Poseidon s Gold

'That's not for me. When I grabbed a senator's daughter, I chose one who had divorced herself in readiness for my suave approach.'

'Quite right!' came a rather sardonic reply. 'You would hate to be publicly criticised:'

At last someone told us the address where our quarries were working. We made our way there in silence. We had no plan this time. I was angry, but saw no need to elaborate. I never enquired what Father felt, though I did find out quite soon.

The house in question was being done over completely. Scaffold hung threateningly over the entrance where old roof-tiles were flying down from the heavens into a badly placed skip. The site foreman must be a dozy swine. We clambered in, through a mess of trestles and ladders, then tripped over a tool-bag. Pa picked it up. When the watchman raised his head from a game of draughts scratched in the dusty base of a half-laid tessellated floor, I called out, 'Have you seen Titus anywhere?' and we rushed past, pretending to follow his vaguely raised arm.

There is always a carpenter called Titus. We used him several times to bluff our way around. Even a fat fusspot in a toga, who was probably the householder, let us evade questions, merely frowning fretfully when we barged past him in a corridor. His property had been in the hands of louts for months. He no longer complained when they knocked him aside, peed on his acanthus bed or took naps in their filthy tunics on his own favourite reading-couch.

'Sorry, governor!' my father beamed. He had the knack of sounding like an unskilled pleb who had just put his pick through a water-pipe and was shuffling off out of it quickly.

I knew Manlius would be working near the atrium, but there was too much going on there when we first arrived. We left him, and started working through the dining-rooms, looking for raped Sabines. It was a big house. They had three different feeding areas. Varga was touching up his Sabine ladies in the third.

The plasterer had just left him with a new section. For frescos, the trick is to work extremely fast. Varga was facing a huge new stretch of smooth wet plaster. He had a sketch, with several writhing bottoms on it. He had a kettle of flesh-tone paint already mixed. He had a badger-hair brush in his hand.

Then we came in.

'Whoa, Varga. Drop the brush! It's the Didius boys!' That harsh command, which startled both the painter and me, came from Pa.

Varga, slow on the uptake, clung on to his brush.

My father, who was a solid man, grasped the painter's arm with one hand. He gripped the painter bodily with the other, lifting him off his feet, then he swung him in a half-circle, so that a bright pink streak from the brush scraped right across three yards of plaster, just smoothed over by an extremely expensive craftsman. It had been a perfect, glistening poem.

'Mico could learn something here! Well don't just stand there, Marcus, let's fetch that door off its pinions. You nip into the kitchen alongside and pinch the rope they hang the dishrags on-'

Bemused, I complied. I never willingly take orders-but this was my first game of soldiers as one of the Didius boys. Clearly they were hard men.

I could hear Varga moaning. My father held him fast, sometimes shaking him absent-mindedly. On my return he threw the painter down, and helped me lift an ornamental folding door off its bronze fastenings. Gasping for air, Varga had hardly moved. We picked him up again, spread-eagled him, and lashed him to the door. Then we heaved the door up against the wall, opposite the one Varga was supposed to paint. I coiled the spare rope tidily, like a halyard on a ship's deck. The rope still had the damp cloths on it, which added to the unreal effect.

Varga hung there on the door. We had turned it so that he was upside down.

Good plasterwork is very expensive. It has to be painted while it's wet. A fresco painter who misses his moment has to pay from his wages for redoing the job.

Pa flung an arm across my shoulders. He addressed the face near his boots. 'Varga, this is my son. I hear you and Manlius have been singing false tunes to him!' Varga only whimpered.

Father and I walked across to the new wall. We sat down, either side of the wet patch, leaning back with our arms folded.

'Now, Varga,' Pa chivvied winningly.

I grinned through wicked teeth. 'He doesn't get it.'

'Oh he does,' murmured my father. 'You know, I think one of the saddest sights in the world is a fresco painter watching his plaster dry while he's tied up:' Father and I turned slowly to gaze at the drying plaster.

For five minutes Varga lasted out. He was red in the face but defiant.

'Tell us about Orontes,' I suggested. 'We know you know where he is.'

'Orontes has disappeared!' Varga spluttered.

'No, Varga,' Father told him in a pleasant tone, 'Orontes has not. Orontes was living at your dump on the Caelian quite recently. He repaired a Syrinx with a missing pipe for me only last April-his normal botched effort. I didn't pay him for it till November.' My father's business terms were the unfair ones that oppress small craftsmen who are too artistic to quibble. 'The cash was delivered to your doss!'

'We pinched it!' Varga tried brazenly.

'You forged the pig off his signet-ring for my invoice then-and which of you was supposed to have done my job for me?'

'Oh shove off, Geminus!'

'Well if that's his attitude-' Pa hauled himself upright. 'I'm bored with this,' he said to me. Then he fiddled about with a pouch at his waist and pulled out a large knife.

XLV

'Oh come on, Pa,' I protested weakly. 'You'll frighten him. You know what cowards painters are!'

'I'm not going to hurt him much,' Pa assured me, with a wink. He flexed his arm as he wielded the knife. It was a stout kitchen effort, which I guessed he normally used to eat his lunch. 'If he won't talk, let's have a bit of fun-' His eyes were dangerously bright; he was like a child at a goose fair.

Next minute my father drew back his arm, and threw the knife. It thonked into the door between the painter's legs, which we had tied apart-though not that far apart.

'Geminus!' screamed Varga, as his manhood was threatened.

I winced. 'Ooh! Could have been nasty:' Still amazed at Pa's aim, I scrambled to my feet as well, and whipped my own dagger from my boot.

Pa was inspecting his shot. 'Came a bit close to castrating the beggar: Maybe I'm not very good at this.'

'Maybe I'm worse!' I grinned, squaring up to the target.

Varga began to scream for help.

'Cut it out, Varga,' Pa told him benignly. 'Hold on, Marcus. We can't enjoy ourselves while he's squalling. Let me deal with him-' In the tool-bag he had snaffled was a piece of rag. It stank, and was caked with something we could not identify. 'Probably poisonous; we'll gag him with this. Then you can really let rip-'

'Manlius knows!' wailed the fresco painter weakly. 'Orontes was his pal. Manlius knows where he is!'

We thanked him, but Pa gagged him with the oily rag anyway, and we left him hanging upside down on the door.

'Next time you're thinking of annoying the Didius boys-think twice!'

We found Manlius at the top of a scaffold. He was in the white room, painting the frieze.

'No, don't bother coming down; we'll come up to you:'

Both Father and I had nipped up his ladder before he knew what was happening. I grasped him by the hand, beaming like a friend.

'No, don't start being nice to him!' Pa instructed me curtly. 'We wasted too much time being pleasant with the other one. Give him the boot treatment!'

So much for auctioneers being civilised men of the arts. With a shrug of apology, I overpowered the painter, and pushed him to his knees.