I wish that was the strangest thing that happened yesterday, but you did your time here. You know how it is. Yesterday we drove to resupply the safehouse in D_______. Sometime around noon three teenage boys came up the street dragging a blue blanket. The blanket was heavy with something. They moved like they were running from something. A second group of boys came yelling. They were carrying machetes and swinging them above their heads. We closed and barricaded the door and watched on the security monitors. The first group of boys dropped the blanket and fled. The second group stopped at the blanket. They kicked at it and poked at it with their machetes. For a while they stood over it and consulted one another. No one who passed on the street looked at them or what they were doing. I had never seen these boys before, but how often do I get to D_______?
After a while we heard the voice of a man screaming. The sound he made was terrible, animal. When his body appeared on the monitor, it matched his voice. It was a wiry, haggard body, muscled and too lean. The man was tall but hunched. He had an overfull beard that curled at its ends. When he came into the frame, the boys began to shout at him and raise their machetes, but they backed away. Then, from the distance, came gunshots. The boys and the man fled alike. We left the video monitor, then, and went into the back of the safe house, where we could achieve a greater distance from the gunshots. We waited until the shooting ended, and then we waited some more.
When we returned to the front room, we looked again at the monitor. The blanket was still lying on the ground, but it no longer carried its burden. Nils asked if the videotape was still running. I checked, and it had ended. We took the tape from the recorder and put it into the VTR in the back room and rewound it. There we saw the men with the guns run past the blanket and past the front of the building and out of the frame. Then we saw the concrete shop and the machine shop across the street taking bullets from both sides of the frame. Two groups of men were shooting at each other. The shooting went on for some time, but not for as long as it had seemed to go on when we were waiting it out in the back room. When it was over, a little boy who could not have been more than seven or eight years old came into the frame. He walked directly to the blanket. His back was to the security camera. We saw him bend down over the bundle and reach in and grab something and begin to pull it out. Slowly — for this child, it was an effort — he came away pulling a pair of arms, a woman’s arms, by the hands and wrists. Nils said, “Is that a white woman?” and when her head came briefly into the frame, the hair did not appear to be the hair I had seen on the head of any Haitian. “Maybe she’s Levantine Haitian,” I said. “Maybe she’s Lebanese.” There was no way to tell for sure, the quarterframe picture was so blurry.
The little boy dragged the woman’s body out the right of the frame, in the direction of the alleys where the squatters have built. Perhaps it was not advisable for us to do what we did, but we opened the front door and walked in the direction from where the boy had come. We walked toward the squatter houses, but when we reached them we did not go any farther. It did not seem wise to go any farther.
When we returned to the safehouse, we watched the tape again and again, but we could not come to any agreement about the woman — was she Dutch? was she Lebanese? was she one of those mythical Polish Haitians everybody’s heard about but nobody’s seen? — except that surely she was dead. And who was the child? And why was he taking her?
Nils made his jokes: We go to the police. We go to the old macoutes. We go to the CIA. We go to the missionaries. We go to the priests. We go to the American soldiers. But the only place we went was home. I have lived here since I was five years old, Angela, and this country is the only home I really know, but the older I get, the less I understand this place. I hate it that you left, but all night I dreamed about that bundle in the blanket, and I was so happy it was not you.
Please, love: don’t return to me.
Q & A
Q: What do you do in heaven?
A: Drink liquor, blow fire, and pray.
Q: Big G doesn’t mind?
A: With Big G, you have to make your own fun. The streets are paved with gold and lined with jewels. The sky shines with emeralds, diamonds, and rubies. The buildings are constructed of marbles of greens and reds and the fiercest blue. But the edifices are all facade. The storefronts are empty. Nobody needs to sleep or eat or make money, so nobody has to work or make a home. Big G made us crowns, but all we’re supposed to do is throw them at His feet. All the songs are triumphant and resolve to a major key. It’s pretty boring after a while.
Q: Why drink in heaven?
A: It’s a sad place. The climate is milder than hell, but they get the movies and the hard drugs. I’ve spent whole decades making carvings of bricks of heroin I can’t inject, lines of cocaine I can’t snort. All we do most of the time is remember the good bad days, tell stories about them, make books to hold the stories. I once spent a century honing a seventy-ton rock into compliant and foldable pages. I bound them with iron. But most of the time we run toward acid-free paper. I’ve written 397 books so far, but that’s nothing. You should see how my friend Joyce works. She writes so many thousands of books I’m not sure even eternity will be time enough to read them. It’s a grind, if you ask me.
Q: What do you pray for?