After seeing the film assembled for the first time and feeling great relief that it wasn’t as bad as all that, I leaned over to Lisa Houle, who I was nuts over, and whispered, “Well, thank Christ, now I never have to watch it again.”
Later, at a party for some event, Lisa sought me out. She had been worried, she explained, that I didn’t like the film. I was quite alarmed by this. I did like the film. I loved her in it. In fact — and this is another odd fact about filmmaking — you have these momentary raptures about other people. Stephen McHattie is a shaman to me. Bruce McDonald is a shaman to me. I asked Lisa why she thought this? She reminded me of what I had said to her at the screening. She looked hurt. I smiled. Actors. Sheesh.
“Oh darlin’, you should know I never say anything I can’t take back later.”
other books by
TONY BURGESS
The Hellmouths of Bewdley
Caesarea
Fiction for Lovers
Copyright
Copyright © Tony Burgess, 1998, 2009
Published by ECW Press, 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2
416.694.3348 / info@ecwpress.com
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any process — electronic, mechanical, photocopying, recording, or otherwise — without the prior written permission of the copyright owners and ECW Press.
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ISBN-13: 978-1-55022-881-6
ISBN-10: 1-55022-881-1
Edited for the press by Michael Holmes. Cover design by Rachel Ironstone. Cover photo and author photo are taken from Pontypool, directed by Bruce McDonald, courtesy Maple Pictures and Shadow Shows. Printed by Transcontinental.
The publication of Pontypool Changes Everything has been generously supported by the Canada Council for the Arts, which last year invested $ 20.1 million in writing and publishing throughout Canada, by the Ontario Arts Council, by the OMDC Book Fund, an initiative of the Ontario Media Development Corporation, and by the Government of Canada through the Book Publishing Industry Development Program ( BPIDP ).