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The living Eugenio, the short butterball one with the fat crinkly face and slicked-back hair, was running one thick bejeweled hand up a taut thigh, hugging it to him, while caressing the marble buttocks, their luster attesting to the frequency of such devotions, with the other. "Ah, che culo!" he exclaimed throatily, covering it suddenly with passionate kisses and wetting it with his freely flowing tears. "How I wish now, Pini," he blubbered, "I could fuck myself as I — choke — was then!" He bawled there for a moment, cheek to cheek, his arms around the statue's hips, and then, when he could, he gasped: "You see, dear friend, that sweet bottom won L'Omino's heart, and — sob! — changed my life forever! It made me, fundamentally, in a word, what I am today! Che culo, we say: what luck, eh! And it gave good value. He beat it, bit it, slapped and tickled it, slept on it, sat on it, used it as a canvas, a pincushion, a footstool, a musical instrument, ate his supper off it, whispered his most intimate secrets to it and, as you might say, wrote his will on it. By the time its glory had begun to sag, L'Omino was dead and it was I who was choosing favorites…"

Then Eugenio wiped his eyes and blew his nose and, still embracing the statue affectionately, told the professor about his own life at the Land of Toys, which was not at all like the one he and Lampwick had known, nor could they even have imagined it. "It all began," Eugenio sighed, "that first night when the Little Man lifted me up onto his lap and let me hold the reins as we bounced down the road to Toyland. The other boys all envied me, but in truth, I soon felt shackled by those unfamilar straps tugging insistently at my hands. Such a strange dark journey, Pini, the little donkeys clopping along in front of us in their white leather boots, the only things you could see by that night's eery light, and making odd snuffling and whimpering noises, while the Little Man shushed them with ominous lullabies sung through clenched teeth and cracked them with the whip which whished terrifyingly past my ear from time to time. I tried not to cry, but I couldn't help it. I was trembling all over like a leaf in a temporale. The Little Man, in his fashion, consoled me. By dawn, I was no longer a virgin…" Eugenio sighed tremulously and stroked the statue's buttocks tenderly as one might to soothe a tearful child, then went on to tell him how, when they arrived and all the other boys ran off to play, he was carried under L'Omino's arm like a pig from market, arse forward, school knickers still in a twist around his ankles and blood trickling down his thighs, to the Little Man's private rooms, then in a modest corner at Venice's eastern tip near where the soccer field now stands, itself a commemorative gift to the city from Omino e figli, S.R.L. Here, L'Omino kept a little stable of his favorites whom he treated like donkeys but left, at least most of the time, in the shape of boys, the games they played being the sort one might associate with a stable. "Well, tutti i gusti sono gusti, as the Little Man himself used to say, his own being mostly of the Tyrolean sort…"

Eugenio gave each cheek a misty-eyed farewell kiss, pocketed the rosary which he'd been fingering with his free hand, then, on the way back to the motor launch, took the professor on a quiet meditative tour of the cemetery island, describing for him as he waddled along, the old scholar ported at his side by the three servants, his long and happy life in Toyland, which he still held to be the most beautiful place in the world, a land of dreams, un paese benedetto, the very goal of human civilization, and he the preserver of its sacred flame, becoming over time L'Omino's dearest beloved, subjecting the adorable man in his declining years to his least whim and fancy, including his signature on the documents that created Omini e figli, S.R.L.

"I was a good little boy, Pini, loving and obedient, and everything came true for me, just as the Little Man promised!"

The professor, somewhat befogged and guilt-ridden, as was his wont in the midst of tombstones, did not know what to answer to all of this, and finally, as they were making their way back to the landing stage, twilight by now dimming the sky and darkening the hovering cypresses, what he said was: "I–I have never known the careless freedom of youth…"

"Ah, poor Pini!" smiled Eugenio, taking over the controls as they reboarded the motor launch. "And now with your little thingie gone…"

"Well, it's — it's not exactly gone…"

"No? But when I was oiling you, I saw nothing there but a — "

"I mean 'it' wasn't… it…"

Whereupon, the others urging him on as the launch, growling softly, slides out into the wet dreamy lagoon, the ancient wayfarer commences to tell them, with all the candor that the day has inspired, the tale of the world's only Nobel Prize-winning nose

20. THE ORIGINAL WET DREAM

"So it's all true, then," murmurs Eugenio in the echoey darkness, "all those old jokes…?"

"Yes, all the pornographic films and comic books, the sex magazine cartoons, the party songs and burlesque routines, just pages really out of a depressing case history. The boy who had to wear on his face what other people hid in their pants. Watch it misbehave. Watch it get punished. I always felt insulted by the names you called me in school, not recognizing at the time that it was not much worse than calling me 'Faceface' or 'Footfoot.' And people laughed at it, but they were afraid of it, too. It took a lot of abuse. What was old Geppetto's assault on it that day he made me, after all, but…?"

"My thoughts exactly, dear boy! An attempt to emasculate his own son! But that you should remember it all so vividly is most extraordinary!" Eugenio and the servants have become just faceless shadows hovering over him, faintly silhouetted against the distant glow of the city. The boat motor is off, the lights as well, and they bob silently now on the lap of the black lagoon, the cool night mist having gathered round them with a motherly embrace, as though to soothe away the anxieties aroused by their visit this afternoon to the island of the dead. "For the rest of us, our beginnings remain forever a strange unfathomable mystery. A bit terrifying in fact…"

"Actually, I forgot most of this when I became a boy. Only lately has it been coming back to me…" Not all of it, there are vague scary bits for him, too, mysteries he too cannot penetrate. But he does have a clear and precise memory of his babbo's clumsy affectionate strokes as he carved and fluted his wooden hair and whittled out eyes for him to see by, eyes he rolled mischievously at the old fellow just to make him jump and reach for his grappa, and he can almost feel still the impatient hewing and hacking up and down his body as Geppetto roughed out the rest of him: a mouth with its own mocking tongue, thumbed but fingerless hands with which to pincer away the old boy's yellow moth-eaten mop of a wig, feet for kicking him in the nose, and then a nose of his own, fashioned from scraps chopped out between his new legs and wedged into a hole gouged in the middle of his face, a nose that started to grow as soon as it was plugged in, a trick he had no control over and which frightened him nearly as much as it did the old man, who erupted into a kind of blind squeaky rage, accusing the thing of insolence and deviltry and slashing at it wildly with his rude tools, sending splinters flying about the room, bits and pieces of him lost forever, alas, he could use them now to patch up his losses. And still the perverse thing kept shooting out in front of his startled eyes, irrepressible as that infamous beanstalk, stretching and quivering, the tip of it sore where his father whacked madly away at it, but somehow itchy and tingling with fresh raw excitement at the same time, insisting upon its prefigured but ludicrous length even as Geppetto went on lopping it off. Even as he wept, loudly disclaiming it, he could feel himself coming to identify with it in some odd way, as though it were somehow, in its unruly defiance, expressing his own deepest and truest nature, as though it were, in a word, taking a stand in his behalf, or rather, taking a stand that would become his own, he in the end, until the Blue-Haired Fairy taught him how to master it, the captive appendage of the obstreperous nose.