“I don’t blame you. I wouldn’t trust what anybody says if I were you.”
“If you were me.” I lock a new blade into a scalpel as she fills a labeled plastic jar with formalin.
“Unless it’s me who’s talking,” she replies without looking at me. “I wouldn’t lie or cheat or help myself to things that aren’t mine. I would never treat this place as if it belongs to me. Never mind. I shouldn’t get into it.”
I won’t let her get into it. It isn’t necessary to put her in a position like that, betraying the people who have betrayed me. I know what it feels like to be put in a position like that. It’s one of the worst feelings there is and promotes lying, overtly or by omission, and I know that feeling, too. An untruth that lodges intact in the core of your being like undigested corn found in Egyptian mummies. There’s no getting rid of such a thing, of undoing it, without going in to get it, and I’m not sure I have the courage for that, as I think of the worn wooden steps leading down into the basement of the house in Cambridge. I think of the rough stonewalls belowground and the fifteen-hundred-pound safe with its two-inch-thick composite triple-lock door.
“I don’t suppose you’ve heard any rumors about where everybody is,” I then say. “When you were with Marino at McLean.” I begin the Y incision, cutting from clavicle to clavicle, then long and deep straight down with a slight detour around the navel and terminating at the pubic bone in the lower abdomen. “Did you get any idea of who is in our parking lot and what’s going on? Since I seem to be under house arrest for reasons no one has been inclined to make completely clear.”
“The FBI.” Anne doesn’t tell me something I don’t know as she walks to the wall where clipboards hang from hooks next to rows of plastic racks for blank forms and diagrams. “At least two agents in the parking lot, and one followed us. Someone did.” She collects paperwork she needs and selects a clipboard after making sure the ballpoint pen attached to it by a cord has ink. “A detective, an agent. I don’t know who followed us to the hospital, but someone who clearly had alerted security before we got there.” She returns to the table. “When we rolled up at the neuroimaging lab, there were three McLean security guys, most excitement they’ve had in years. And then this person in an SUV, a dark-blue Ford, an Explorer or an Expedition.”
Maybe what Benton just drove away in, and I ask Anne, “Did he or she get out of the SUV? I assume you didn’t talk to whoever it was?” I reflect back soft tissue. The man is so lean he has just the thinnest layer of yellow fat before the tissue turns beefy red.
“It was hard to see, and I wasn’t going to walk right up and stare. The agent was still sitting in the SUV when we left and followed us back here.”
She picks up rib cutters from the surgical cart and helps me remove the breastplate, exposing the organs and significant hemorrhage, and I smell the beginning of cells breaking down, the faintest hint of what promises to be putrid and foul. The odors emitted by the human body as it decomposes are uniquely unpleasant. It isn’t like a bird or an opossum or the largest mammal one can think of. In death we are as different from other creatures as we are in life, and I would recognize the stench of decaying human flesh anywhere.
“How do you want to do this? En bloc? And deal with the metal after we have the organs on the cutting board?” Anne asks.
“I think we need to synchronize what we’re doing inch by inch, step by step. Line things up with the scans as best we can, because I’m not sure I’m going to be able to see whatever these ferromagnetic foreign bodies are unless I’m looking right at them with a lens.” I wipe my bloody gloved hands on a towel and step closer to the video display, which Anne has divided into quadrants to give me a choice of images from the MRI.
“Distributed a lot like gunshot powder,” she suggests. “Although we can’t see the actual metal particles because they canceled the signal.”
“True. More blooming artifact, more voids at the beginning than the end. Greatest amount at the entrance.” I point my bloody gloved finger at the screen.
“But no residue of anything on the surface,” she says. “And that’s different from a gunshot wound, a contact wound.”
“Everything about this is different from a gunshot wound,” I answer.
“You can see that whatever this stuff is, it starts here.” She indicates the entrance wound on the lower back. “But not at the surface. Just beneath it, maybe half an inch beneath it, which is really weird. I’m trying to imagine it and can’t. If you pressed something against his back and fired, you’d get gunshot residue on the clothes and in the entrance wound, not just an inch inside and then deeper.”
“I looked at his clothes earlier.”
“No burns or soot, no evidence of GSR,” she says.
“Not grossly,” I correct her, because not being able to see gunshot residue doesn’t mean it isn’t there.
“Exactly. Nothing visually.”
“What about Morrow? I don’t suppose he came downstairs yesterday while Marino had the body in ID, printing him, collecting personal effects. I don’t suppose someone thought to ask Morrow to do a presumptive test for nitrites on the clothing, since we didn’t know at that time there could be GSR or that there was even an entrance wound that correlates with cuts in the clothing.”
“Not that I know of. And he left early.”
“I heard. Well, we still can test presumptively, but I’d be really surprised if that’s what we’re seeing on MR. When Morrow or maybe Phillip gets in, let’s get them to do a Griess test just to satisfy my curiosity before we move on to something else. I’m betting it will be negative, but it’s not destructive, so nothing lost.”
It’s a simple, quick procedure involving desensitized photographic paper that is treated with a solution of sulfanilic acid, distilled water, and alpha-naphthol in methanol. When the paper is pressed against the area of clothing in question and then exposed to steam, any nitrite residues will turn orange.
“Of course, we’re going to do SEM-EDX,” I add. “But these days it’s a good idea to do more than one thing, since slowly but surely lead is going to disappear from ammunition, and most of these tests are looking for lead, which is toxic to the environment. So we need to start checking for zinc and aluminum alloys, plus various stabilizers and plasticizers, which are added to the gunpowder during manufacturing. Here in the US, at any rate. Not so much in combat, where poisoning the environment with heavy metals is considered a fine idea, since the goal is to create dirty bombs, the dirtier the better.”
“Not our goal, I hope.”
“No, not ours. We don’t do that.”
“I never know what to believe.”
“I do know what to believe, at least about some things. I know what comes back to us when our service people are returned to Dover,” I reply. “I know what’s in them. I know what isn’t. I know what’s manufactured by us and what’s manufactured by others, the Iraqi insurgency, the Taliban, the Iranians. That’s one of the things we do, materials analysis to figure out who is making what, who is supplying it.”
“So when I hear these things about weapons or bombs made in Iran…”
“That’s where it comes from. It’s how the US knows. Intelligence from our dead, from what they teach us.”
We leave it at that, our talk of the war, because of this other war that has killed a man who is too young to be finished. A man who took an old greyhound for a walk in the civilized world of Cambridge and ended up in my care.
“They’ve developed some really interesting technology in Texas that I want us to look into.” I return to gunshot residue because it is safer to talk about that. “Combining solid phase micro-extraction with gas chromatography coupled with a nitrogen phosphorus detector.”