Roman temple, known as the Temple of Diana, in Évora, Portugal.Josef Muench
Pena Palace, Sintra, Portugal.George Holton/Photo ResearchersPortuguese culture is based on a past that dates from prehistoric times into the eras of Roman and Moorish invasion. All have left their traces in a rich legacy of archaeological remains, including prehistoric cave paintings at Escoural, the Roman township of Conimbriga, the Roman temple (known as the Temple of Diana) in Évora, and the typical Moorish architecture of such southern towns as Olhão and Tavira. Throughout the centuries Portugal’s arts have been enriched by foreign influences, including Flemish, French, and Italian. The voyages of the Portuguese explorers, such as Ferdinand Magellan, who was the first to circumnavigate the globe, and Vasco da Gama, who pioneered an eastern route to Asia around the Cape of Good Hope (the first European to sail around the cape was another Portuguese navigator, Bartolomeu Dias, in 1488), opened the country to Asian influences, and the revelation of Brazil’s wealth of gold and jewels fed the Baroque flame in decoration. There have been considerable efforts to conserve architecture and art across the country, especially religious artifacts, palaces, and the several distinctive styles of casas portuguesas, or modest homes. Preservation has led to the declaration of the city centres of Évora, Sintra, Porto, and, in the Azores, Angra do Heroísmo as UNESCO World Heritage sites.
Daily life and social customs
Despite certain affinities with the neighbouring Spaniards, the Portuguese have their own distinctive way of life. The geographic variety of the country has evoked different responses, but there is less regionalism than in Spain. Moreover, lifestyles have altered radically as rural populations have declined and cities and their suburbs have expanded. Urban centres provide a range of entertainment, and fairs and markets are highlights of social gatherings. A long tradition of dancing and singing continues among the Portuguese. Nearly every village has its own terreiro, or dance floor, usually constructed of concrete, though in some places it is still made of beaten earth. Each region has its own style of dances and songs; most traditional songs are of a slower rhythm than those in Spain. Small accordions and gaitas, or bagpipes, are among a considerable range of instruments that accompany dances, and Portuguese guitars (and sometimes violas) accompany the fado, a song form that epitomizes saudade—the yearning, romantic aspect of the Portuguese character. Regional dances, which include the vira, chula, corridinho, tirana, and fandango, often reflect the courting and matrimonial traditions of the area. Much has been done to preserve these and other folk expressions as tourist attractions.
Lisbon: Dom Pedro IV SquareDom Pedro IV Square, also called Rossio Square, Lisbon.© Luis Elvas/Fotolia
National dress is still seen in the northern Minho province at weddings and other festivals. Traditional garments such as the red and green stocking cap of the Alentejo cattleman still exist, and the samarra (a short jacket with a collar of fox fur) and cifões (the equestrian’s leather chaps) survive. Rustic plows and wooden carts drawn by oxen or mules are still used by small farmers (though in the perennial battle against forest fires, shepherds who guard their flocks in forest areas have been supplied with mobile phones). The wearing of black for protracted periods of mourning is common, especially in the villages.
Access to supermarkets has transformed eating habits in cities and urban areas. In the countryside the staple diet is one of fish, vegetables, and fruit. Although Portugal’s waters abound with fresh fish, the dried salted codfish known as bacalhau, now often imported, is considered the national dish. A seafood stew known as cataplana (for the hammered copper clamshell-style vessel in which it is cooked) is ubiquitous throughout the country. In many areas meat is seldom eaten, although the Alentejo region is known for its pork and Trás-os-Montes for cured meats. Cozido a portuguesa, a stew made with meats and vegetables, is a popular dish. Breads, cakes, and sweets—the last one a legacy of Moorish occupation—take a variety of forms, with many regional specialties. Portugal is well known for its wide variety of cheeses. Wine is the ubiquitous table beverage. In the north the wine of choice is often the red version of the so-called green wine, or vinho verde, usually preferred as a lightly sparkling white wine. Perhaps the most famous Portuguese export is the fortified wine called port, named after the town of Porto, where it has been bottled for centuries. Distinguished mainly for notable vintages, port is also enjoyed as ruby, tawny, and dry white varieties.
Portugal has a wide variety of regional fairs, many of which are combined with religious festivals. Religious customs in this Roman Catholic country still include, in the north, the burning of the yule log in the atrium of the village church at Christmas so that the poor may warm themselves. Twice annually (May and October) large numbers of the faithful make a pilgrimage to the shrine of Fátima, where three children reported that they had received messages from the Virgin Mary. All Saints’ Day festivals (November 1), especially in Lisbon and Porto, draw large crowds. Among the secular holidays are Liberty Day (April 25), which marks the Revolution of the Carnations of 1974 and is accompanied by parades and various cultural events; Portugal Day (June 10), which commemorates the death of 16th-century soldier-poet Luís de Camões; and Republic Day (October 5), which celebrates the overthrow of the monarchy and the establishment of the republic in 1910. The arts Literature
The Portuguese language became synthesized in the 12th century, when a lyrical quality was outstanding in both poetry and prose. With Os Lusíadas (1572; The Lusiads), Camões first gave expression to the nation’s epic genius, and the 20th-century poet Fernando Pessoa, writing under numerous pseudonyms, introduced a Modernist European sensibility. Lyric poetry still flourishes. The tendency of fiction has been away from the romanticism of the 19th and early 20th centuries and toward realism. José Maria Eça de Queirós, whose works include Os Maias (1888; The Maias) and A cidade e as serras (1901; The City and the Mountains), was an outstanding realist novelist. In the first half of the 20th century, Aquilino Ribeiro was an exceptional regional novelist whose writings include Jardim das tormentas (1913; “Garden of Torments”) and O homem que matou o Diabo (1930; “The Man Who Killed the Devil”), while José Maria Ferreira de Castro was a notable realist and author of A selva (1930; The Jungle) and Os emigrantes (1928; “The Emigrants”). The novelist, essayist, and poet Vitorino Nemésio received acclaim for his novel Mau tempo no canal (1944; “Bad Weather in the Channel”; Eng. trans. Stormy Isles: An Azorean Tale).