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“Maybe that’s what we should do, Alex.”

“What is?”

“Give it away. Contribute it to Survey. Let them worry about it.”

He stuck his tongue into the side of his jaw. “That might not be a bad idea, Chase,” he said. We both knew we could carry off pretty much everything of value, short of the site itself. Giving it to Survey would generate goodwill with an organization that had always supplied well-heeled clients. And Rainbow Enterprises would get plenty of free publicity. “Exactly what I was thinking, my little urchin.”

Most of its space had been given over to docking and maintenance. But there had also been a couple of dining areas, living accommodations, and recreational facilities. We found the remains of open spaces that had once been parks. There’d been a lake. And even a beachfront.

It was all gray and cold now. Eighteen centuries is a long time, even in near vacuum.

There was no power, of course, hence no gravity. And no light. But that was okay. We had made a serious strike, and Alex, usually staid, complacent, one might even say dull, became a child in a toy store as we toured the place, dragging spare air tanks with us.

But the toys turned out to be pretty well smashed. Personal items left behind by the inhabitants were afloat everywhere, going round and round with the station.

Chairs and tables, stiffened fabrics, knives and forks, notebooks and shoes, lamps and cushions. And a lot of stuff that was beyond recognition, bits and pieces of everything, whatever might have broken off over the years. The place was turning on its axis every seven and a half minutes, an action that sent clouds of loose objects bumping around the bulkheads. “The thing’s a giant blender,” said Alex, trying to swallow his disappointment.

Shenji culture is best remembered today for its flared towers (which look like rockets waiting to roar into the sky), their asymmetric architectural designs, their affinity for showy tombs, the dramas of Andru Barkat (which are still periodically revived on some of the snobbier stages around town), and their descent into the series of religious wars that eventually destroyed them. And maybe their drive to find nonhuman civilizations, which went on almost without pause, and without noticeable result, for two millennia. The Shenji were not people who gave up easily. But during their golden age, before the prophet Jayla-Sun showed up, they were convinced there were others out there and that the human race wouldn’t fulfill its destiny until it could sit down with them and talk philosophy. Even that effort was largely a religious thing, but if it cost a lot of resources, it caused no damage. The common wisdom now is that there is nobody else anywhere in the Milky Way, except us, and the Ashiyyur. The Mutes. (All this with the Shenji, of course, happened before Gonzalez discovered the Mutes. Or, if you want to be factual, before they discovered him.) And I don’t mind telling you that it wouldn’t be a bad thing if they would pack up and move on.

Andromeda would be a good place for them.

There are still a few people walking around who claim to be pure-blooded Shenji. I don’t know why they would. Their history is a mixed bag at best. When they weren’t exploring, they were running pogroms and inquisitions; but they’ve been dead and gone a long time, and that fact alone seems to make them intriguing to some folks. Alex has commented that being dead for a sufficiently long time guarantees your reputation. It won’t matter that you never did anything while you were alive; but if you can arrange things so your name shows up, say, on a broken wall in a desert, or on a slab recounting delivery of a shipment of camels, you are guaranteed instant celebrity. Scholars will talk about you in hushed tones. You will become a byword, and an entire age might even be named for you. History used to be simpler back when there wasn’t so much of it.

Historians are forever announcing how they’d like to sit down with someone who’d actually hung out at the Parthenon during the years of Athenian hegemony, or had attended a Shenji parade. A survivor, if one could be found, would be hustled around town in the most luxurious skimmers, treated to the best meals, and taken to see the Council. He would show up as a guest on The Daylight Show.

Go to Morningside today, the Shenji home world, and you’ll find a modern, skeptical, democratic society populated by waves of outsiders, people from all over the Confederacy. The tribes of true believers are gone, everybody’s a skeptic, watch your purse, and if you really think there are more aliens out there, I have a bridge I’d like you to look at.

Alex had the kind of looks that could get lost easily in a crowd. His face was sort of bureaucratic, and you knew immediately that he liked working in an office, that he preferred a regular schedule, no surprises, and took his coffee with a sweetener. That was all true, actually. Although I have to confess we had a brief romantic fling years ago. But he was never going to commit to marriage, and I wanted him as a friend rather than a lover anyhow. So there you are.

He was about average height, brown hair, dark brown eyes, and he looked out of place in a pressure suit. Or in an ancient outstation, drifting down dark corridors, with a lamp in one hand and a laser cutter in the other.

He was reasonable, quiet, and he thought well of himself. He had never liked starships. In the early years, when we were using the old jump engines, he used to get sick every time we made the transition into or out of Armstrong space. He was interested primarily in number one. Liked making money, liked wielding influence, enjoyed being invited to the right parties. But at heart he was a good guy. He’d take care of a stray cat, always kept his word, and watched out for his friends. I should add that he was a reasonable boss. If occasionally erratic.

We needed the cutters because the hatches, both inside and out, were nonfunctional, so we had to slice our way through a lot of them. My job was to do the slicing and pack any salable objects. His was to point out the stuff we’d take back.

But after three days wandering around the station we had virtually nothing to show for it.

He’d figured out the location of the place from clues left in Shenji archives. Just finding this outpost of Shenji culture would have considerable public relations value, but it wasn’t going to bring a cascade of wealth, which was what he’d expected.

His good humor began to drain. As we fished pieces and bits, knobs and filters and chunks of dishware and broken glass and shoes and timers out of the debris, he took to sighing, and I’m sure inside the helmet he was shaking his head.

I’d seen him like that before. What happens is that he begins to talk about the historical value of the artifacts and what a loss it is to the human race to find them in such terrible condition. He becomes a great humanitarian when things go wrong.

The original plan had been to set up a base inside the station, but Alex wondered whether it was worth the effort. So every evening when we got tired, or bored, wandering around the place, we returned to the Belle-Marie for dinner. And then we looked at whatever we’d salvaged. It was a depressing time, and when I told him that maybe we should just close up shop and head home, he replied that I was giving up too easily.

On the sixth day, when we were getting ready to pack it in, we found a chamber with odd damage. It appeared to be a conference room. It contained a table that could have seated about ten, and gray mottled bulkheads, one of which might once have been a display screen. The screen was smashed. Not smashed because objects were getting rolled around the room, because nothing was moving in there with much force. But smashed the way it would be if someone had taken a hammer to it.

The table and chairs and some gunk that might once have been fabric were working their way across the overhead. The only thing that held us upright was our grip shoes, and I should tell you that standing there watching everything move around the room tended to make your head spin.

“Vandals,” Alex decided, standing in front of the wall screen. He hated vandals.