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Gradually it dawned on Barnett that Moriarty's ideas of law and morality were at variance with those of the rest of Victorian society. Moriarty, to put it bluntly, was a criminal. Sherlock Holmes, the brilliant consulting detective, considered Moriarty one of the most reprehensible villains in London as yet unhanged. This was, perhaps, an exaggeration. Holmes had been trying to catch Moriarty at some nefarious scheme or other for nearly a decade, and had yet to succeed. He had foiled one or two of the professor's plans, and apprehended a henchman or two; but he had never managed to link the crime in question to the quondam professor of mathematics now living in Russell Square. This had undoubtedly led to a certain pique, and a tendency to see Moriarty under every bush and a sinister plot behind every crime.

Professor Moriarty was not a simple criminal any more than he was a simple man. He had his own morality, as strict as or stricter than that of his contemporaries. But it differed in tone as well as in content from that smug complacency with which Victoria's subjects regarded "those lesser breeds without the law" unfortunate enough to be born in Borneo, or Abyssinia, or Whitechapel.

Moriarty had kept Barnett isolated from most of his criminal activities, finding Barnett more useful as an unbiased gatherer of information. As a result, Barnett had only hints of the organization that Moriarty commanded, or the activities that he directed. Barnett did know that whatever money Moriarty made from his activities, beyond that necessary to keep up his household, went into supporting his scientific experiments. Moriarty thought of himself as a scientist, and his other activities, legal and illegal, were merely the means of financing his inquiries into the scientific unknown.

-

Barnett stared at the tall, hawklike man across the breakfast table from him. Moriarty was an enigma: an avowed criminal, he had the highest intellectual and moral standards Barnett had ever known; an evident misanthrope, he quietly supported several charities in the most miserably poor sections of London; a confirmed realist, he showed an irrepressible inclination toward the romantic. It might not be that he sought out adventure; but however he might hide from it, it unerringly sought him out.

"You've always been interested in puzzles," Barnett said, breaking off his chain of thought as Moriarty noticed his fixed gaze. "Doesn't the image of a man murdered inside a locked room appeal to you?"

Moriarty thought over the question for a moment. "Not especially," he said. "I'd need more information than is given in the Morning Herald before I find it puzzling. The way they leave it, there are too many possible answers only because there are too many unasked questions."

"For example?"

"What of the windows, for example?"

"Locked. It says so."

"Of course. But what sort of locks? There are gentlemen, I believe, who can open a locked window from the outside."

"And then leave through the window, locking it after them?"

"In some cases, yes, depending upon the type of lock. Or, for example, the murderer could have concealed himself in a cupboard, or under the bed, and not left until after the body was discovered."

"I hadn't thought of that," Barnett said.

"I can list five other ways in which the supposed 'locked room' could have been circumvented," Moriarty said.

"I take it back," Barnett said, laying the newspaper face down on the table next to the chafing dish. "There is no puzzle. I was mistaken."

"There are, however, several items of interest in the account," Moriarty said.

"What items do you find interesting?"

"Ah!" Moriarty said. "More examples are requested. There is, for example, the question of motive. There are five motives for murder: greed, lust, fear, honor, and insanity. Which was this?"

"Scotland Yard is of the opinion that Lord Walbine was killed by a burglar."

"Greed then," Moriarty said. "But surely we have a most unusual burglar here: one who goes straight to the master bedroom when there are cupboards full of silver in the pantry; one who lays his lordship full length out on his bed and slashes his throat instead of giving him a friendly little tap on the head with a blunt object. And then one who disappears in a locked room."

"You just intimated that you knew several men who could have done it," Barnett said.

"Ah, yes. But again we come to the question of motive. Why would a burglar have gone to the additional trouble of closing the room after him? Why not just go out of the window and down the drainpipe?"

"I don't know," Barnett replied.

"And if it was indeed an interrupted act of burglary, what of the murder of Isadore Stanhope, the barrister, last week? Or the Honorable George Venn before that? All with their throats slit; all in their own bedrooms. One with his wife asleep in the adjoining bedroom, the other with a faithful hound lying undisturbed at the foot of the stairs. And nothing of value missing in any of the crimes. A singular burglar indeed!"

Barnett put down his spoon and stared across the table at his companion. Moriarty had not so much as glanced at the morning newspapers. Further, Barnett was willing to swear he hadn't seen a newspaper in the past three weeks. Moriarty scorned newspapers, and seldom opened them. One of Barnett's jobs was to keep a clipping file of current crime stories and other items that might interest the professor, but the last three weeks' clippings lay in a box, un-sorted and unfiled, on Barnett's desk. Yet somehow Moriarty knew the details of the three linked murders, as he seemed always to know all that was happening in London and most of what was happening throughout the world.

"You have another theory, then?" Barnett suggested.

"One should never theorize with insufficient facts," Moriarty said. "It is a practice most destructive of the mental faculties. As I said, there are some obvious questions that should be asked. The answers should give one a clear picture of the murderer and his motive."

"Such as?"

Moriarty shook his head. "I don't understand your fascination with this," he said. "A mundane series of murders with nothing to recommend them to the connoisseur. Reminiscent of Roehm in Düsseldorf a few years back, or the notorious Philadelphia Fox murders in '78. The only mystery in such cases is how the police can be so inefficient."

"As I remember," Barnett said, "they never caught the Philadelphia Fox."

"My point exactly," said Moriarty.

"If the investigation were in your charge," Barnett asked, "what would you do?"

"I resist the answer which springs to my lips," Moriarty said, with a hint of a smile, "as the language involved is rather coarse. However—" The professor removed his pince-nez lenses once again and began polishing them with his napkin. As he did he stared absently across the table at the Vernet which hung above the sideboard, a three-by-five-foot oil entitled Landscape with Cavalry.

Barnett watched with interest as the professor polished his lenses and stared unseeingly across the room. He was watching Moriarty think, as impressive an event to Barnett as watching Norman-Néruda play the violin or watching W. S. Gilbert scribble. Something incredible was happening right there in front of you, and if you were very lucky there was always the chance that some of whatever it was would rub off on you.

"The question of motive," Moriarty said, readjusting his pince-nez on his nose, "would seem to be the most promising. Of the five I cited, we can eliminate but one: insanity. I would concentrate on the backgrounds of the three men to establish what they had in common, to try to find a common denominator for our killer."