of the stone square: one was the Imam, the leader of the local Muslim congregation; the other was Rabbi Akiba ben Eliezer. The Imam was tall and lean, the Rabbi short and stocky; the Imam had black eyes and a white beard, the Rabbi had blue eyes and a red beard; but their differences disappeared in the unanimity of their disapprovaclass="underline" their paired gaze was like four long iron rods, the two from the Imam pinioning Bembel Rudzuk and the two from the Rabbi pinioning me. Having declined the Rabbi’s invitation to join the congregation I always felt defensive when I saw him. Bembel Rudzuk, while a perfectly respectable member of the Muslim community, was known to be a strongly individual thinker. I hoped that the Imam and the Rabbi would be content to leave us to our work as we left them to theirs; but of course we were their work so I resigned myself to that iron optical embrace.
The thirty-six central tiles having been duly inscribed were now ready to be set in mortar. The lines where paving stones met indicated the axes of the square, and guided by these the foreman and his helper stretched their strings, trowelled in the mortar, and caused the tiles to appear to their proper places. Their activity seemed nothing so gross as common tile-laying: rather the tiles leapt into their hands, there was written on the air a fleeting calligraphy of dark limbs and white garments and Aha! the tiles manifested the central hexagon. The foreman and his helper seemed (they did it so quietly that I couldn’t be certain) to be hissing and humming some little song frequently punctuated by tiny explosive exhalations of breath: ‘Dzah!’ and ‘Dzee!’ and ‘Dzim!’ To this almost silent sibilance moved the white garments, the dark limbs, the red and black and tawny triangles into Hidden Lion.
As Bembel Rudzuk and I stood looking at the design we both noticed at the same moment that it was as it had been with the drawing that I had made on paper that night in November when Hidden Lion first appeared to me: The motion is already there,’ said Bembel Rudzuk.
‘Did you notice when it first became apparent?’ I said.
‘No,’ he said, ‘I was intent on the placing of the tiles. Did you?’
‘No,’ I said, ‘I simply forgot all about it.’ ‘Our first lesson,’ said Bembel Rudzuk: ‘the heart of the mystery is meant to remain a mystery.’
Hidden Lion! (For me that would always be the name of precedence; the Willing Virgin was the name for an aspect of the pattern that had not been made apparent to me by the pattern itself.) To see that central hexagon in its full-scale alternation of large and small red and black and tawny triangles, its solid and tangible actuality of fired and glazed tiles, was quite astonishing, there was so much action in it. I have before this described my drawing of the twelvefold repetition and my surprise at the quantity and variety of the action in it. But here there was as yet no repetition, there was only this hexagon made up of large and small triangles: the eighteen large outer ones; the twelve small inner ones; the six shallow ones between the inner and the outer. It was immediately apparent that the large interlocking red and black and tawny triangles of the outer hexagon were predisposed to turn, to revolve, to remind themselves that they were born of a circle. To this central hexagon at Bembel Rudzuk’s request I gave a name: David’s Wheel.
Firouz came to us again that day and stood looking at David’s Wheel, magnetically drawn, it seemed, by the pattern. This time he seemed to be without animosity, seemed to look on us with respect, as when a little boy watches his father string a bow that he himself will not be able to bend until he is grown a man. He spread out his fingers as if gripping a small wheel, he rotated his outspread, hooked fingers. ‘It turns,’ he said, ‘there is a turning in it: the turning of the sun and the moon and the stars; the turning of the wheels of fate and fortune. Thus do we see that at the centre of the universe there is a turning, there is a turning at the heart of the mystery. This turning pattern that you have made with these tiles, has it a name?’
‘David’s Wheel,’ I said, and then I was sorry that I had said it; I didn’t want him to know the name of anything that meant anything to me.
‘David’s Wheel,’ he said. ‘David slew Goliath and became a great king. And yet he turned, did he not. He turned from what was right, he turned to the wrong, he lusted after Bathsheba, he told Joab to put Uriah her husband in the forefront of the hottest battle. Then when Uriah was dead he joyed himself, did he not, with Bathsheba the juicy widow, the fruit of his wrongdoing.’
‘He was only a man,’ I said. ‘He made music, he sang and danced before the Lord.’
‘Only a man!’ said Firouz. ‘Only a man!’ He turned on his heel, always he left with that heel-turn, never did he simply walk away as others did.
Tower Gate now made his appearance, drawing near in a manner that commanded attention by the power of his attention; he came as if mystically summoned by David’s Wheel, and he so focused his approaching presence on that hexagon that it seemed to be a winch that was winding him in with an invisible rope.
When he arrived at David’s Wheel he looked down into it with a look that made me feel utterly left out and excluded from any understanding whatever of the thing that I had summoned with my compass and my straight-edge; one sees that always with specialists: a bowman picks up a bow in a way that leaves the non-bowman feeling poor; a silk merchant reads the silk with his fingers and almost there rise up from his touch phantom ships and camels, distant mountains, distant seas. Tower Gate looked down into David’s Wheel and in his face I tried without success to read whether he looked into crystalline depths or into an abyss of smoke and flame.