"And the electrical alarm?"
"Ah, yes," Moriarty said. "Which goes under the streets to the police station. A workman at the appropriate manhole, several blocks away from the bank, could easily render it inoperative for the required time."
"I see," Barnett repeated. And he was now sure he did.
"An aggregate of defenses, when taken together, may sound formidable," Moriarty said, "although when individually examined, they may be nothing of the sort." He laced his fingers together on the desk. "But let us leave off this theoretical discussion, however fascinating, and get on to more urgent matters. I have some word of Trepoff."
"You do?" Barnett said. "What have you found out? And how did you go about it?"
"I have spent every evening for the last few weeks playing chess at the Bohemian Club and at the Balalaika. The Russians have a passion for chess equaled only by their passion for intrigue. If I may say so, they are on the average better at chess."
"Weren't you afraid of being recognized? This Trepoff is trying to kill you, after all."
"He seems to have given up that notion — at least for the time being," Moriarty said. "And I took precautions against being recognized. Indeed, I passed you once as you rounded the corner of Montague Place, and you failed to recognize me. I added thirty years to my age and took six inches off my height. You have no idea how tiring it is to appear six inches shorter for hours at a time."
"Have you made any contacts among the anarchists?" Barnett asked.
Moriarty nodded. "They trust me. I am an old gentleman who beats them at chess and refuses to allow them to discuss their politics around him because it's all a stupid game and will accomplish nothing. I rant at them about how stupid they are, so they trust me."
"You speak Russian?" Barnett asked.
"Well enough," Moriarty said. "I mostly listen."
"What sort of people are they?"
Moriarty shook his head. "They are as ineffectual as children. They talk and they talk, they plan, and they argue. Hour after hour they argue. They may kill a few people — it is easy to kill — but they cannot form a successful committee. So how can they ever hope to form a government?"
"What did you find out?"
"Trepoff, calling himself Ivan Zorta, has been recruiting from the anarchist community. He has formed a secret group, which does not appear to have a name, made up of three-man cells. He has extorted strong oaths of allegiance from those he has subverted, promising them something big, something earthshaking. And soon."
"Did you see him?"
"No. Nobody has ever seen him, or so they say over the chess table. That is why I believe Zorta to be Trepoff. That and the promise of something big that he is holding out to his recruits. Also, it is all, except for Zorta himself, a little too visible. Despite all the horrible oaths and vows of secrecy, everyone in the community knows of the organization with no name. Whatever it does will surely be blamed on the anarchists, which is just what Trepoff is trying to accomplish. Now, let's look at your reports for the day."
Moriarty skimmed over the four sheets of paper Barnett had brought home filled with the day's unusual events. Apart from the mysterious bank robbery, into which Barnett decided not to delve any deeper, Barnett didn't think there was anything of particular interest.
Moriarty evidently agreed with him, as he didn't pause at any of the items until he reached the last. This he read through twice, and then he put the paper down and tapped it with his finger. "Tell me about this," he said.
"Not much to tell," Barnett said. "It looked to be a fascinating story for a while, but turned out to be nothing in the end. Luckily, all the papers picked up the correction before it got into print.
"The story got out that the Duke of Ipswich's seventeen-year-old daughter was missing under mysterious circumstances My agent, a reporter for the Standard, went out to Baddeley, the Ipswich ancestral manor in Kensington, to check on it. The butler answered the door and would not permit a reporter on the premises, but he assured my man that he was mistaken and that there was nothing wrong. My agent went to the local police station and discovered that they had indeed been called some hours before — this was early morning, so make it late last night — and were informed that Lady Catherine, the daughter, was missing. She had been entertaining a small group of friends and they had been playing a game — fish, I believe it is called — that involved much scurrying about and concealment.
"Lady Catherine went out to conceal herself, apparently, and could not be found. After an hour, her friends got worried and went around the house calling for her to come out, but she didn't. So they and the servants organized a systematic search of the mansion, from top to bottom. When they didn't find her — and by now over two hours had passed — they called in the police."
"A wise move," Moriarty noted.
"The butler informed the constable that the house had been locked for the night before Lady Catherine's disappearance. There is a patent burglar alarm on all the doors and windows, and it had been turned on. This had not been set off. So far, a first-class mystery and a first-class story, I'm sure you'll agree."
"I do," Moriarty said. "What is the denouement?"
"Well, just before my agent and the several other reporters who had appeared went racing back to their city rooms, His Grace the Duke of Ipswich arrived back at Baddeley Hall in the ducal carriage and demanded to know what was going on. When he was told that his daughter was missing, he said that on the contrary, he had taken her away himself only two hours before. The duchess, Lady Catherine's mother, is ill and in confinement at her mother's, and the duke and Lady Catherine had driven off to visit. It was a spur-of-the-moment decision of the duke's to take his daughter, and she apparently didn't bother to mention it to anyone in the house. She stayed with her mother while the duke returned home."
"And the burglar alarms?"
"He has a key."
"Of course. He would have."
Barnett shrugged. "So a first-class mystery becomes an ordinary series of misunderstandings. Luckily, the truth came out before the story was published."
"The truth," Moriarty said, "has yet to come out."
"What do you mean?"
"Life does not normally attain the qualities of a bad Restoration comedy. When you look at it from the far side of the mirror — that is, as a past event, the implausibility is less evident. But examine the story point by point, as it is supposed to have happened, and see what evolves. The Duke of Ipswich decides to visit his sick wife, who has chosen to be ill at her mother's house. On his way out he sees his daughter, who happens to be hiding from everyone else in the house, and invites her along. They leave, without seeing anyone else, whether friend, guest, or servant. Which has the duke opening and closing his own doors and turning off and resetting his own alarms. Did the duke give any reason for this extraordinary behavior?"
"No," Barnett said. "Not that I know of. Is it really that extraordinary?"
"For a duke to open his own front door? I should think so. That's the sort of naiveté that occurs in children's fairy tales. There's a knock on the castle door, and the king goes to answer it. Dukes do not open their own front doors. And if any servant had let them out, he would have mentioned it when the search for Lady Catherine began."
"So you conclude?"
"That the girl is, indeed, missing. That the Duke was notified of her absence, probably by the abductors, and was rushing back to Baddeley Hall to see if it was true. That he immediately denied her absence because he had been warned by the abductors to do so."
"Isn't that a slender thread upon which to hang such a weighty conclusion?" Barnett asked.