Conxa Pujol leafed through books with incredible engravings, navigation diaries, letters, and family portraits. On the beach she would toast her skin with the patience of a slave. She would find a place tucked away between sharp dry canes so no one would see her, where she could lie nearly nude on the sand and watch as her perfectly proportioned breasts took on the sweet amber glow of the fruit of the palm tree.
Bogged down in the opulence of his business, Conxa Pujol’s father only half-remembered her. Conxa’s only censor in her adolescence was Madame Pasquier, an ugly, depraved Frenchwoman from Toulon with a penchant for the literary.
Madame Pasquier allowed Conxa to do whatever foolish thing crossed her mind, and she encouraged her in the development of modish affectations. Conxa felt no attraction at all to boys of her own stripe, but when she saw the young fishermen pulling their boats along behind pairs of oxen or setting out in the evening for sardine trawls or night fishing, her phosphorescent eyes cast off doleful cinders. Conxa had the heart of a hysterical medusa. She would have liked for those burly, brutish, and inoffensive young men to dive naked into the sea, knives clenched between their teeth, and bring her back a slimy, fascinating sea monster. Conxa would have aspired to other things, too, and one of those brutish and inoffensive boys captured those aspirations perfectly, flashing his extremely white teeth at her one day when “the young lady from Can Pujol” wandered perilously close to those undershirts enhanced with sweat and salt. Conxa gave in to her own private democratic impulses, and an evil tongue assured that one night among the boats she had been seen arching her back like a grouper out of water, beneath the unrefined attentions of a young man who was known among the sailors as “Plug Ugly.”
But none of these things had been verified. In Sant Pol they circulated with some acidity, but by the time they reached Barcelona they were completely watered down.
Even so, el Senyor Pujol came to realize that marriage was as necessary for his daughter as their daily bread. Enigmatic Conxa, with the tropical insouciance she had inherited from her grandmother, didn’t protest at all when Antoni Mates, a man twenty years her senior, but a peerless match in both economic and social terms, asked for her hand. Nor when the marriage took place, with insulting and baroque pomp, in the Basilica of Our Lady of Mercy, known popularly as La Mercè.
Once married, Conxa — who was still what one might call a child — took up her place at the forefront of the women of Barcelona with the greatest success in attracting yearning glances and sighs. La Senyora Mates produced an effect of original and disconcerting elegance that only she could carry off. Other women tried to imitate her, but they could never find the right balance, nor did they possess Conxa’s skin, that exotic and irreplaceable accessory that could achieve whatever Conxa wished to achieve.
When the most sought-after stylists wanted to fob off some overpriced hat on a customer, they would claim it was a model that la Senyora Mates had chosen, and put aside, for one of those reasons stylists could always come up with. This happened everywhere: “We’re making one just like it for la Senyora Mates,” “La Senyora Mates has just ordered three.” “La Senyora Mates is on her way in to try it on.”
It goes without saying that Conxa had been besieged by the crème de la crème of lady-killers, living as she did in the midst of a corps of sweet panthers who saw no incompatibility between the sacrament of matrimony and the existence of a gigolo, or even of a gentleman who at some point might pick up some little tab. But despite the approaches of some and the fabrications of others, no one had gotten anywhere with her. This was odd, because it would have seemed natural that a woman who had been the stuff of legend when she was single might have continued to be the source of stories once married to a man who wasn’t exactly a head-turner. Sad as it may have been for some, the Mates’s seemed united, as if by some anatomical mystery, like Siamese twins. There was not a woman in Barcelona who spoke more glowingly of her husband or affected more constancy to the vows she had taken, and, moreover, behaved accordingly. Conxa had given up golf because her husband’s occupations didn’t allow him to accompany her. She had given up a great many things, and she put up with being criticized for it and taken for a fool by the other married ladies.
Conxa’s attitude was all the more rare in the world she lived in and all that much more opposed to the modern conception of “elegance” when you took into account that her marriage had produced no children, and the maternal tasks that justify so many things could not be adduced in her defense. What no few mature men, devotees of the current market value of adultery, asked themselves was this: “What the devil does a woman like her see in a wet blanket like Mates?”
That “wet blanket,” the Baró de Falset by the grace of the Dictator — because the Mates clan came from Falset, and he had paid to build some schools in the town, and invited General Primo de Rivera to the inauguration — had a history that didn’t go beyond mediocrity. Antoni Mates was the son of a rag merchant and of a woman who had butchered hens in the Born Market. The ragman had been a member of the inner circle of Planas i Casals, a famous local boss, and the fact that he had paid for the construction of two convents in the exclusive Bonanova district without any ill effects upon his fortune, is a perfectly natural thing, which everyone in Barcelona takes in stride. Antoni Mates was a cotton merchant of the highest order. His father had sent him to England for a few years and, despite his unpromising physical complexion for sport, it was said that he had been a good hockey player. In Barcelona, before the war, he had acquired some notoriety for his bright red bowler hat and for a little black horse he would spur on full speed down the Passeig de Gràcia.
Once married, Antoni Mates left horses and bowler hats behind, and turned into a sweet, dull, reactionary, and extremely religious man. His ragman’s fangs only came out at the office and at the meetings of the infinite boards on which he served. Lacking in political convictions and entirely skeptical about life, he had lain down like a dog before Primo de Rivera’s military Directory. Occasionally, of an afternoon, he would go to the Eqüestre to play bridge, and when he was thirsty he would order a Johnny Walker. These were the only two vaguely British things he still clung to. In contrast, if, on the occasional Sunday he accompanied his wife to the golf course, he would stretch out, bored to tears, and listen to the birds sing.
As he did every morning, the Baró de Falset had risen at eight-thirty. While he was still in the bathtub, oblivious to the spectacle of a body that would not have stood up well in a nudist camp, the servant knocked on the door.
“Senyor Baró, there is a young man here who says he must see you.”
“I don’t receive anyone at this time of day.”
“He says that it is quite urgent. He says it is of great interest to el Senyor Baró …”
“What is this young man’s name?”
“Guillem de Lloberola.”
“Guillem de Lloberola? Oh, yes! All right. See him into the parlor; ask him to be kind enough to wait.”