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Messengers arrive from the subway station below with roll-call lists: most of the Supreme Court has arrived, as well as hundreds of Congressional leaders and State governors, the members of HUAC and the Senate Internal Security Subcommittee, the Rosenberg prosecution team and jury, J. Edgar Hoover and his boys, the Executioner and Guest Speakers. “Sir, before God and his chilluns, I believe the hour is come,” grins Uncle Sam, glancing over the rolls, “to hot up the brandin’ arns, open up the gates, and get this ro-day-oh under way! Yessirree bob! my judgment approves this measure, and my whole heart is flat in it! I summon all honest men, all patriotic, all forward-lookinvarmints to my side!”

There’s an excited backstage hustle and bustle, rippling all the way down into the station below. Ties are straightened, pants hitched, drinks drained, hair primped, crotches fiddled, lips licked, brows wiped nervously. This is it.

“Hey, wait a minute!” someone calls out. “Where’s Dick Nixon?”

21. Something Truly Dangerous

The sun was slipping off toward the western horizon, dipping down over the Catskills, as I stepped off the empty train and into the streets of Ossining. I felt a little like one of those beardy desperadoes arriving at a dusty Hollywood cowtown for the final showdown. On the other hand, it was like coming home. Not to Sing Sing, of course, hunkering up on the bluff to my right like some impenetrable medieval fortress, ringed round with its high turreted ramparts (or else like a cluster of friendly red-brick schoolhouses sitting in a sunlit playground — everything seemed double-edged like that since my sudden decision to come here, full of promise and danger at the same time), but to this familiar suburban Main Street with its squat three-story buildings, its scattered fleet of dented Fords and Chevies, its shops and billboards promoting all the recognizable brand names. I didn’t know whether I was going to be met by the Sheriff or by Mom and Dad. Or which was the more threatening prospect. The very familiarity of this place could be a kind of bait, I recognized. An elaborate trap. Maybe Mom was the Sheriff. Not literally, of course, but she was the one I’d turned away from back there in Penn Station, and if I was walking with either of them now, it was the rebellious and hot-blooded old man, not her. The people streaming past me into the station, rushing for tickets on the southbound trains, might well have been found on the streets of Whittier, all right: middle-aged men in shirtsleeves and suspenders, ladies in unfashionable summer dresses, low-hemmed and sleeves to the elbows, a lone Negro — a trusty maybe — idly sweeping out the station. We had a Negro in Whittier, too. What we didn’t have out there, though, were all these cops — they were all over the place, it was like a goddamn military occupation. All this protection was a relief in a way. But also unnerving, given the reason for my being here. They might not all agree I was on their side. Some boys were playing marbles down by the tracks. That was what Tyler was doing, I recalled, when the Incarnation hit him: playing marbles. Yes, anything could happen. Or nothing. Very scary, but there was no turning back. Courage and confidence, I told myself. The valiant never etc. The choice has been made: now live with it.

I hadn’t reached this decision in the calmest of circumstances. In fact it was just when the horseplay aboard the Look Ahead, Neighbor Special had really started to peak that it had come to me what it was I had to do. But this was to be expected: in a critical situation it wasn’t supposed to be easy, and I often got my best ideas just when the going was toughest. We hadn’t crashed, as I’d feared, but we hadn’t slowed either — if anything, we’d started screaming along faster than ever, and the closer we’d drawn to New York, the sicker I’d become and the wilder the scene around me. The songs had got dirtier, the laughter louder, people were wandering around a lot, exchanging flasks and getting very playful with each other. A couple of young legal assistants up at the other end of the car had got into a scuffle that no one had seemed to want to break up. Girls were squealing giddily. A plump prissy clerk from the General Accounting Office, strutting fruitily up and down the aisle in crushed field hat, sunglasses, and corncob pipe, and singing “Old Soldiers Never Die, They Just Fly Away!”, had slipped on some spilt booze and crashed into the arms of TIME’S showman kid brother LIFE, launching what had showed every sign of becoming an outrageous romance. Anything to keep LIFE busy. The sonuvabitch had been snapping a lot of pictures, probably for one of those anthropological features, “LIFE Goes to a Party,” and the popping flashgun had been making me very goddamned edgy. The few drunks with any voice left were singing “Roll Your Leg Over”…

“If all little girls were atomical spies,

And I were the hot seat, I’d juice up their thighs!

Oh roll your leg over, oh roll your leg over,

Oh roll your leg over, the man in the moon!”

What was I to do? I had to think! I knew, if I was to avoid a no-win policy, I had to launch a counterattack — but how? and against whom? What I needed was an issue, just one good issue — when you’re in trouble like that, you’ve got to find an issue and concentrate on it, not yourself — I was back on my own one-yard line, it was time to throw a long one! time to punt and pray! Maybe that was it, maybe I ought to pray! My Quaker upbringing and religious experience in the Society of Friends had got me out of tough jams in the past, maybe they’d work for me now! But it had been too goddamn noisy. I couldn’t even think.

Young women had gone bouncing around the car as though being tossed by the violent rocking of the train, waggling their boobs and falling into guys’ laps, grabbing on to whatever they’d found there. Somehow they’d missed me. They hadn’t missed me with the food they were throwing around, though — nor with the bottles of pop they were shaking up and firing off at each other like…fire hoses…. Oh shit, I’m sorry about what I’ve done, I’d thought, feeling the tears spring on cue to my eyes. That was the play I’d learned to cry in, Bird-in-Hand. I’d played the old innkeeper — those lines had come rolling back to me now like an ancient judgment: I shall be sorry for it till the end of my life! Ah, that poor old fellow! I knew that coolness — or perhaps the better word for it was serenity — in battle was a product of faith, but this was more than I could take! And all because I believed in the American ideal of trying to do my best, trying harder, wanting to do good in the world, to build a structure of peace! Oh, I’ve behaved so as I ought to be ashamed, I know, I’d wept unprompted as an egg salad sandwich hit the window beside me and splattered into my lap—but this business ‘as pretty near broke meeart…!

“This Communist spy had showbizz aspirations,

Tonight she will be Broadway’s hottest sensation!

Oh roll your leg over, oh roll your leg over…!”

But wait a minute, wait a minute — what about all these plays, I’d wondered? We’d all been in them, even Eisenhower in high school at the turn of the century — he’d played the sheeny buffoon in a parody of The Merchant of Venice and stolen the show: “Dwight Eisenhower as Launcelot Gobbo, servant to Shylock,” the town newspaper had reported, “was the best amateur humorous character seen on the Abilene stage in this generation!” It was as though we’d all been given parts to play decades ago and were still acting them out on ever-widening stages. Tragic lover, young author, athlete, host, father, and businessman — I’d played them all and was playing them still…