Over the course of raising two sons with raptor obsessions I’ve attended a great many birds of prey displays and become something of an aficionado. I have to say that, while there’s a certain frisson to be gained from the display at London Zoo, where a high-kicking secretary bird despatches a rubber snake with its barbed tootsies, my absolute favourite has to be the magnificent show put on at the Hawk Conservancy in Hampshire. This stars a brace of bald eagles, which loop out over the counterpane landscape for miles before returning, unerringly, to their handler’s mitt.
In my current ranking of such divertissements, I can — with some mean glee — assure you that the Sienese example came bottom. This was the worst birds of prey display it was possible to imagine; indeed, it was only saved from being a complete disaster by going badly wrong. I’ll explain. Albinoni tootled and rasped from a couple of speakers, a commanding and patriarchal narcissist (his blouse more voluminous, his hair iron-grey) strode on to the dusty sward. ‘I don’t like your big boots,’ sneered Luther (aged three). It was an inauspicious opening.
The Albinoni cut out, and using a hand mic’ the falconer gave us the usual spieclass="underline" history of hawking, capabilities of birds, &c. Then he took delivery of a goshawk from his lovely assistant and launched it into the sparkling air. The bird rapidly gained height towards the church of Santa Maria dei Servi, then disappeared. The falconer tried whirling his lure but to no avail — the bird had flown. He had only one possible course of action: loose a second hawk. This was done with some expeditiousness. Once again the bird mounted towards the skyline — and disappeared.
The falconer chirred and whooped, ululated and yelped. He put on such a performance that, far from being transported with the birds, I was left severely bench-bound and regretting my 19 euro expenditure. Then, finally, one of the hawks came barrelling back down. The falconer, caught unawares, had the lure grabbed from his hand and suddenly there was one freaked-out bird flapping about within feet of us, trying to choke down its meaty reward. But before we could take this spectacle on board, the second hawk came whirring over our heads and savagely attacked the first. Next the falconers piled in — all three of them — and their tanclad legs tangled with jesses, talons and beating wings, then the ghoulish spectators flocked to this perverse photo opportunity.
There is, of course, a lesson in all of this. When you find yourself in a touristic situation don’t try and buck the trend. We were meant to be looking at the Renaissance — not having our eyes pecked out by it.
The Sound of the Suburbs
Footlocker in Brixton on a Saturday afternoon. The ordered civility I remember from my own childhood, when Start-rite sandals were fitted by mock-obsequious girls in ‘shk-shk’ nylon, has given way to this curious free-for-all. Four or five video screens dangle from the dark ceiling of the shop, and four or five Britney Spears jiggle and jive and gurn. Assistants in the black-and-white, vertically striped shirts of American basketball referees seem to accost customers at random. On the walls are rack upon rack of hybridised training shoes. The training shoe as combat boot, ballet slipper, jackboot, wheelless sports car, alien appendage — is there any limit to the versatility of this footwear, which must have been responsible for the flattening of the feet of billions?
I could get stressed. The little boys have run amok, they’ve tied their Action Men on to lengths of string and are whirling them about their ears. My eldest — at fourteen emphatically too old to be out Saturday shopping with his dad — lounges over by the clothes rails. Doubtless in his fervid mind he is running a string of bootylicious hos in the ’hood. That leaves me and my daughter, struggling to find the right chunk of rubber and leather in the right size. At last we achieve this, and, freshly shod, debouch into the sunlight, where Mormon missionaries and the Nation of Islam do battle for the souls of the teeming crowd.
A major dérive is in order; we have to be yanked out of all this intense urbanity — only the ’burbs have the requisite balm. The five of us entrain from Brixton Station, and within half an hour we’re in Petts Wood, a planned interwar garden suburb, heavily Arts and Crafts influenced, two miles from Orpington. Almost instantly I feel myself relaxing, the tension courses from my shoulders, flows across the pavement and enters those of my eldest son. Christ! How he hates the suburbs — I can see the distaste etched all over his face. I know what he feels like, how the red brick, the pantiles, the stained-glass fanlights are all bearing down on him — because I felt exactly the same way at his age, as if I was about to be suffocated by the sheer orderliness of all the neat verges and linseed-oiled garage doors. Just to make him feel worse, I offer to rent a house for him and his mates so they can debauch together. There’s only one catch — it has to be in Petts Wood.
We stroll on and into the wood itself, a substantial chunk of primordial woodland left immured by London. Sessile oak, beech and silver birch crowd around the sandy track, the sunlight twinkles from between the interlocking boughs, the little boys cavort, the adolescents even begin to frolic a bit. Two miles brings us to the remains of Scadbury Manor, a medieval moated house. It’s been excavated and the tall brick chimneypieces and barrel-vaulted cellars are exposed to view. In the weed-choked moat some coots do their thing. We stand looking south through the fringing trees, to where the Swanley interchange of the M25 grumbles in the mid-distance.
I am ridiculously happy. I love these interzones, where country and city do battle for the soul of a place. I can sense the last few roads of semis below us in the valley, and beyond them the open fields. We’re only a few miles from the village of Downe, where Charles Darwin lived out his years selectively breeding pigeons. I like to think he would’ve appreciated this dérive as a sound survival mechanism, the only possible way to stay mentally fit in the psychotic entrails of a twenty-first century megalopolis. Then we walk on to Sidcup through cluttered, darkling fields.
Sidcup is one of those outer London suburbs that have achieved the sublime status of place-name-as-insult. Pinter made much of the place in The Caretaker, the trampish protagonist of which is forever on his way to Sidcup to ‘get me papers’. But we don’t get to see much of the place; night is falling on the valley of the River Cray as we limp into the town centre. There’s time for burgers and kebabs in a Turkish-run chippie, before we proceed to the station and entrain for London Bridge.
On the train are Sidcup lads and lasses glammed up for a Saturday night up in the Smoke. I lean over to my eldest: ‘See that chap over there,’ I whisper, ‘we’re so far out in the sticks he’s unashamedly sporting a mullet!’ My son winces. But then, as the train clatters over the great silvery river of tracks which are being fed into London Bridge, I can see the tension seep out of his shoulders. He’s safe, back in the warm beating heart of his natal city. I, on the other hand, feel dreadful again.
Right to Urban Roaming
I welcome the new right to roam, yes indeedy I do. After all, I’m a committed walker with the yards of nylon and feet of Gore-Tex to prove it. There’s nothing I like more than a good walk and most mornings I begin the day with a little hike to the bathroom, where I choke down a bit of Kendal Mint Cake while liberally pissing. Then I walk downstairs to the kitchen, where I stop for a well-earned breakfast, usually a cereal bar broken up in a bowl with milk added. I call this concoction of my own devising ‘muesli’. Then I walk back upstairs to my office. That’s three walks even before I’ve started work!